Subterranean Records
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Subterranean Records
Subterranean Records is an independent record label based in San Francisco, California. Founded by Steve Tupper and a then partner, Michael Fox in 1979, it focused on that city's underground punk and industrial music scene. Subterranean and fellow punk/alt/underground San Francisco label Alternative Tentacles both sprang forth from the DIY punk movement in 1979, and were quite successful on college and community radio stations in the US. These labels helped define the San Francisco punk movement. Subterranean was the more avant garde of the two. While originally just focused on documenting and promoting the SF area, over the years Subterranean has released records by artists from many areas and genres. Like many small DIY labels, Steve Tupper noted that bands were chosen based on his musical tastes. Subterranean had a small storefront record shop on Valencia Street for about 4 years, from about 1984 to 1988. The label has released a number of important underground albums, most ...
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Independent Record Label
An independent record label (or indie label) is a record label that operates without the funding or distribution of major record labels; they are a type of small- to medium-sized enterprise, or SME. The labels and artists are often represented by trade associations in their country or region, which in turn are represented by the international trade body, the Worldwide Independent Network (WIN). Many of the labels started as producers and distributors of specific genres of music, such as jazz music, or represent something new and non-mainstream, such as Elvis Presley in the early days. Indies release rock, soul, R&B, jazz, blues, gospel, reggae, hip hop, and world music. Music appearing on indie labels is often referred to as indie music, or more specifically by genre, such as indie hip-hop. Overview Independent record labels are small companies that produce and distribute records. They are not affiliated with or funded by the three major records labels. According to Sound ...
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Chrome (band)
Chrome is an American rock band founded in San Francisco in 1976 by musician Damon Edge and associated with the 1970s post-punk movement. The group's raw sound blended elements of punk, psychedelia, and early industrial music, incorporating science-fiction themes, tape experimentation, distorted acid rock guitar, and electronic noise. They have been cited as forerunners of the 1980s industrial music boom. They found little commercial success as part of San Francisco's 1970s music scene, but developed a cult following in the United Kingdom and Germany following the release of the LPs '' Alien Soundtracks'' (1977) and ''Half Machine Lip Moves'' (1979). Edge died in 1995; subsequently, guitarist Helios Creed has revived the Chrome name for recordings and performances. History Chrome was formed in 1975 by Damon Edge (real name Thomas Wisse: drums, vocals, synths, production) and Gary Spain (bass guitar, violin) in San Francisco. While studying at the California Institute of the A ...
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Public Flipper Limited Live 1980-1985
In public relations and communication science, publics are groups of individual people, and the public (a.k.a. the general public) is the totality of such groupings. This is a different concept to the sociology, sociological concept of the ''Öffentlichkeit'' or public sphere. The concept of a public has also been defined in political science, psychology, marketing, and advertising. In public relations and communication science, it is one of the more ambiguous concepts in the field. Although it has definitions in the theory of the field that have been formulated from the early 20th century onwards, and suffered more recent years from being blurred, as a result of conflation of the idea of a public with the notions of audience, market segment, community, constituency, and stakeholder. Etymology and definitions The name "public" originates with the Latin ''wikt:publicus#Latin, publicus'' (also ''wikt:poplicus#Latin, poplicus''), from ''wikt:populus#Latin, populus'', to the Engli ...
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X-Rated Fairy Tales
''X-Rated Fairy Tales'' is the debut album by the rock musician Helios Creed. It was released in 1985 on Subterranean Records. Track listing Personnel ;Musicians *John Carlan – synthesizer *Helios Creed – vocals, guitar, synthesizer on "X-Rated Fairy Tales", production *Mark Duran – bass guitar *Bill Roth – drums, tambourine, maracas, percussion, synthesizer ;Production and additional personnel *Mike Hills – photography, design *Elena Holt – backing vocals on "X-Rated Fairy Tales" *George Horn – mastering *Ricky Lee Lynd – engineering Engineering is the use of scientific method, scientific principles to design and build machines, structures, and other items, including bridges, tunnels, roads, vehicles, and buildings. The discipline of engineering encompasses a broad rang ... References External links * {{Authority control 1985 debut albums Helios Creed albums Subterranean Records albums ...
