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Super Blues
''Super Blues'' is a 1967 studio album by a blues supergroup consisting of Bo Diddley, Muddy Waters, and Little Walter. The album was released in both mono and stereo formats by Checker Records in June 1967. A follow-up album ''The Super Super Blues Band'' was released later that year and featured Howlin' Wolf replacing Little Walter. Background The album was produced by Ralph Bass for Chess Records, although Marshall and Phil Chess were present at the sessions and were credited with supervision. The album's recording engineers were Doug Brand and Ron Malo. The song featured on the album were several of the musicians most famous songs includes Bo Diddley's " I'm a Man", Muddy Waters' " I Just Want to Make Love to You", and Little Walter's "My Babe". Track listings Original album ;Side one #"Long Distance Call" (McKinley Morganfield) – 5:15 #" Who Do You Love?" (Ellas McDaniel) – 4:10 #" I'm a Man" (Elias McDaniel) – 5:40 #"Bo Diddley" (Elias McDaniel) – 4:35 ;Side tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howlin' Wolf
Chester Arthur Burnett (June 10, 1910January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer and guitarist. He is regarded as one of the most influential blues musicians of all time. Over a four-decade career, he recorded in genres such as blues, rhythm and blues, rock and roll, and psychedelic rock. He also helped bridge the gap between Delta blues and Chicago blues. Born into poverty in Mississippi as one of six children, he went through a rough childhood where his mother kicked him out of her house, and he moved in with his great-uncle, who was particularly abusive. He then ran away to his father's house where he finally found a happy family, and in the early 1930s became a protégé of legendary Delta blues guitarist and singer, Charley Patton. He started a solo career in the Deep South, playing with other notable blues musicians of the era, and at the end of a decade had made a name for himself in the Mississippi Delta. After going t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juke (song)
"Juke" is a harmonica instrumental recorded by the Chicago bluesman Little Walter Jacobs in 1952. Although Little Walter had been recording sporadically for small Chicago labels over the previous five years, and had appeared on Muddy Waters' records for Chess Records since 1950, "Juke" was Little Walter's first hit, and it was the most important of his career. Due to the influence of Little Walter on blues harmonica, "Juke" is now considered a blues harmonica standard. Recording In May 1952, Little Walter had been a regular member of the Muddy Waters Band for at least three years. "Juke" was recorded on 12 May 1952 at the beginning (not the end, as commonly thought) of a recording session with Muddy Waters and his band, which at the time consisted of Waters and Jimmy Rogers on guitars, and Elga Edmunds on drums, in addition to Little Walter on harmonica. The originally released recording of "Juke" was the first completed take of the first song attempted at the first Little Walter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Can't Judge A Book By The Cover
"You Can't Judge a Book by the Cover" (alternatively "You Can't Judge a Book by Its Cover") is a 1962 song by rock and roll pioneer Bo Diddley. Written by Willie Dixon, the song was one of Diddley's last record chart hits. Unlike many of his well-known songs, "You Can't Judge a Book by the Cover" does not rely on the Bo Diddley beat. A variety of rock and other performers have recorded renditions of the song. Composition and lyrics "You Can't Judge a Book by the Cover" is based on a sixteen-bar blues structure that "boasts a beat that's utterly compulsive and primordial, but closer to a way-speeded up walking rhythm than to the standard Diddley pattern", according to Richie Unterberger in a song review. Percussionist Jerome Green added maracas to the recording, which Unterberger calls "an utterly entrancing rhythm that does much to add to the power of the song". While noting Diddley's rhythm guitar contribution, Dixon biographer Mitsutoshi Inaba comments on Diddley's "uniqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley (Bo Diddley Song)
"Bo Diddley" is a song by American rock and roll pioneer Bo Diddley. It introduced the rhythm that became known as the Bo Diddley beat and topped the Billboard R&B chart for two weeks in 1955. The song is included on many of Diddley's compilation albums including ''Bo Diddley (1958 album), Bo Diddley'' (1958) and ''His Best (Bo Diddley album), His Best'' (1997). Buddy Holly recorded a version that became his highest charting single in the UK. Composition and recording The song is rhythmically similar to Juba dance, hambone, a technique of dancing and slapping various parts of the body to create a rhythm and song. Diddley's electric guitar along with his backup musicians on maracas and drums contributed to the Juba dance, patted juba rhythm. This combination of rock and roll, African rhythms and guitar was an innovation and came to be known as the Bo Diddley Beat. Lyrically, it is similar to the traditional lullaby "Hush Little Baby". "Bo Diddley" was recorded in Chicago at his fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who Do You Love? (Bo Diddley Song)
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm. "Who Do You Love?" was part of Bo Diddley's repertoire throughout his career, but none of his various recordings reached the record charts. The song has been interpreted and recorded by numerous musicians in different styles, often adding a Bo Diddley beat. Popular renditions include those by Ronnie Hawkins and George Thorogood, with charting singles by the Woolies, Tom Rush, Quicksilver Messenger Service, and Juicy Lucy. Guitarists' contributions to the various renditions of the song have been noted by music critics and writers. Beginning with blues guitarist Jody Williams' prominent fills and solo on Bo Diddley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Babe
"My Babe" is a Chicago blues song and a blues standard written by Willie Dixon for Little Walter. Released in 1955 on Checker Records, a subsidiary of Chess Records, the song was the only Dixon composition ever to become a number one R&B single and it was one of the biggest hits of either of their careers.Dirks, Scott; & Komara, Edward M. d. (2006). ''Encyclopedia of the Blues''. Routledge. p. 982. Background Dixon based "My Babe" on the traditional gospel song "This Train (Is Bound For Glory)", recorded by Sister Rosetta Tharpe as "This Train". He reworked the arrangement and lyrics from the sacred (the procession of saints into Heaven) into the secular (a story about a woman that won't stand for her man's cheating): "My baby, she don't stand no cheating, my babe, she don't stand none of that midnight creeping." Recording In his autobiography, Dixon recalled: Little Walter recorded the song on January 25, 1955. Accompanying his vocal and harmonica were Robert Lockwood, Jr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm A Man (Bo Diddley Song)
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955. Inspired by an earlier blues song, it was one of his first hits. "I'm a Man" has been recorded by a variety of artists, including the Yardbirds, who adapted it in an upbeat rock style. Bo Diddley song "I'm a Man" was one of the first songs Bo Diddley recorded for Checker Records. Unlike his self-titled "Bo Diddley (Bo Diddley song), Bo Diddley" that was recorded the same day (March 2, 1955 in Chicago), "I'm a Man" does not use the Bo Diddley beat. Rather, it was inspired by Muddy Waters' 1954 song "Hoochie Coochie Man", written by Willie Dixon. After Diddley's release, Waters recorded an "answer song" to "I'm a Man" in May 1955, titled "Mannish Boy", a play on words on Bo Diddley's younger age as it related to the primary theme of the song. In a ''Rolling Stone'' magazine interview, Bo Diddley recounts that the song took a long time to record because of confusion regarding the timing of the "M.. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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