Sub Olea Pacis Et Palma Virtutis
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Sub Olea Pacis Et Palma Virtutis
''Sub olea pacis et palma virtutis conspicua orbi regia Bohemiae Corona: Melodrama de Sancto Wenceslao '' (''Under the Olive Tree of Peace and the Palm Tree of Virtue the Crown of Bohemia Splendidly Shines Before the Whole World: Melodrama to Saint Wenceslaus''), ZWV 175, is an extensive composition, written in 1723 by Czech baroque composer Jan Dismas Zelenka. History The opus was composed for the coronation of Charles VI in 1723. The work was commissioned in 1722 by Prague Jesuits who were involved in the grand preparation for the coronation act. The composer came to Prague in 1723 to complete, rehearse and perform his work. It was performed in the presence of the imperial couple at the Jesuit Clementinum in Prague in the afternoon of 12 September 1723, with Zelenka himself as conductor. Besides the eight soloists and musicians of the orchestra, a further 142 persons, including dancers and walk-on actors, were involved in that grandiose performance. Vocal soloists were selected ...
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Wenceslaus I, Duke Of Bohemia
Wenceslaus I ( cs, Václav ; c. 907 – 28 September 935 or 929), Wenceslas I or ''Václav the Good'' was the Duke ('' kníže'') of Bohemia from 921 until his death, probably in 935. According to the legend, he was assassinated by his younger brother, Boleslaus the Cruel. His martyrdom and the popularity of several biographies gave rise to a reputation for heroic virtue that resulted in his sainthood. He was posthumously declared to be a king and patron saint of the Czech state. He is the subject of the well-known "Good King Wenceslas", a carol for Saint Stephen's Day. Biography Wenceslaus was the son of Vratislaus I, Duke of Bohemia from the Přemyslid dynasty. His grandfather, Bořivoj I of Bohemia, was converted to Christianity by Cyril and Methodius. His mother, Drahomíra, was the daughter of a pagan tribal chief of the Havelli, but was baptized at the time of her marriage. His paternal grandmother, Ludmila of Bohemia, saw to it that he was educated in the Old Slavonic ...
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Kouřim
Kouřim (; german: Kaurzim, Kaurzin, Kaurim) is a town in Kolín District in the Central Bohemian Region of the Czech Republic. It has about 1,900 inhabitants. The town centre is well preserved and is protected by law as an urban monument zone. Administrative parts The village of Molitorov is an administrative part of Kouřim. Geography Kouřim is located about east of Prague. It lies in a flat agricultural landscape of the Central Elbe Table. History The first written mention of Kouřim is in a deed of Ottokar II of Bohemia from 1261. The royal town of Kouřim was probably founded by Wenceslaus I between 1223 and 1250. At the turn of the 15th and 16th centuries, the town experienced an unprecedented prosperity, and at the end of the 16th century there were over 2,000 inhabitants (which is more than today). A great disaster for the town was the Thirty Years' War, which ended Kouřim's status as one of the most important towns in the Czech Kingdom. The population declined by ...
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Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'choru ...
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Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of molded plastic. The recorders' internal and external proportions vary, but the bore i ...
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Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ...
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Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ...
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Sinfonia Concertante
Sinfonia concertante (; also called ''symphonie concertante'') is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra.Collins: ''Encyclopedia of Music'', William Collins Sons & Company Ltd., 1976 504. o. It emerged as a musical form during the Classical period of Western music from the Baroque concerto grosso. Sinfonia concertante encompasses the symphony and the concerto genres, a concerto in that soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a part of the total ensemble and not preeminent. Sinfonia concertante is the ancestor of the double and triple concerti of the Romantic period corresponding approximately to the 19th century. Classical Era In the Baroque period, the differences between a concerto and a ''sinfonia'' (also "symphony") were initially not all that clear. The word ''sinfonia'' would, for example, be used as the name for an overture to a sta ...
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Figured Bass
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note. Figured bass is closely associated with basso continuo: a historically improvised accompaniment used in almost all genres of music in the Baroque period of Classical music ( 1600–1750), though rarely in modern music. Figured bass is also known as thoroughbass. Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis; chord letters, sometimes used in modern musicology; the Nashville Number System; and various chord names and symbols used in jazz and popular music (e.g., C Major or simply C; D minor, Dm, or D−; G ...
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String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ...
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Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, r ...
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