|
Subsonic (album)
''Subsonic'' (released January 1, 2002 by the label Curling Legs - CLPCD 71) is a studio album by Vigleik Storaas Trio. Critical reception Storaas returns with a new trio recording, backed by Johannes Eick (double bass) and Per Oddvar Johansen (drums). The setting is ideal for a solo excursions by Storaas and the near telepathic interplay with his trio. The material on ''Subsonic'' is mostly composed by Storaas and represents a distinct stylistic foil for the trio’s exploration of the modern piano trio’s format. The legacy of Bill Evans is evident throughout the album, but still the trio displays vast amounts of its own identity and character. Introspective and searching at times, but also balanced and sometimes loose in its form, ''Subsonic'' vas nominated for Spellemannprisen 2002. Track listing #"Three Princes" (8:18) #"Mist" (4:24) #"Zik-Zak" (8:05) #"Ar" (10:07) Per Oddvar Johansen #"Subsonic" (6:06) Johannes Eick #"Feng 7" (7:54) Personnel *Piano – Vigleik Storaas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vigleik Storaas
Vigleik Storaas (born 2 February 1963) is a Norwegian jazz pianist and composer, and the younger brother of composer and bassist Gaute Storaas. He is known from a series of album releases and collaborations with jazz musicians such as Norma Winstone, Karin Krog, Terje Rypdal, Niels-Henning Ørsted Pedersen, Chet Baker, Jack DeJohnette and Warne Marsh. Career Storås was born in Bergen, and studied music at the U-Phils High School in Bergen before attending the Jazz program at Trondheim Musikkonservatorium (1982–84), what today is the Department of Music Technology (NTNU), where he was the leader of the Bodega Band (1990–1996), and is now Assistant Professor. During the 1980s, Storaas played with the bands Kråbøl, Søyr, Bjørn Alterhaug Band and Fair Play, and was the bandleader of the group Lines (1987–92). With the Bjørn Alterhaug Quintet he played at the Molde International Jazz Festival 2012. During 1992 to 1995 Storaas joined the international jazz profiles K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knut Værnes
Knut Værnes (born 1 April 1954) is a Norwegian jazz musician (guitar), composer and band leader, known from several recordings in the jazz rock genre. He grew up at Bøler in Oslo, where he became an accomplished guitarist. Career Værnes was born in Trondheim, Norway. He is a graduate from the University of Oslo and has attended master classes at the Manhattan School of Music, and played within pop and rock bands like «Salt & Pepper», «Shimmy», and the fusion band «Vanessa» with the record release ''City Lips'' (1975). Then musical studies in Oslo and Bergen brought him on to the Norwegian jazz scene with albums like ''Anatomy of the guitar'' (1979), in collaboration with his guitar teacher Jon Eberson, within Nils Petter Molvær's funk band «Punktum» and Håkon Graf's «Graffiti». In the 1980s, he studied with John Scofield at the Manhattan School of Music. Værnes led his own Trio and Quartet with co-musicians Morten Halle (saxophone), Edvard Askeland (bass) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Erik Kongshaug
Jan Erik Kongshaug (4 July 1944 – 5 November 2019) was a Norwegian sound engineer, jazz guitarist, and composer. Career Kongshaug was born in Trondheim, the son of guitarist John Kongshaug. Store Norske Leksikon (in Norwegian) During his childhood and adolescence, he began to play the accordion (1950), guitar (1958) and bass (1964). Kongshaug gained his examen artium in 1963, and trained in electronics at the Trondheim Technical School in 1967. Then he worked for the Arne Bendiksen Studio (1967–1974) and Talent Studio (1974–79) in Oslo, and undertook some jobs in New York. In 1984, he founded his own recording studio, Rainbow Studio in Oslo and evolved into being one of the grand masters of Sound engineering. The Inner World Audio Magazin Altogether, he produced over 4,000 records, and was particularly known for some 700 recordings for ECM Records made from 1970 onwards. Kongshaug played with Åse Kleveland winning the ''Norsk Melodi Grand Prix'' in 1966, and was third i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Per Oddvar Johansen
Per Oddvar Johansen (born 1 March 1968) is a Norwegian Jazz musician (drummer), most recognized for his work with Trygve Seim, Christian Wallumrød, The Source, Solveig Slettahjell and Vigleik Storaas, but has also been awarded the Spellemannprisen five times. (in Norwegian) Career Johansen was born in Oslo, where he played in several rock bands before attending the Jazz Program at Trondheim Music Conservatory (1989–92). There he started cooperations with among others the ''Bodega Band'' (1990–92, with the record ''En flik av ...'' in 1992), ''Airamero'' from 1990, ''Trio Midt-Norge'', ''Piggy Bop'' from 1991, Vigleik Storaas Trio and the ''Trondheim Kunstorkester''. He also started a long-lasting cooperation with Trygve Seim, among others in ''The Source'', and has given profound marks on the Norwegian Jazz scene. He put his drums in for the band Tre Små Kinesere (1992) too. When returning to Bærum (1992) he still continued many of these projects, in addition to perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Eick
Johannes Eick (born 22 April 1964) is a Norwegian bassist (double bass and electric bass guitar), the son of bassist and vibraphonist Jürgen Eick (b. 1937), and the older brother of musicians Trude Eick and Mathias Eick. In his youth he played in the band «Kix», with Elin Rosseland (1982–86), but is most known for cooperations with Karin Krog, John Surman, Vigleik Storaas, Christian Wallumrød, Sidsel Endresen and Hans Mathisen. (in Norwegian) Store Norske Leksikon (in Norwegian) Career Eick was born in Eidsfoss, Vestfold. He studied on the jazz program at Trondheim Musikkonservatorium (1983–86). He was involved in several bands from the first year in Trondheim, including «Horn» and «Third Floor Ten Piece Band» 1983-84, «Visit» 1984-85, «Fair Play» 1987-90, «Nimbus» 1987-89, «Pentateuch» and «Nuku» from 1989 (with the album «Nuku» in 1991), «Airamero» fra 1990 (with an album in 1993), and «Vigleik Storaas Trio» from 1992 (with the albums «Bilder» 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aftenbladet
''Aftenbladet'' ("The Evening Paper") was a daily newspaper in Oslo, Norway. History and profile ''Aftenbladet'' was established in 1855 as a continuation of the satirical magazine ''Krydseren'', and had the same editor-in-chief, Ditmar Meidell, for its entire existence except for a short time when J. F. Sandberg edited the newspaper. Contributors include Ole Richter, Bjørnstjerne Bjørnson, Frederik Bætzmann and Jens Braage Halvorsen. Bjørnson was political editor of the newspaper in 1859, published '' Ja, vi elsker'' for the first time in 1859 in ''Aftenbladet'', and published ''En glad Gut'' as a feuilleton. The newspaper was liberal-leaning, and anti-''Morgenbladet''. The newspaper was printed and published by Christian Schibsted Christian Michael Schibsted (21 February 1812 – 17 June 1878) was a Norwegian printer and publisher, known for establishing Schibsted Forlag and ''Aftenposten''. Early life and career He was born in Christiania as a son of Frederik Schi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded '' Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Per Oddvar Johansen")
