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Suite From Henry V
William Walton's music for the 1944 film ''Henry V'' has been arranged by several musicians for non-cinematic performances. The first suite was arranged in 1945 by the conductor Malcolm Sargent. In 1963 Muir Mathieson, who had conducted the music for the original film soundtrack, arranged a longer suite, and in 1988 the musicologist Christopher Palmer constructed an hour-long "Shakespeare Scenario" using most of the music Walton composed for the film. Background ''Henry V'' was the tenth film for which Walton composed incidental music. He had begun in 1935 with a score for Paul Czinner's '' Escape Me Never'', and his later cinema scores included his first Shakespeare film, ''As You Like It'' (1936) which starred Laurence Olivier. When Olivier was planning his film of ''Henry V'' his co-producer, Dallas Bower, suggested that Walton should write the music, and Olivier agreed. The importance of Walton's score to the success of the film was widely recognised, and Olivier later calle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Walton
Sir William Turner Walton (29 March 19028 March 1983) was an English composer. During a sixty-year career, he wrote music in several classical genres and styles, from film scores to opera. His best-known works include ''Façade'', the cantata '' Belshazzar's Feast'', the Viola Concerto, the First Symphony, and the British coronation marches ''Crown Imperial'' and ''Orb and Sceptre''. Born in Oldham, Lancashire, the son of a musician, Walton was a chorister and then an undergraduate at Christ Church, Oxford. On leaving the university, he was taken up by the literary Sitwell siblings, who provided him with a home and a cultural education. His earliest work of note was a collaboration with Edith Sitwell, ''Façade'', which at first brought him notoriety as a modernist, but later became a popular ballet score. In middle age, Walton left Britain and set up home with his young wife Susana on the Italian island of Ischia. By this time, he had ceased to be regarded as a moderni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Virginal Book
The ''Fitzwilliam Virginal Book'' is a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England, i.e., the late Renaissance and very early Baroque. It takes its name from Viscount Fitzwilliam who bequeathed this manuscript collection to Cambridge University in 1816. It is now housed in the Fitzwilliam Museum at Cambridge. The word virginals does not necessarily denote any specific instrument and might refer to anything with a keyboard. History It was given no title by its copyist and the ownership of the manuscript before the eighteenth century is unclear. At the time ''The'' ''Fitzwilliam Virginal Book'' was put together most collections of keyboard music were compiled by performers and teachers: other examples include ''Will Forster's Virginal Book'', ''Clement Matchett's Virginal Book'', and ''Anne Cromwell's Virginal Book''. It is possible that the complexities of typesetting music precluded the printing of much keyboard music durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Festival Hall
The Royal Festival Hall is a 2,700-seat concert, dance and talks venue within Southbank Centre in London. It is situated on the South Bank of the River Thames, not far from Hungerford Bridge, in the London Borough of Lambeth. It is a Grade I listed building, the first post-war building to become so protected (in 1981). The London Philharmonic Orchestra, the Philharmonia Orchestra, the Orchestra of the Age of Enlightenment, the London Sinfonietta, Chineke! and Aurora are resident orchestras at Southbank Centre. The hall was built as part of the Festival of Britain for London County Council, and was officially opened on 3 May 1951. When the LCC's successor, the Greater London Council, was abolished in 1986, the Festival Hall was taken over by the Arts Council, and managed together with the Queen Elizabeth Hall and Purcell Room (opened 1967) and the Hayward Gallery (1968), eventually becoming an independent arts organisation, now known as the Southbank Centre, in April 1998. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Kennedy (music Critic)
George Michael Sinclair Kennedy CBE (19 February 1926 – 31 December 2014) was an English music critic and author who specialized in classical music. For nearly two decades he was the chief classical music critic for both ''The Daily Telegraph'' (1986–2005) and ''The Sunday Telegraph'' (1989–2005). A prolific writer, he was the biographer of many composers and musicians, including Vaughan Williams, Elgar, Barbirolli, Mahler, Strauss, Britten, Boult and Walton. Other notable publications include writings on various musical institutions, the editing of music dictionaries as well as numerous articles for ''The New Grove Dictionary of Music and Musicians'' and the subsequent ''Grove Music Online''. Life and career On 19 February 1926 Kennedy was born in Chorlton-cum-Hardy, Manchester, and attended Berkhamsted School. On 17 November 1941, he joined the Manchester office of ''Daily Telegraph'' at age 15, as a tea boy. In his youth, Kennedy auditioned for a role in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMI Classics
EMI Classics was a record label founded by Thorn EMI in 1990 to reduce the need to create country-specific packaging and catalogues for internationally distributed classical music releases. After Thorn EMI demerged in 1996, its recorded music division became the EMI Group. Following the European Commission's approval of the takeover of EMI Group by Universal Music in September 2012, EMI Classics was listed for divestment. The label was sold to Warner Music Group, which absorbed EMI Classics into Warner Classics in 2013. Classical recordings were formerly simultaneously released under combinations of Angel, Seraphim, Odeon, Columbia, His Master's Voice, and other labels, in part because competitors own these names in various countries. These were moved under the EMI Classics umbrella to avoid the trademark problems. Prior to this, compact discs distributed globally bore the Angel Records recording angel logo that EMI owned globally. Releases created for distribution in s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as '' Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive ( CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 MiB of data. Capacity is routinely extended to 80 minutes and 700 MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; they are sometimes used for CD singles, storin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Davis
