Surf's Up (song)
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Surf's Up (song)
"Surf's Up" is a song recorded by the American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally intended for ''Smile'', an unfinished Beach Boys album that was scrapped in 1967. The song was later completed by Brian and Carl Wilson as the closing track of the band's 1971 album '' Surf's Up''. Nothing in the song relates to surfing; the title is a play-on-words referring to the group shedding their image. The lyrics describe a man at a concert hall who experiences a spiritual awakening and resigns himself to God and the joy of enlightenment, the latter envisioned as a children's song. Musically, the song was composed as a two-movement piece that modulates key several times and avoids conventional harmonic resolution. It features a coda based on another ''Smile'' track, "Child Is Father of the Man". The only surviving full-band recording of "Surf's Up" from the 1960s is the basic backing track of the first movement. There are thre ...
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The Beach Boys
The Beach Boys are an American Rock music, rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian Wilson, Brian, Dennis Wilson, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmony, vocal harmonies, adolescent-themed lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of traditional pop, older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical music, classical or jazz elements and Recording studio as an instrument, unconventional recording techniques in innovative ways. The Beach Boys began as a garage band, managed by the Wilsons' father Murry Wilson, Murry, with Brian serving as composer, arranger, producer, and ''de facto'' leader. In 1963, they enjoyed their first national hit with "Surfin' U.S.A.", beginning a ...
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Word Play
Word play or wordplay (also: play-on-words) is a literary technique and a form of wit in which words used become the main subject of the work, primarily for the purpose of intended effect or amusement. Examples of word play include puns, phonetic mix-ups such as spoonerisms, obscure words and meanings, clever rhetorical excursions, oddly formed sentences, double entendres, and telling character names (such as in the play ''The Importance of Being Earnest'', ''Ernest'' being a given name that sounds exactly like the adjective ''earnest''). Word play is quite common in oral cultures as a method of reinforcing meaning. Examples of text-based (orthography, orthographic) word play are found in languages with or without alphabet-based scripts, such as homophonic puns in Mandarin Chinese. Techniques Some techniques often used in word play include interpreting idioms literally and creating contradictions and redundancies, as in Tom Swifties: :"Hurry up and get to the back of the shi ...
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The Beach Boys TV (Dennis)
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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Acclaimed Music
Acclaimed Music is a website created by Henrik Franzon, a statistician from Stockholm, Sweden in September 2001. Franzon has statistically aggregated hundreds of published lists that rank songs and albums into aggregated rankings by year, decade and all-time. Lists that are submitted by readers to magazines or websites are excluded from the aggregation. Author Michaelangelo Matos writes that "Franzon's methods are imperfect, but as indicators of overall critical appeal go, it's hard to beat." , the site's aggregated lists name the Beach Boys' ''Pet Sounds'' (1966) as the most highly rated album of all time, and Bob Dylan's "Like a Rolling Stone" (1965) as the most highly rated song of all time. Additionally, the Beatles The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time and were integral to the developmen ... are th ...
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Mojo (magazine)
''Mojo'' is a popular music music magazine, magazine published monthly in the United Kingdom, initially by Ascential, Emap, and since January 2008 by Bauer Verlagsgruppe, Bauer. Following the success of the magazine ''Q (magazine), Q'', publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. ''Mojo'' was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for ''Blender (magazine), Blender'' and ''Uncut (magazine), Uncut''. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of ''Mojo'' was Paul Du Noyer and his successors have included Mat Snow, P ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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Brian Wilson Presents Smile
''Brian Wilson Presents Smile'' (also referred to as ''Smile'' or the abbreviation ''BWPS'') is the fifth studio album by American musician Brian Wilson, released on September 28, 2004 on Nonesuch. It features all-new recordings of music that he had originally created for ''Smile'', an unfinished album by the Beach Boys that he abandoned in 1967. Revisiting ''Smile'' was an intense emotional undertaking for Wilson, as he had been deeply traumatized by the circumstances that had originally surrounded the project. Wilson initially agreed to revisit ''Smile'' in the form of a live concert performance as a follow-up to his 2000–2002 ''Pet Sounds'' tour. From October to November 2003, he worked with keyboardist Darian Sahanaja and original lyricist Van Dyke Parks in assembling a three-movement structure for ''BWPS'' while embellishing the material with newly written lyrics and melodies. Wilson and his band premiered it at the Royal Festival Hall in London on February 20, 2004. ...
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The Smile Sessions
''The Smile Sessions'' is a compilation album and box set recorded by American rock band the Beach Boys, released on October 31, 2011 by Capitol Records. The set is the follow-up to ''The Pet Sounds Sessions'' (1997), this time focusing on the abandoned recordings from the band's unfinished 1966–1967 album ''Smile''. It features comprehensive session highlights and outtakes, with the first 19 tracks comprising a hypothetical version of the completed ''Smile'' album. The compilation is the first and only package devoted to the 1960s ''Smile'' recordings originally produced by Brian Wilson, arriving after decades of public anticipation and numerous false starts. The project was led primarily by audio engineers Alan Boyd, Mark Linett, and Capitol A&R director Dennis Wolfe, with Wilson acting as a remote supervisor, assisting the engineers with some mixing decisions. Previously, Wilson had completed a solo album based on ''Smile'' in 2004, which Boyd, Linett, and Wolfe used as a ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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The Rock Revolution
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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Child Is Father Of The Man
"Child Is Father of the Man" is a song by American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally recorded for the band's never-finished album ''Smile''. In 2004, Wilson rerecorded the song for ''Brian Wilson Presents Smile''. In 2011, the Beach Boys' original recording was released on ''The Smile Sessions''. The title derives from an idiom meaning that man is the product of habits and behavior developed in youth. Surviving tapes of the original recordings do not show any lyrics other than "child is father of the man". Parks penned new words for the 2004 version. The instrumentation includes keyboard, trumpet, vocal rounds, and a droning guitar saturated with reverb. Elements of the song were later reworked for the band's " Little Bird" and " Surf's Up". Background "Child is father of the man" is an idiom originating from the poem "My Heart Leaps Up" by William Wordsworth. There are many different interpretations of the phrase ...
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Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ...
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