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Suavecito (1929 Song)
"Suavecito" is a Cuban son written by Ignacio Piñeiro and first recorded by his Septeto Nacional in 1929. It is a standard of the son repertoire and one of the biggest hits by the Septeto Nacional. It has been covered by numerous artists including Cuarteto Machín, Celia Cruz, Orquesta Aragón and Sierra Maestra. The opening line of the song ("''El son es lo más sublime, para el alma divertir...''") has become one of the most popular phrases in Cuban music. Background and recording Founded in 1927, the Sexteto Nacional was directed by ''rumbero'' and ''sonero'' Ignacio Piñeiro, who decided to establish his own group following the dissolution of the short-lived Sexteto Occidente directed by María Teresa Vera. At the Occidente, Piñeiro had to learn how to play the double bass, and instrument he continued to play with his Nacional. After extensive touring in Cuba, two recording sessions in New York, and the addition of trumpeter Lázaro Herrera "El Jabao" to become a ''septeto' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Septeto Nacional
Septeto Nacional (National Septet), or the Septeto Nacional de Ignacio Piñeiro, is a Cuban group credited with expanding the Son musical style before Arsenio Rodríguez. It added the trumpet to percussion, vocals, and strings. The group started as a sextet in 1927 in Central Havana. In 1929 it played at the World Exposition in Sevilla, and in 1933, it was invited to the "Century of Progress" World Exposition in Chicago. In the same year, Lázaro Herrera took over the group when Ignacio Piñeiro left it for financial reasons - despite their success the musicians earned very little. The group disbanded in 1937 but resumed playing for a recording session in 1940 and a television appearance in 1954. After the Cuban revolution of 1959, the group played again and is still playing. Its CD ''Poetas del Son'' was nominated for a grammy The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trío Matamoros
The Trío Matamoros was one of the most popular Cuban trova groups. It was formed in 1925 by Miguel Matamoros (8 May 1894 in Santiago de Cuba – 15 April 1971; guitar), Rafael Cueto (14 March 1900 in Santiago de Cuba – 7 August 1991; guitar) and Siro Rodríguez (9 December 1899 in Santiago de Cuba – Regla, 29 March 1981; maracas and claves). All three were singers and composers. The group was originally called Trio Oriental, but changed their name to Trio Matamoros in 1928 upon the discovery that another group already claimed the Trio Oriental name. The Trío Matamoros played boleros and son. They toured all Latin America and Europe and recorded in New York. In 1940 Guillermo Portabales performed with the trio. Matamoros expanded the trio into a conjunto (Conjunto Matamoros) for a trip to Mexico and hired the young Beny Moré as singer from 1945 to 1947. They recorded many 78 rpm records and LPs; some of their output is available on CDs. The group were renow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brunswick Records Singles
Brunswick is the historical English name for the German city of Braunschweig (Low German: ''Brunswiek'', Braunschweig dialect: ''Bronswiek''). Brunswick may also refer to: Places and other topographs Australia * Brunswick, Victoria, a suburb of Melbourne * Electoral district of Brunswick, an electoral district in Victoria * Brunswick Junction, Western Australia, a town near Bunbury * Brunswick Heads, a town on the North Coast of New South Wales Canada * New Brunswick, province in the Maritimes ** Brunswick Parish, New Brunswick, in Queens County * Brunswick Mountain, North Shore Mountains, British Columbia * Brunswick House First Nation, Ontario Chile * Brunswick Peninsula Germany * County of Brunswick, historic Saxon vassal county, elevated to Duchy of Brunswick-Lüneburg in 1235 * Brunswick-Lüneburg, historic German duchy since 1235 ** Brunswick-Bevern, a branch principality (1666–1735) ** Brunswick-Calenberg, a branch principality (1485–1692/1708) ** Brunswick-Cel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Songs
Cuban may refer to: * Something of, from, or related to Cuba, a country in the Caribbean * Cubans, people from Cuba, or of Cuban descent ** Cuban exile, a person who left Cuba for political reasons, or a descendant thereof * Cuban citizen, a person who is part of the Cuban population, see Demographics of Cuba * Cuban Spanish, the dialect of Cuba * Cuban Americans, citizens of the United States who are of Cuban descent * Cuban cigar, often referred to as "Cubans" * Cuban culture * Cuban cuisine ** Cuban sandwich * Cuban-eight, a type of aerobatic maneuver People with the surname * Brian Cuban (born 1961), American lawyer and activist * Mark Cuban (born 1958), American entrepreneur See also * Cuban Missile Crisis * List of Cubans * * Cuban Boys, a British music act * Kuban (other) * Cubane Cubane () is a synthetic hydrocarbon compound that consists of eight carbon atoms arranged at the corners of a cube, with one hydrogen atom attached to each carbon atom. A solid cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1929 Songs
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fruko Y Sus Tesos