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Helios Creed
Barry Johnson (born on November 3, 1953), known professionally as Helios Creed, is an American guitarist, singer and bandleader. He first came to prominence in the mid-1970s with the San Francisco band Chrome, who were considered an early influence on industrial rock. Chrome broke up in the mid-1980s when founding member Damon Edge moved to Paris. Helios then recruited some local hard rock musicians and launched a solo career. Early life Creed was born Barry Johnson in Long Beach, California, and moved to Hawaii when he was six. His brother, two years older, introduced him to psychedelic music. When he was 12, his parents bought him his first guitar, and he became a serious student of the instrument immediately. Creed has said that he invented his trademark sound while trying to replicate the sound he heard in his head while "listening to Black Sabbath on LSD on headphones when I was a teenager". He moved to San Francisco in the mid-1970s, where he joined Chrome. History O ...
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Psyclones
Psyclones is an experimental industrial band started in 1980. Psyclones are a long-standing band with a diverse sound, ranging from punk/post-rock/synth-pop to electronic industrial/ambient music. They released their Greatest Hits (1981–1991) CD which spans over a decade of intensely rich, enthusiastic music and lyrics that exemplify an era in their creative past. Sounds range from hardcore punk/grunge/rock to industrial-core noise rock. Most of the tracks are very dance worthy. The overall sound is heavy and harsh, "musical mayhem." Psyclones also put out many lps and singles on other their own label Ladd-Frith. Joining other independent musicians in on various cassette / LPs / industrial music / noise compilations. Their performance at Club Foot was noteworthy. A live show in a small San Francisco underground club, the Psyclones played synth, tapes, echo trumpet, guitar, etc.....The show was industrial improvisational, but so subtle and fluid that you never thought, you we ...
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Frightwig
Frightwig is an all-female punk rock band from San Francisco, California, formed in 1982 by Deanna Ashley and Mia Levin. After many line-up changes, Frightwig retired in 1994. Frightwig reformed in 2012 with Rebecca Sevrin and Rachel Thoele. Frightwig's current line-up is Deanna Mitchell, Mia d'Bruzzi, and Eric Drew Feldman. In September, 2014, the band did a US east coast tour with Jane Lee Hooker. History Deanna Ashley was raised by a "hippie" mother who introduced her to Buffy Sainte-Marie, Joan Baez, Jimi Hendrix, and the Beatles. When Ashley was 16 years old, she moved to San Francisco. She met Mia Levin at a movie theater in the city. Ashley later described, "It was just one of those magic things when you meet your soul mate. But we also had a lot of angry shows. That’s like a lot of relationships: you get mad at each other, you go through all of everything. And that’s what makes a relationship." Ashley and Levin, who had grown tired of rock music, formed Frightwig in ...
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Pop-O-Pies
The Pop-O-Pies were an American punk rock band from San Francisco, California founded by Joe Callahan (aka Joe Pop-O-Pie) that got their start by repeatedly playing a cover of The Grateful Dead's "Truckin'". Though the band went through many lineup changes, notably featuring members of Mr. Bungle and Faith No More, several recordings would follow. All of them, except for '' The White EP'', can be found on the 2003 CD compilation ''Pop-O-Anthology 1984-1993''. The Pop-O-Pies were called "absolutely the worst band in California" by the ''Los Angeles Times The ''Los Angeles Times'' (abbreviated as ''LA Times'') is a daily newspaper that started publishing in Los Angeles in 1881. Based in the LA-adjacent suburb of El Segundo since 2018, it is the sixth-largest newspaper by circulation in the Un ...''. Discography ;Singles *"Truckin'" (7", 1981) *"In Frisco" (7", 1993) ;EPs *'' The White EP'' (12", 1981) *''Joe's Second Record'' (12", 1984) ;Albums *''Joe's Third Record'' ...
