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Surendra Nath Jena
Surendra Nath Jena (10 October 1924 – 8 October 2007) was an Odissi dancer. His dance style incorporates the various aspects of Indian culture, such as temple sculpture, ancient dance, Sanskrit and vernacular literature, yoga, traditional painting, manuscripts, and philosophy. The entire music and dance choreography of these compositions were by Jena himself. Early life Childhood Surendra Nath Jena lived in the small village of Uchapur in Bhadrak district of Odisha. He belonged to a very poor family of farmers. His father Kalandi Charan Jena died at early age and his mother Gukhuni Devi Jena brought him up by selling vegetables and fish in the local market. His mother belonged to an artist family of local singers and Jatra actors. Due to very less interest in studying in school and being naughty, at the age of seven his mother put him in Asura Matha, a nearby institution where children lived and stayed to learn dance and drama. Jatra Journey His Jatra teacher was A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FLAG
A flag is a piece of fabric (most often rectangular or quadrilateral) with a distinctive design and colours. It is used as a symbol, a signalling device, or for decoration. The term ''flag'' is also used to refer to the graphic design employed, and flags have evolved into a general tool for rudimentary signalling and identification, especially in environments where communication is challenging (such as the maritime environment, where semaphore is used). Many flags fall into groups of similar designs called flag families. The study of flags is known as "vexillology" from the Latin , meaning "flag" or "banner". National flags are patriotic symbols with widely varied interpretations that often include strong military associations because of their original and ongoing use for that purpose. Flags are also used in messaging, advertising, or for decorative purposes. Some military units are called "flags" after their use of flags. A ''flag'' (Arabic: ) is equivalent to a brigad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhadrak District
Bhadrak is a district of Odisha state in eastern India. Bhadrak city is the headquarters and the largest city of the district. Origin of name The district is named after goddess Bhadrakali whose temple is situated in Agarpada which is 8 km distant from the Bhadrak city. History The district includes Rakta Tirtha Eram in Basudevpur, where about 30 people along with a woman named Pari Bewa were killed by the British police, DSP Kunjabihari Mohanty while fighting for independence. The legendary history of Bhadrak District dates back to the age of the Puranas when Odisha achieved thriving maritime and agrarian prosperity. As far as the history is concerned, king Mukunda Dev was the last sovereign indigenous ruler of Bhadrak. After the year 1575 following the discomfiture of the Afghans at the hand of Raja Man Singh under the Mughal period Bhadrak District survived as a Subha and later passed under the Nawabs of Bengal. When the Mughals diminished from the political scenar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahari Dance
Mahari is a ritualistic dance form from the eastern Indian state of Odisha that used to be performed at the temple of Lord Jagannatha at Puri by devadasi dancers called ''maharis''. Following the abolition of the devadasi system, the dance has been discontinued at the Jagannatha Temple but is now performed on stage at many venues. The Mahari dance spurred the development of both Odissi and the Gotipua dance forms of Odisha. The Maharis have been among the foremost exponents of both traditional Odia dance and Odissi music. History Mahari dance is nearly thousand years old with dance having been an integral part of the daily rituals at the Jagannath temple of Puri since the time of Ganga rulers of Utkala. In the twelfth century, Chodaganga Deva gave the dance a legal status, establishing new localities for the maharis to stay and introduced new ceremonies for the deity. The classical dance form of Odissi has its roots in the Mahari dance while the Gotipua dance originated as an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devadasis
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period royal patrons provided them with gifts of land, property, and jewellery. After becoming Devadasis, the women would spend their time learning religious rites, rituals, and dances. Devadasis were expected to live a life of celibacy, however, there have been instances of exceptions. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotipua
Gotipua is a traditional dance form in the state of Odisha, India, and the precursor of Odissi classical dance. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. The dance is executed by a group of boys who perform acrobatic figures inspired by the life of Radha and Krishna. The boys begin to learn the dance at an early age until adolescence, when their androgynous appearance changes. In the Odia language, Gotipua means "single boy" (''goti-pua''). Raghurajpur, Odisha (near Puri) is a historic village known for its Gotipua dance troupes. The dance of the Gotipuas is accompanied by traditional Odissi music with the primary percussion being the Mardala. Dancers To transform into graceful feminine dancers the boys do not cut their hair, instead they style it into a knot and weaving garlands of flowers into it. They make up their faces with mixed white and red powder. ''Kajal'' (black eyeliner) is broadly applied around ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triveni Kala Sangam
Triveni Kala Sangam is an important cultural and arts complex and education centre in New Delhi. Founded in 1950, by Sundari K. Shridharani, who was also its Founding Director, Triveni, as it is commonly referred, contains four art galleries, a chamber theatre, outdoor theatre, open air sculpture gallery, besides this it runs its various arts, music and dance classes. It is situated on Tansen Marg, between Mandi House roundabout and Bengali Market. History The idea of starting a dance institution in Delhi was raised by Sundari K. Shridharani, a former student of dancer Uday Shankar, in 1950 when she had just moved to Delhi after marriage. The name 'Triveni Kala Sangam' was coined by flautist, Vijay Raghav Rao and literally meaning "confluence of arts". It started in one room above a Coffee House in Connaught Place, New Delhi, Connaught Place, Delhi, with two students under noted artist K. S. Kulkarni. Soon her efforts got noticed, and Pandit Nehru allotted her the land for the i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru
Guru ( sa, गुरु, IAST: ''guru;'' Pali'': garu'') is a Sanskrit term for a "mentor, guide, expert, or master" of certain knowledge or field. In pan-Indian traditions, a guru is more than a teacher: traditionally, the guru is a reverential figure to the disciple (or '' shisya'' in Sanskrit, literally ''seeker f knowledge or truth'' or student, with the guru serving as a "counselor, who helps mold values, shares experiential knowledge as much as literal knowledge, an exemplar in life, an inspirational source and who helps in the spiritual evolution of a student". Whatever language it is written in, Judith Simmer-Brown explains that a tantric spiritual text is often codified in an obscure twilight language so that it cannot be understood by anyone without the verbal explanation of a qualified teacher, the guru. A guru is also one's spiritual guide, who helps one to discover the same potentialities that the ''guru'' has already realized. The oldest references to the concep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayan
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned king amidst jubilation and celebration. The ''Ramayana'' is one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