Carl Davis, (born October 28, 1936) is an American-born conductor and composer who has lived in the United Kingdom since 1961. He has written music for more than 100 television programmes, but is best known for creating music to accompany silent films. Davis's music is published by Faber Music. Early life and career Davis was born in Brooklyn, New York City, to Jewish parents, Sara (née Perlmutter) and Isadore Davis. He studied composition with Paul Nordoff and Hugo Kauder, and subsequently with Per Nørgard in Copenhagen. He attended Bard College, in New York. His early work in the US provided valuable conducting experience with organisations such as the New York City Opera and the Robert Shaw Chorale. In 1959 the revue ''Diversions'', of which he was co-author, won an off-Broadway award and subsequently travelled to the Edinburgh Festival in 1961. As a direct result of its success there, Davis was commissioned by Ned Sherrin to compose music for the original British versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Philharmonic Choir
The London Philharmonic Choir (LPC) is one of the leading independent British choirs in the United Kingdom based in London. The patron is Princess Alexandra, The Hon Lady Ogilvy and Sir Mark Elder is president. The choir, comprising more than 200 members, holds charitable status and is governed by a committee of 6 elected directors. As a charity, its aims are to promote, improve, develop and maintain education in the appreciation of the art and science of music by the presentation of public concerts. The LPC was formed in 1946 with Frederic Jackson as chorus master, for the London Philharmonic Orchestra (LPO). On 15 May 1947, the choir made its début with a performance of Beethoven's Ninth Symphony at the Royal Albert Hall under the baton of Victor de Sabata. Their first recording was of Stravinsky's ''Symphony of Psalms'' with the LPO in 1947 followed by the first radio broadcast of Vaughan Williams' ''Sancta Civitas'' and Verdi's Stabat Mater in March 1948 with the BBC Sym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Philharmonic Orchestra
The London Philharmonic Orchestra (LPO) is one of five permanent symphony orchestras based in London. It was founded by the conductors Sir Thomas Beecham and Malcolm Sargent in 1932 as a rival to the existing London Symphony and BBC Symphony Orchestras. The founders' ambition was to build an orchestra the equal of any European or American rival. Between 1932 and the Second World War the LPO was widely judged to have succeeded in this regard. After the outbreak of war, the orchestra's private backers withdrew and the players reconstituted the LPO as a self-governing cooperative. In the post-war years, the orchestra faced challenges from two new rivals; the Philharmonia and the Royal Philharmonic, founded respectively in 1946 and 1947, achieved a quality of playing not matched by the older orchestras, including the LPO. By the 1960s the LPO had regained its earlier standards, and in 1964 it secured a valuable engagement to play in the Glyndebourne Festival during the su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agincourt Song
The Agincourt Carol (sometimes known as the ''Agincourt Song'', the ''Agincourt Hymn'', or by its chorus and central words, ''Deo gratias Anglia'') is an English folk song written some time in the early 15th century. It recounts the 1415 Battle of Agincourt, in which the English army led by Henry V of England defeated that of the French Charles VI in what is now the Pas-de-Calais region of France. The carol is one of thirteen on the Trinity Carol Roll, probably originating in East Anglia, that has been held in the Wren Library of Trinity College, Cambridge, since the 19th century. The other primary source for the carol is the contemporaneous Selden Carol Book held by the Bodleian Library in Oxford. The carol is featured in Laurence Olivier's 1944 film ''Henry V''. The composer Ernest Farrar created his 1918 ''Heroic Elegy: For Soldiers'' on the basis of the Agincourt Carol. Lyrics :''Deo gratias Anglia redde pro victoria!'' :'' ive thanks, England, to God for victory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Teutonic influences. Vaughan Williams is among the best ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chants D'Auvergne
''Chants d'Auvergne'' (; en, italic=yes, Songs from the Auvergne) is a collection of folk songs from the Auvergne region of France arranged for soprano voice and orchestra or piano by Joseph Canteloube between 1923 and 1930. The 27 songs, collected in 5 series, are in the local language, Occitan. The best known of the songs is the "Baïlèro", which has been frequently recorded and performed in slight variations of Canteloube's arrangement, such as for choir or instrumental instead of the original soprano solo. The first recording, of eleven of the songs, was by Madeleine Grey in 1930, with an ensemble conducted by Élie Cohen. The songs are part of the standard repertoire and have been recorded by many singers. The melodic elements of two of these songs, "Baïlèro" and "Obal, din lou limouzi (La-bas dans le limousin)", were incorporated into William Walton's soundtrack for Laurence Olivier's 1944 film of Shakespeare's ''Henry V''. "Baïlèro" (sometimes known as "Le Baylere" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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