Sunshine In A Net
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Sunshine In A Net
''The Sun in a Net'' (''Slnko v sieti'', also translated as ''Sunshine in a net'' or ''Catching the sun in a net''Jaroslav Boček, Šaska Batošková, Luboš Bartošek, Jan Hořejši and Jiři Havelka: "Modern Czechoslovak film", 1965. Editor: Stanislav Zvoníček, published in cooperation with the Czechoslovak Film Institute. ''ARTIA'') is a 1963 film that became a key film in the development of Cinema of Slovakia, Slovak and Czechoslovakia, Czechoslovak cinema from the mandated Socialist Realism, Socialist-Realist filmmaking of the repressive 1950s towards the Czechoslovak New Wave, Czechoslovak/Czech New Wave and socially critical or experimental films of the 1960s marked by a gradual relaxation of communist control. ''The Sun in a Net'' received multiple votes in a wide survey of Czech and Slovak film academics and critics in the late 1990s asking them for their lists of the 10 best films in the history of filmmaking in the former Czechoslovakia. Plot Oldrich "Fajolo" Fajták ...
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Štefan Uher
Štefan Uher (4 July 1930 – 29 March 1993) was a Slovak film director, one of the members of the Czechoslovak New Wave. Life and work He was born in Prievidza on 4 June 1930. He graduated from the FAMU in Prague in 1955. Among his fellow students were future directors Martin Hollý Jr. and Peter Solan. All three began to work at the Koliba film studios (then called the Feature Film Studio and the Short Film Studio) in Bratislava after graduation. Uher first worked in the short film division. The first movie he directed was '' My z deviatej A'' about the life of a group of 15-year-old students and their school. His second feature was ''The Sun in a Net''. His next two movies ''The Organ'' (1964), and '' Three Daughters'' (1967) were based on screenplay by Alfonz Bednár. He worked with a composer Ilja Zeljenka on 8 of his movies. Uher's last film '' She Grazed Horses on Concrete'' (1982) has remained one of Slovakia's most popular domestic productions through the 2000s. ...
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