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Supertrios
''Supertrios'' is a 1977 album by jazz pianist McCoy Tyner, his eleventh to be released on the Milestone label. It was recorded in April 1977 and features performances by Tyner with two rhythm sections: bassist Ron Carter and drummer Tony Williams on the first half of the album, and bassist Eddie Gómez and drummer Jack DeJohnette on the second. Reception The Allmusic review by Scott Yanow states "Throughout, the percussive and highly influential pianist sounds inspired by the opportunity to create music with his peers. Recommended".Yanow, S. Allmusic Reviewaccessed February 24, 2009. Track listing # "Wave" ( Jobim) - 7:27 # "Blues on the Corner" - 6:28 # "I Mean You" ( Hawkins, Monk) - 4:21 # "The Greeting" - 7:56 # " Prelude to a Kiss" (Ellington, Gordon, Mills) - 4:35 # "Moment's Notice" ( Coltrane) - 5:49 # "Hymn-Song" - 5:11 # "Consensus" - 9:34 # "Four by Five" - 5:30 # " Stella by Starlight" (Washington, Young) - 8:05 # " Lush Life" ( Strayhorn) - 6:24 # "Blues for B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Gómez (musician)
Edgar Gómez (born October 4, 1944) is a Puerto Rican jazz double bassist, known for his work with the Bill Evans Trio from 1966 to 1977. Biography Gómez moved with his family from Puerto Rico at a young age to New York, where he was raised. Yanow, Scott. Allmusic biography of Eddie Gómez. Retrieved January 26, 2014. He started on double bass in the New York City school system at the age of eleven and at age thirteen went to the New York City High School of Music & Art. He played in the Newport Festival Youth Band (led by Marshall Brown) from 1959 to 1961, and graduated from Juilliard in 1963. He played with musicians such as Gerry Mulligan, Marian McPartland, Paul Bley, Steps Ahead, and Chick Corea. He spent a total of eleven years with the Bill Evans Trio, which included performances in the United States, Europe and Asia, as well as dozens of recordings. His career mainly consists of working as an accompanist, a position suited for his quick reflexes and flexibility. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Williams (drummer)
Anthony Tillmon Williams (December 12, 1945 – February 23, 1997) was an American jazz drummer. Williams first gained fame as a member of Miles Davis' " Second Great Quintet", and later pioneered jazz fusion with Davis' group and his own combo, the Tony Williams Lifetime. In 1970, music critic Robert Christgau described him as "probably the best drummer in the world". Williams was inducted into the ''Modern Drummer'' Hall of Fame in 1986. Life and career Williams was born in Chicago and grew up in Boston. He is of African, Portuguese, and Chinese descent. He studied with drummer Alan Dawson at an early age, and began playing professionally at the age of 13 with saxophonist Sam Rivers. Saxophonist Jackie McLean hired Williams when he was 16. At 17 in 1963 Williams gained attention by joining Miles Davis in what was later dubbed Davis's Second Great Quintet. Williams was a vital element of the group, called by Davis in his autobiography "the center that the group's sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focal Point (album)
''Focal Point'' is a 1976 album by jazz piano, pianist McCoy Tyner, his tenth to be released on the Milestone Records, Milestone label. It was recorded during four days in August 1976 and features a septet fronted by three reed players (Gary Bartz, Joe Ford (musician), Joe Ford and Ron Bridgewater) who were in part multiplied through overdubs. On one track Tyner is heard picking a Appalachian dulcimer, dulcimer backed by tablas, evoking the sound of an Indian sitar. "Parody" is a duo with Eric Gravatt on drums. The album was digitally remastered at Fantasy Studios in 1999 and re-released on Original Jazz Classics. Reception Cook and Morton in their ''Penguin Guide to Jazz'' write that "''Focal Point'' looks to secure the firepower in the studio which the band generated in concert", but they suggest that the overdubbing of the horns "sometimes leads to stiffness in the ensemble sound". Nevertheless they "were a little surprised to find how well it's aged". The Allmusic review by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmos (McCoy Tyner Album)
