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Summer Dawn
''Summer Dawn'' is an album by American jazz saxophonist/flautist Sahib Shihab recorded in 1964 for the Argo label.Edwards, D. & Callahan, MArgo Album Discography, Part 1: Jazz Series (1956-1965)accessed May 2, 2016 Reception The AllMusic site gave the album 3 stars. Track listing ''All compositions by Sahib Shihab.'' # "Lillemore" - 7:58 # "Please Don't Leave Me" - 9:47 # "Waltz for Seth" - 6:19 # "Campi's Idea" - 8:27 # "Herr Fixit" - 5:31 Personnel *Sahib Shihab - alto saxophone, baritone saxophone, flute *Åke Persson - trombone *Francy Boland - piano *Jimmy Woode - bass *Kenny Clarke - drums *Joe Harris - bongos Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The ... References {{Authority control 1964 albums Sahib Shihab albums Argo Records albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sahib Shihab
Sahib Shihab (born Edmund Gregory; June 23, 1925 – October 24, 1989) was an American jazz and hard bop saxophonist (baritone, alto, and soprano) and flautist. He variously worked with Luther Henderson, Thelonious Monk, Fletcher Henderson, Tadd Dameron, Dizzy Gillespie, Kenny Clarke, John Coltrane and Quincy Jones among others. Biography He was born in Savannah, Georgia, United States. Edmund Gregory first played alto saxophone professionally for Luther Henderson aged 13, and studied at the Boston Conservatory, and to perform with trumpeter Roy Eldridge. He played lead alto with Fletcher Henderson in the mid-1940s. He was one of the first jazz musicians to convert to Islam and changed his name in 1947. He belonged to the Ahmadiyya sect of Islam. – American jazz double bassist During the late 1940s, Shihab played with Thelonious Monk, and on July 23, 1951 he recorded with Monk (later issued on the album '' Genius of Modern Music: Volume 2''). During this period, he also appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francy Boland
François Boland (6 November 1929 – 12 August 2005) was a classically trained Belgian jazz composer and pianist. He first gained notice in 1949 and worked with Belgian jazz greats like Bobby Jaspar, and in 1955 he joined Chet Baker's quintet. Moving to the US, he began arranging for Count Basie, Benny Goodman, Woody Herman and Dizzy Gillespie, and set up an octet with drummer Kenny Clarke before returning to Europe and becoming Kurt Edelhagen's chief arranger. In 1961, building from a rhythm section featuring Kenny Clarke, Clarke, Jimmy Woode and himself, he founded The Kenny Clarke-Francy Boland Big Band, which rapidly became one of the most noted Big Bands assembled outside the United States. After it broke up in 1972 he concentrated on composing. He lived in Europe, primarily Switzerland, from 1976 and did musical arrangements for Sarah Vaughan among others.> He was also part of One World, One Peace, an effort involving Pope John Paul II. He died in 2005. Francy Boland's son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1964 Albums
Events January * January 1 – The Federation of Rhodesia and Nyasaland is dissolved. * January 5 - In the first meeting between leaders of the Roman Catholic and Orthodox churches since the fifteenth century, Pope Paul VI and Patriarch Athenagoras I of Constantinople meet in Jerusalem. * January 6 – A British firm, the Leyland Motor Corp., announces the sale of 450 buses to the Cuban government, challenging the United States blockade of Cuba. * January 9 – ''Martyrs' Day'': Armed clashes between United States troops and Panamanian civilians in the Panama Canal Zone precipitate a major international crisis, resulting in the deaths of 21 Panamanians and 4 U.S. soldiers. * January 11 – United States Surgeon General Luther Terry reports that smoking may be hazardous to one's health (the first such statement from the U.S. government). * January 12 ** Zanzibar Revolution: The predominantly Arab government of Zanzibar is overthrown by African nationalist rebels; a United ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongos
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Woode
James Bryant Woode (September 23, 1926 – April 23, 2005) was an American jazz bassist. He played and/or recorded in bands with Flip Phillips, Sarah Vaughan, Ella Fitzgerald, Charlie Parker, Duke Ellington, Coleman Hawkins, Nat Pierce, Sidney Bechet, Billie Holiday, Jaki Byard, Earl Hines, Jimmy Witherspoon, Clark Terry and Miles Davis. Biography Woode was born September 23, 1926 in Philadelphia, Pennsylvania, United States. His father, also named Jimmy Woode, was a music teacher and pianist who had played with Hot Lips Page. Woode studied piano and bass in Boston at Boston University and at the Conservatory of Music, as well as at the Philadelphia Academy. He joined the Duke Ellington Orchestra in 1955,Steve Vocebr>Obituary: Jimmy Woode ''The Independent'', 28 April 2005 appearing on many of Ellington's recordings, including '' Such Sweet Thunder'' and ''Ella Fitzgerald Sings the Duke Ellington Songbook'', both from 1957, as well as the performance at the 1956 Newport Jazz Fes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Åke Persson
Åke Persson (February 25, 1932 – February 5, 1975) was a Swedish bebop jazz trombonist. Biography Persson was born in Hässleholm, southern Sweden and started his music career by playing valve trumper in school. Persson, known as "the Comet" (or "Kometen"), moved to Stockholm in 1951, where he played in Simon Brehm's quintet (1951–1954). Following this Persson worked with Arne Domnérus, Hacke Björksten, Harry Arnold's Radio Band (1956–1961), Quincy Jones, Lars Gullin, the RIAS Berlin band (1961–1975), and the Kenny Clarke-Francy Boland Big Band (1963–1971). Persson played with many American musicians, including George Wallington, Roy Haynes, Benny Bailey, Count Basie, Duke Ellington, and Dizzy Gillespie. He led several sessions for labels such as Metronome, Philips, and EmArcy in the 1950s. Persson drowned in the Djurgården canal in central Stockholm in February 1975; he had driven his car into the canal either accidentally or deliberately. There is a book ''trom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