Fruko y sus Tesos is a salsa group from Colombia that is popular in both Latin America and the United States. It was formed in 1969 by multi-instrumentalist Julio Ernesto Estrada (aka Fruko). Beginning with ''Tesura'' in 1969, the band has recorded 42 albums to date. The band achieved a degree of success after Joe Arroyo was recruited as lead singer in 1973. A Medellin native, Julio Ernesto "Fruko" Estrada Rincón was expelled from school for fighting and began his musical career at the age of 15 as a studio musician for Discos Fuentes record company. Noticed by Lisandro Meza, Estrada was added to Meza's popular group, Los Corraleros de Majagual. In 1968, Los Corraleros traveled to New York City giving Fruko his first opportunity to experience the city's burgeoning salsa scene. Fruko was influenced by New York City salsa greats Richie Ray, Willie Colon, Ray Barretto, and Eddie Palmieri. In the 1970s, Estrada helped mold the Colombian salsa scene, acting as arranger, bass player, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sexteto Habanero
The Sexteto Habanero was a Cuban son sextet founded in 1920 in Havana. It played an important part in the early history of the genre, contributing to its popularization all around Cuba. In 1927, the band incorporated a cornet player becoming the Septeto Habanero. Although most original members left in the 1930s, the band has continued to perform and record with different line-ups. Their last album was released in 2010 for their 90th anniversary. History Origins In 1916, tres player and director Ricardo Martínez from Santiago de Cuba founded the Cuarteto Oriental together with Guillermo Castillo ( botija), Gerardo Martínez (lead vocals and claves) and Felipe Neri Cabrera (maracas). In 1917, they left Oriente to record four tracks for Columbia Records in Havana. The songs are listed in a Columbia catalog for 1921, but are probably lost. However, the same group expanded to a sextet in 1918, with Castillo now on guitar, Antonio Bacallao on botija and Óscar Sotolongo on bongos. They ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charanga (Cuba)
Charanga is a traditional ensemble that plays Cuban dance music. They made Cuban dance music popular in the 1940s and their music consisted of heavily son-influenced material, performed on European instruments such as violin and flute by a Charanga orchestra. (Chomsky 2004, p. 199). The style of music that is most associated with a Charanga is termed 'Danzón', and is an amalgam of both European classical music and African rhythms. Origins "Scholars agree that Spain and parts of West and Central Africa provided the most crucial influences in the development of Cuban popular and religious music. But in the case of charanga, the contributions of French and Haitian influences cannot be ignored. Charanga began its history in the early nineteenth century when Haitians, both African and French, escaped the island's revolution. They brought with them a love for the French contredanse, a multi-sectional dance form that evolved into the danzón, the quintessential charanga style. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Machín
Antonio Abad Lugo Machín (11 February 1903, in Sagua la Grande, Cuba – 4 August 1977, in Madrid, Spain) was a Spanish-Cuban singer and musician. His version of ''El Manisero'', recorded in New York, 1930, with Don Azpiazú's orchestra, was the first million record seller for a Cuban artist. Although this was labelled a rhumba, it was in reality a son pregón, namely, a song based on a street-seller's cry. Biography Machín was a mixed-race son of a Cuban woman, Leoncia Machín, and a Spanish father, José Lugo Padrón, who emigrated to Cuba from Galicia, Spain. Machín was one of sixteen children. His early years were difficult: he was forced to work at the age of eight to help pay some of his father's numerous debts. One day, he was in the street by his house singing quietly. A priest that walked by heard him and immediately encouraged him to sing at a party. He sang '' Ave María'' by Schubert. From that day on Machín was determined to become a singer. Machín's ambition was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EGREM
EGREM (Empresa de Grabaciones y Ediciones Musicales, Spanish for ''Enterprise of Recordings and Musical Editions'') is the national record label of Cuba. It is headquartered in Centro Habana, where its main record studios (''Estudios Areito'' 101 & 102) operate. It was founded in 1964 after the nationalization of the Cuban music industry, absorbing the assets of Panart. EGREM had a monopoly on music production activities from 1964 until the late 1980s when independent labels reemerged.Cubadisco: Cuba's premier music awards show Cuba Absolutely. April 2013. EGREM's archive comprises "the most extensive catalog of Cuban music in the world". Since 2002, EGREM has a commercial director, a public relations department and a we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tresero
The tres ( Spanish for ''three'') is a three-course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres. In the 1930s, the instrument was adapted into the Puerto Rican tres, which has nine strings and a body similar to that of the cuatro. The tres developed in the second half of the 19th century in the eastern region of Guantánamo, where it was used to play changüí, a precursor of son cubano. Its exact origins are not known, but it is assumed to have developed from the 19th century Spanish guitar, which it resembles in shape, as well as the laúd and bandola, two instruments used in punto cubano since at least the 18th century. Tres playing revolves around the '' guajeo'', an ''ostinato'' pattern found in many Afro-Cuban music styles. Tres players are commonly known as ''treseros'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongosero
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