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Domino Recording Company
Domino Recording Company or simply Domino is a British independent record label based in London. There is also a wing of the label based in Brooklyn, New York that handles releases in the United States, as well as a German division called Domino Deutschland and a French division called Domino France. In addition, Stephen Pastel presides over the subsidiary label Geographic Music, which releases more 'unusual' music from Britain and outside of the Western world. In 2011, the company announced that it was beginning a book publishing division, The Domino Press. History Founded in 1993, by Laurence Bell and Jacqui Rice, the label's first release was the Sebadoh EP '' Rocking the Forest'', licensed from Sub Pop records for release in the UK. Many of the early releases were by American artists who in the US were signed to Drag City (Smog, Will Oldham, Royal Trux), a relationship which continues to this day. Success was not immediate, as labels such as Domino, who were releasing ...
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Gone Fishin' (Flipper Album)
''Gone Fishin is the second studio album by San Francisco-based punk rock band Flipper, released in 1984 by Subterranean Records. The album's artwork featured a depiction of Flipper's tour van as a ready-to-cut-out-and-assemble centerpiece, with similar cutouts of the four band members on the back cover. At the time of the album's release, Subterranean offered extra empty covers of the album by mail order for $2 for those Flipper fans that wanted to have a cover to cut up and assemble. The album was reissued by Water Records on December 9, 2008, for the first time on CD, with liner notes provided by Buzz Osborne of the Melvins. Critical reception ''Trouser Press'' wrote that "if you want to understand lipper'screative mind, ''Gone Fishin’'' is the ideal synthesis of sickness and health." ''The Rough Guide to Rock'' opined that "only The Stooges' ''Funhouse'' comes close to the demented wonder of this record." Track listing #"The Light, the Sound, the Rhythm, the Noise" (L ...
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Leather Nun
The Leather Nun are a Swedish rock group. Careening from garage rock to goth and pop-rock, Leather Nun became cult heroes in their native land and wide abroad. History The Leather Nun (a.k.a. "Lädernunnan") was formed in 1978 in Gothenburg, Sweden by radio DJ and fanzine editor Jonas Almquist (vocals) who, after getting agreement from Genesis P. Orridge to release a single on the Industrial Records label, recruited Bengt "Aron" Aronsson (guitar), Freddie Wadling (bass), and Gert Claesson (drums), all from punk band Strait Jacket.Larkin, Colin (1998) ''The Virgin Encyclopedia of Indie & New Wave'', Virgin Books, , p. 242Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , pp. 396-7 Inspired by such groups and artists like the Velvet Underground and Lou Reed, Iggy Pop and Rory Gallagher, The Leather Nun released the debut EP, ''Slow Death'' in November 1979, featuring three newly recorded songs and the recording of "Death Threats" from 1978.Gimarc, George ...
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Negative Trend (EP)
''Negative Trend'' is the eponymous debut EP and the only stand-alone official release by American punk rock band Negative Trend. Production Produced by Debbie Dub and the band, ''Negative Trend'' was recorded and mixed in June 1978, in a process which took only two days. Release ''Negative Trend'' was originally released in September 1978 on the label Heavy Manners in 7-inch vinyl disc format. Only 1,000 copies of this edition were pressed. Critical reception Matt Whalley of AllMusic retrospectively lauded the EP as being some of America's finest punk music and credited it as being "a surprisingly powerful and gifted piece of American punk history". He gave it 4 out of 5 stars, concluding that ''Negative Trend'' "is a complete package that puts one of America's least appreciated punk bands on display". Reissues In December 1983, ''Negative Trend'' was reissued by Subterranean Records, this time in 12-inch vinyl disc format, under the title ''We Don't Play, We Riot'' ...
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