''Cosmos'' is a double LP by jazz pianist McCoy Tyner released on the Blue Note Records, Blue Note label in July 1976. It contains material recorded in November 1968, April 1969 and July 1970 and features two trio performances by Tyner with bassist Herbie Lewis and drummer Freddie Waits, three performances with a larger group featuring saxophonists Harold Vick and Al Gibbons with a string quartet, and three performances as a sextet with flautist Hubert Laws and saxophonists Andrew White (saxophonist), Andrew White and Gary Bartz. The full album is only available on CD on the Mosaic Select 25: McCoy Tyner box set, but the three tracks from the July 21, 1970 sextet recording session also appear on the CD release of ''Asante (album), Asante''. Reception The Allmusic review by Scott Yanow states "the quality of the performances are consistently high... and the music is consistently intriguing." Track listing ''Side One'' # "Song for My Lady" - 7:30 # "Cosmos" - 9:00 ''Side Two' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Carlos Jobim
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude To A Kiss (song)
"Prelude to a Kiss" is a 1938 ballad composed by Duke Ellington, with lyrics by Irving Gordon and Irving Mills. Background and composition This composition is in the key of D-flat major but makes extensive use of the secondary dominant chords, secondary ii–V–I progressions, diatonic circle of fifths, and evaded cadences. The song is extremely chromatic and complex, employing sophisticated mathematics that were rare at this time in jazz: Ellington's rising semitones (G-G#-A-A#-B) at the end of the bridge mirror the opening of both A sections (B-A#-A-G#-G). By the late 1930s, swing was at the height of its popularity. Using his fame and artistic freedom, Ellington became more ambitious and experimental, writing "Prelude to a Kiss", which abandoned the Tin Pan Alley style hooks and dance tempo for melodic lines and harmonies found more often in classical music. He recorded this piece as an instrumental in August 1938 before returning to the studio a few weeks later to recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose. Personal Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky (1868–1905), was a hat maker who had immigrated from Odessa to the United States with his wife Sofia ''(née'' Sophia Dudis; born 1870). Hyman died in 1905, forcing Irving and his brother, Jacob ''(aka'' "Jack"; 1891–1979), to work odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was listed as a telephone operator. Mills married Beatrice ("Bessie") Wilensky (1896–1976) in 1911 and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Gordon
Irving Gordon (February 14, 1915 – December 1, 1996) was an American songwriter. Biography Irving Gordon was born in Brooklyn, New York, to a Jewish family, and later lived on Coney Island. He was named Israel Goldener but later changed his name to Irving Gordon. As a child, he studied violin. After attending public schools in New York City, Gordon worked in the Catskill Mountains at some of the resort hotels in the area. While working there, he took to writing parody lyrics to some of the popular songs of the day. In the 1930s, he took a job with the music publishing firm headed by talent agent Irving Mills, at first writing only lyrics, but subsequently writing music as well. After Gordon was introduced to Duke Ellington in 1937, Ellington sometimes invited him to put lyrics to his compositions. However working with Ellington was probably one of the most difficult commissions there was, since most of the Ellington songs were really instrumental pieces whose singable potentia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Yanow
Scott Yanow (born October 4, 1954) is an American jazz reviewer, historian, and author.Allmusic Biography/ref> Biography Yanow was born in New York City and grew up near Los Angeles. Since 1974, he was a regular reviewer of many jazz styles and was the jazz editor for ''Record Review.'' He wrote for many jazz and arts magazines, including ''JazzTimes'', ''Jazziz'', ''Down Beat'', ''Cadence'', ''CODA'' and the ''Los Angeles Jazz Scene''. In September 2002, Yanow was interviewed on-camera by CNN about the Monterey Jazz Festival and wrote an in-depth biography on Dizzy Gillespie for AllMusic.com. He authored 12 books on jazz (including 2022's Life Through The Eyes Of A Jazz Journalist), over 900 liner notes for CDs and over 20,000 reviews of jazz recordings. Yanow was a contributor to and co-editor of the third edition of the ''All Music Guide to Jazz''. He continues to write for ''Downbeat, Jazziz'', the ''Los Angeles Jazz Scene'', "Syncopated Times," "Jazz Artistry Now," the ''J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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