|
Substitute (The Who Song)
"Substitute" is a song by the English rock band The Who, written by Pete Townshend. Released in March 1966, the single reached number five in the UK and was later included on the compilation album '' Meaty Beaty Big and Bouncy'' in 1971. In 2006, ''Pitchfork'' ranked "Substitute" at number 91 on the "200 Greatest Songs of the 1960s". Inspiration and writing "Substitute" was primarily inspired by the 1965 soul single "The Tracks of My Tears" by Smokey Robinson and the Miracles. Pete Townshend became obsessed, particularly, with the line, "Although she may be cute/She's just a substitute." This had then led Townshend "to celebrate the word with a song all its own." The riff used in the song's verses was derived from a November 1965 single by Robb Storme and The Whispers called ''Where Is My Girl'', a fact later acknowledged by Townshend who recalled hearing the record whilst reviewing singles for the '' Melody Maker''. The guitar solo is played by bassist John Entwistle who later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sex Pistols
The Sex Pistols were an English punk rock band formed in London in 1975. Although their initial career lasted just two and a half years, they were one of the most groundbreaking acts in the history of popular music. They were responsible for initiating the Punk subculture, punk movement in the United Kingdom and inspiring many later punk and alternative rock musicians. Their fashion and hairstyles were a significant influence on punk fashion, punk image, and they are often associated with anarchism within music. The Sex Pistols originally comprised vocalist Johnny Rotten (John Lydon), guitarist Steve Jones (musician), Steve Jones, drummer Paul Cook, and bassist Glen Matlock; Matlock was replaced by Sid Vicious in early 1977. Under the management of Malcolm McLaren, the band attracted some controversies that both captivated and appalled Britain. Through an obscenity-laced television interview in December 1976 and their May 1977 single "God Save the Queen (Sex Pistols song), God ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wrotham, Kent
Wrotham ( ) is a village on the Pilgrims' Way in Kent, England, at the foot of the North Downs. It is north of Borough Green and approximately east of Sevenoaks. It is between the M20 and M26 motorways. History The name first occurs as ''Uurotaham'' in the year 788, meaning 'homestead of a man called Wrōta'. The offshoot village on Wrotham Heath at the heart of the heath of the same name, once an area of wholly common land, is to the south-east. Wrotham shows extensive signs of occupation by the Romans and it is posited that the Wrotham Pinot, a disease-resistant variety of the Pinot noir grape found in Wrotham churchyard, is descended from vines brought by the Romans. The church of St George is Early English and later; nearby is the site of a palace of the Archbishop of Canterbury, maintained until the time of Archbishop Simon Islip (c. 1350). Wrotham Hill to the north was a main measuring point for the 18th-century trigonometric survey linking the Greenwich Roy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pirate Radio
Pirate radio or a pirate radio station is a radio station that broadcasts without a valid license. In some cases, radio stations are considered legal where the signal is transmitted, but illegal where the signals are received—especially when the signals cross a national boundary. In other cases, a broadcast may be considered "pirate" due to the nature of its content, its transmission format (especially a failure to transmit a station identification according to regulations), or the transmit power (wattage) of the station, even if the transmission is not technically illegal (such as an amateur radio transmission). Pirate radio is sometimes called bootleg radio (a term especially associated with two-way radio), clandestine radio (associated with heavily politically motivated operations) or free radio. History Radio "piracy" began with the advent of regulations of the airwaves at the dawn of the age of radio. Initially, radio, or wireless as it was more commonly called at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At The Isle Of Wight Festival 1970 (The Who Album)
''Live at the Isle of Wight Festival '' is a double live album by The Who, recorded at the Isle of Wight Festival on 29 August 1970, and released in 1996. A DVD of the concert was also released for the first time in 1996. Overview The Who were one year and three months into their ''Tommy'' tour when they played their second engagement at the Isle of Wight Festival. As in 1969, they played most of their famous rock opera, which by this time was quite familiar to the festival crowd. Huge spotlights bathed the audience of between 600,000 and 700,000 attendees (according to the ''Guinness Book of Records'') and as The Who's tour manager John Woolf recalls, attracted "every moth and flying nocturnal animal on the island". The Who started their set at 2:00 A.M.Michael Heatley, liner notes from 1996 CD release By August 1970, Pete Townshend was already introducing new songs to the setlist including "Water", "I Don't Even Know Myself" and "Naked Eye". These songs, which were being recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At Leeds
''Live at Leeds'' is the first live album by English rock band The Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The Who were looking for a way to follow up their 1969 album ''Tommy'', and had recorded several shows on tours supporting that album, but didn't like the sound. Consequently, they booked the show at Leeds University, along with one at Hull City Hall the following day, specifically to record a live album. Six songs were taken from the Leeds show, and the cover was pressed to look like a bootleg recording. The sound was significantly different from ''Tommy'' and featured hard rock arrangements that were typical of the band's live shows. The album was released in 23 May 1970 by Decca and MCA in the United States, and by Track and Polydo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Explain
"I Can't Explain" is a song by the English rock band the Who, written by Pete Townshend, and produced by Shel Talmy. The song was issued as a single on 15 January 1965 in the United Kingdom, on the Brunswick label, and on the Decca label in America, in December 1964. It was the band's second single release and first under the Who name. The song has been covered by many artists, including David Bowie and Scorpions. Background "I Can't Explain" was the A-side of the group's first single as the Who; its predecessor, "Zoot Suit"/"I'm the Face," was released under the name the High Numbers. In the album's liner notes, Townshend noted the song's similarity to the contemporaneous hit " All Day and All of the Night" by the Kinks: "It can't be beat for straightforward Kink copying. There is little to say about how I wrote this. It came out of the top of my head when I was 18 and a half." In a 1994 issue of ''Q'' magazine, Roger Daltrey echoed Townshend's comments regarding the Kinks' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cash Box
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jann Wenner
Jann Simon Wenner ( ; born January 7, 1946) is an American magazine magnate who is a co-founder of the popular culture magazine ''Rolling Stone'', and former owner of '' Men's Journal'' magazine. He participated in the Free Speech Movement while attending the University of California, Berkeley. Wenner, with his mentor Ralph J. Gleason, co-founded ''Rolling Stone'' in 1967. Later in his career, Wenner co-founded the Rock and Roll Hall of Fame and founded other publications. As a publisher and media figure, he has faced controversy regarding Hall of Fame eligibility favoritism, the breakdown of his relationship with gonzo journalist Hunter S. Thompson, and criticism that his magazine's reviews were biased. Early life and career Wenner was born in New York City, the son of Sim and Edward Wenner. He grew up in a secular Jewish family. His parents divorced in 1958, and he and his sisters, Kate and Merlyn, were sent to boarding schools. He completed his secondary education at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
