Surging Ahead
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Surging Ahead
''Surging Ahead'' is the second album by American composer/arranger/keyboardist Clare Fischer, released in 1963 by Pacific Jazz Records. Reception '' The Atlanta Daily World's'' Albert Anderson received Fischer's sophomore outing much as he had the debut: ''The former arranger for the Hi-Lo's, Fischer has worked quietly behind the jazz scenes until recently, when he waxed his first album. It was a big hit for him. Here, Fischer and the trio play the blues the way they ought to be played - with deep feeling. Just dig his version of "Things Ain't What They Used to Be," and you'll get the message. The group's playing on this number really reflects pensiveness. This is the top tune, but the entire fare is delightful. Each of the sidemen contribute substantially to the session. A solid entry for Fischer and Co.'' Track listing Side 1 # "Billie's Bounce" (Charlie Parker) # "Way Down East" (Larry Adler) # "Satin Doll" (Billy Strayhorn) # " This Can't Be Love" (Richard Rodgers-Lorenz ...
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Clare Fischer
Douglas Clare Fischer (October 22, 1928 – January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence ("I wouldn't be me without Clare Fischer"Hancock, Herbie; as told to Michael J. West"Herbie Hancock Remembers Clare Fischer" ''JazzTimes''. April 5, 2013. Retrieved 2013-05-24.), he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, '' 2+2'' (1981), the first of Fischer's records to incorporate the vocal ensemble writin ...
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Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ...
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1963 Albums
Events January * January 1 – Bogle–Chandler case: Commonwealth Scientific and Industrial Research Organisation scientist Dr. Gilbert Bogle and Mrs. Margaret Chandler are found dead (presumed poisoned), in bushland near the Lane Cove River, Sydney, Australia. * January 2 – Vietnam War – Battle of Ap Bac: The Viet Cong win their first major victory. * January 9 – A total penumbral lunar eclipse is visible in the Americas, Europe, Africa, and Asia, and is the 56th lunar eclipse of Lunar Saros 114. Gamma has a value of −1.01282. It occurs on the night between Wednesday, January 9 and Thursday, January 10, 1963. * January 13 – 1963 Togolese coup d'état: A military coup in Togo results in the installation of coup leader Emmanuel Bodjollé as president. * January 17 – A last quarter moon occurs between the penumbral lunar eclipse and the annular solar eclipse, only 12 hours, 29 minutes after apogee. * January 19 – Soviet spy Gheorghe ...
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Livedoor
was a Japanese company that functioned as an Internet service provider and operator of a web portal and blog platform before being brought down by a scandal in 2006. The company was founded and led in its first 10 years by Takafumi Horie, known as "Horiemon" in Japan. Livedoor grew into one of Japan's premier Internet businesses, putting over 1,000 employees on its payroll at its peak. Its reliance on acquisitions and stock swap mergers to achieve growth also made it one of the country's most controversial enterprises. Its growth came to a resounding halt when scandal erupted in early 2006. An investigation of securities law violations led to a nosedive in the company's stock price. The Tokyo Stock Exchange delisted Livedoor on April 14, 2006. The floundering company's properties were purchased by South Korea-based NHN Corp in 2010. Today the ISP and blog services that bear the Livedoor name are operated by Line Corporation, developers of Line messaging services and the Naver ...
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Gary Peacock
Gary George Peacock (May 12, 1935September 4, 2020) was an American jazz double bassist. He recorded a dozen albums under his own name, and also performed and recorded with major jazz figures such as avant garde saxophonist Albert Ayler, pianists Bill Evans, Paul Bley and Marilyn Crispell, and as a part of Keith Jarrett’s “Standards Trio” with drummer Jack DeJohnette. The trio existed for over thirty years, and recorded over twenty albums together. DeJohnette once stated that he admired Peacock's "sound, choice of notes, and, above all, the buoyancy of his playing." Marilyn Crispell called Peacock a "sensitive musician with a great harmonic sense." Early life Peacock was born in Burley, Idaho, on May 12, 1935; his father worked as a business consultant for grocery stores, and his mother was a homemaker. He grew up in Yakima, Washington, where he attended Yakima Senior High School, now called A.C. Davis High School. His earliest musical experiences involved playing piano, ...
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Larry Bunker
Lawrence Benjamin Bunker (November 4, 1928 – March 8, 2005) was an American jazz drummer, vibraphonist, and percussionist. A member of the Bill Evans Trio in the mid-1960s, he also played timpani with the Los Angeles Philharmonic orchestra. Biography Born in Long Beach, California, Bunker was a central figure on the West Coast jazz scene, one of the relatively few who actually were from the region. In the 1950s and 1960s he appeared at Howard Rumsey's Lighthouse in Hermosa Beach, and performed with Shorty Rogers and His Giants and others. At first he played primarily drums, but increasingly he focused on vibraphone and was later highly regarded for his playing of timpani and various percussion instruments. A dependable and in-demand studio drummer and vibist, Bunker achieved particular distinction by recording with Billie Holiday, Ella Fitzgerald, Peggy Lee, Diana Krall, and many other jazz greats. In 1952, he was the drummer in one of Art Pepper's first groups. In 1953 an ...
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Colin Bailey (drummer)
Colin James Bailey (9 July 1934 – 20 September 2021) was a British-born American jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major ... drummer. Biography Born in Swindon, England, in 1934, Bailey learned to play drums as a child, studying formally from age seven. His first band was the Nibs, when he was 7, which consisted of two accordions, banjo and drums. He toured with Winifred Atwell from 1952–1956, and performed at the London Palladium for Queen Elizabeth (1952). He lived in Australia from 1958 into the early 1960s, playing in the staff band for Channel 9 TV. In Sydney, he played with Bryce Rohde and the Australian Jazz Quartet, backing musicians such as Dizzy Gillespie and Sarah Vaughan. When the AJQ toured the U.S., Bailey was hired by Vince Guaraldi, with Monty Bu ...
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Albert Stinson
Albert Stinson (August 2, 1944 in Cleveland, Ohio – June 2, 1969) was an American jazz double-bassist. Stinson learned to play piano, trombone, and tuba before settling on bass at age 14. After his graduation from John Muir High School in Pasadena, California in 1962, he began playing professionally in the early 1960s in Los Angeles, working with Terry Gibbs, Frank Rosolino, Chico Hamilton, and Charles Lloyd (1965). Later in the decade he worked with Larry Coryell, John Handy (1967), Miles Davis, Bobby Hutcherson (1967), and Gerald Wilson's Los Angeles-based big band. His ebullient personality, bright tone, and aggressive attack all contributed to his being nicknamed "Sparky". Stinson died on tour of a drug overdose in 1969 at the age of 24. He never recorded as a leader but appears on Hamilton's Impulse! albums, Hutcherson's Blue Note album ''Oblique'', and Handy's Koch Records album ''New View!'' He also appears on Clare Fischer's album ''Surging Ahead''. Discography With Lar ...
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Vincent Youmans
Vincent Millie Youmans (September 27, 1898 – April 5, 1946) was an American Broadway composer and producer. A leading Broadway composer of his day, Youmans collaborated with virtually all the greatest lyricists on Broadway: Ira Gershwin, Otto Harbach, Oscar Hammerstein II, Irving Caesar, Anne Caldwell, Leo Robin, Howard Dietz, Clifford Grey, Billy Rose, Edward Eliscu, Edward Heyman, Harold Adamson, Buddy DeSylva and Gus Kahn. Youmans' early songs are remarkable for their economy of melodic material: two-, three- or four-note phrases are constantly repeated and varied by subtle harmonic or rhythmic changes. In later years, however, he turned to longer musical sentences and more rhapsodic melodic lines. Youmans published fewer than 100 songs, but 18 of these were considered standards by ASCAP, a remarkably high percentage. Biography Youmans was born in New York City, United States, into a prosperous family of hat makers. When he was two, his father moved the family to upp ...
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Without A Song
"Without a Song" is a popular song composed by Vincent Youmans with lyrics later added by Billy Rose and Edward Eliscu, published in 1929. It was included in the musical play, ''Great Day''. The play only ran for 36 performances but contained two songs which became famous, "Without a Song" and "Great Day". Background and initial recordings *Canadian singer, Gilbert Burgess Holland introduced “Without A Song” in the show ''Great Day'' accompanied by Fletcher Henderson's Orchestra, in the pit of the famous Park Theatre, NYC. Gilbert is the son of Reverend John Christie Holland. *One of the earliest recordings of the song was by Paul Whiteman's orchestra featuring Bing Crosby on October 9, 1929 and this reached the charts of the day. *"Without a Song" was recorded in March 1946 in New York by Billy Eckstine, who later rerecorded the song live on 30 August 1960 at the Cloud Nine Lounge of the New Frontier Hotel in Las Vegas for his album No Cover, No Minimum. *"Without a Song" a ...
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Bix Beiderbecke
Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell. His solos on seminal recordings such as "Singin' the Blues" and " I'm Coming, Virginia" (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. "In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he recorded. His piano style reflects both jazz and classical (mainly impressionist) influences. All five of hi ...
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Davenport Blues
Davenport Blues is a 1925 song composed and recorded by Bix Beiderbecke and released as a Gennett 78. The song has become a jazz and pop standard. Background "Davenport Blues" was recorded by Bix Beiderbecke and His Rhythm Jugglers at the Gennett studio on Monday, January 26, 1925, in Richmond, Indiana, and released as Gennett 5654 backed with "Toddlin' Blues" as the A side. The band consisted of Tommy Dorsey on trombone, Paul Madeira Mertz on piano, Don Murray on clarinet, Howdy Quicksell on banjo, Tom Gargano on drums, and Bix Beiderbecke on cornet. Hoagy Carmichael was present at the recording session. The title derives from the name of Bix Beiderbecke's hometown of Davenport, Iowa. The instrumental is made up of a four bar introduction, a 16 bar verse followed by a 32 bar chorus, after which the verse and chorus are repeated with a 2 bar extended ending. The same melody is used for the verses, but both choruses have different melodies though nearly identical chords. Only on t ...
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