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Sturehov Manor
Sturehov Manor ( sv, Sturehovs slott; sometimes ''Sturehof'') is a manor house in Botkyrka Municipality, a suburb of Stockholm, Sweden. The manor contains well-preserved 18th-century interiors. History Sturehov is located in an area which has been inhabited for a long time. In the Middle Ages, a small hamlet called Averhulta lay here, owned at one time by the head of the royal council, Bo Jonsson (Grip), Bo Jonsson, and later by the Sture family. Sturehov derives its name from statesman Svante Stensson Sture, who seems to have been the first owner of the estate as such; the name was changed from Averhulta in his honour in the 1680s. In 1562 he acquired the land in an exchange with the Crown. The estate stayed in the Sture family until the death of Ebba Mauritzdotter Leijonhufvud, ''née'' Sture, after whose death it passed to statesman Johan Oxenstierna. Johan Oxenstierna's widow, Margareta Brahe, sold the estate to military commander Carl Gustaf Wrangel. Subsequently it belonged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botkyrka Municipality
Botkyrka Municipality ( ) is a municipality in Stockholm County in east central Sweden, not far from the capital Stockholm. Its seat is located in the town of Tumba. In 1971 ''Grödinge'' was merged with Botkyrka and in 1974 ''Salem'' was added. The Salem part was split off again in 1983, and a new Salem Municipality was formed. Botkyrka has an estimated population of 91,925. History The municipality is named after Saint Botvid, a Christian missionary during the 12th century. Saint Botvid is shown on the seal and coat of arms of Botkyrka Municipality, where he carries an axe and a fish. Another remnant of Botkyrka's Christian medieval history is the Botkyrka church, made of stone. Politically the municipality is primarily Social Democratic, that has governed Botkyrka for a long period except 3 years in the early 1990s. However, with fewer seats the party now governs together with The Green Party, and The Left Party. There have also been several local parties. For a long per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cocklestove
A masonry heater (also called a masonry stove) is a device for warming an interior space through radiant heating, by capturing the heat from periodic burning of fuel (usually wood), and then radiating the heat at a fairly constant temperature for a long period. Masonry heaters covered in tile are called cocklestoves (also tile stoves or ceramic stoves). The technology has existed in different forms, from back into the Neoglacial and Neolithic periods. Archaeological digs have revealed excavations of ancient inhabitants utilizing hot smoke from fires in their subterranean dwellings, to radiate into the living spaces. These early forms have evolved into modern systems. Evidence found from 5,000 B.C. of massive blocks of masonry used to retain heat foreshadowed early forms of fire hearths that were used as multifunctional heating sources. Later evolutions came in the Roman ''hypocaust'' and Austro-German cocklestove (''Kachelofen'', literally "tile oven", or ''Steinofen'', "ston ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceres (mythology)
In ancient Roman religion, Ceres ( , ) was a goddess of agriculture, grain crops, fertility and motherly relationships.Room, Adrian, ''Who's Who in Classical Mythology'', p. 89-90. NTC Publishing 1990. . She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular ''Ludi Ceriales'' (Ceres' games). She was also honoured in the May ''lustratio'' of the fields at the Ambarvalia festival, at harvest-time, and during Roman marriages and funeral rites. She is usually depicted as a mature woman. Ceres is the only one of Rome's many agricultural deities to be listed among the Dii Consentes, Rome's equivalent to the Twelve Olympians of Greek mythology. The Romans saw her as the counterpart of the Greek goddess Demeter,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vánas'' 'de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury (mythology)
Mercury (; la, Mercurius ) is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld. In Roman mythology, he was considered to be either the son of Maia, one of the seven daughters of the Titan Atlas, and Jupiter, or of Caelus and Dies. In his earliest forms, he appears to have been related to the Etruscan deity Turms; both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand. Similar to his Greek equivalent Hermes, he was awarded a magic wand by Apollo, which later turned into the caduceus, the staff with intertwined snakes. Etymology The name "Mercury" is possibly related to the Latin words ' ("merchandise"; cf. ''merchant'', ''commerce'', etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festoon
A festoon (from French ''feston'', Italian ''festone'', from a Late Latin ''festo'', originally a festal garland, Latin ''festum'', feast) is a wreath or garland hanging from two points, and in architecture typically a carved ornament depicting conventional arrangement of flowers, foliage or fruit bound together and suspended by ribbons. The motif is sometimes known as a swag when depicting fabric or linen.Sturgis, pp. 22-23 In modern English the verb forms, especially "festooned with", are often used very loosely or figuratively to mean having any type of fancy decoration or covering. Origins and design Its origin is probably due to the representation in stone of the garlands of natural flowers, etc., which were hung up over an entrance doorway on fête days, or suspended around an altar. The design was largely employed both by the Ancient Greeks and Romans and formed the principal decoration of altars, friezes and panels. The ends of the ribbons are sometimes formed into b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marbleizing
Marbleizing or faux marbling is the preparation and finishing of a surface to imitate the appearance of polished marble. It is typically used in buildings where the cost or weight of genuine marble would be prohibitive. Faux marbling is a special case of faux painting used to create the distinctive and varied patterns of marble - the most imitated stone by far. History Faux stone painting was widely used in Pompeii, but it really took off in Europe during the Renaissance with two schools of faux painting developing. The Italian school was loose and artistic, the French school was formal and realistic. It typically took an apprentice 10 years or more to fully master the art. The sophistication of the techniques are such that visitors are frequently unable to distinguish between false and real marble in many churches, palaces and public buildings in Europe. The techniques were perfected by the 17th century and have been used in all styles of construction well into the 20th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attic Style
In classical architecture, the term attic refers to a story or low wall above the cornice of a classical façade. The decoration of the topmost part of a building was particularly important in ancient Greek architecture and this came to be seen as typifying the ''Attica'' style, the earliest example known being that of the monument of Thrasyllus in Athens. It was largely employed in Ancient Rome, where their triumphal arches utilized it for inscriptions or for bas-relief sculpture. It was used also to increase the height of enclosure walls such as those of the Forum of Nerva. By the Italian revivalists it was utilized as a complete storey, pierced with windows, as found in Andrea Palladio's work in Vicenza and in Greenwich Hospital, London. One well-known large attic surmounts the entablature of St. Peter's Basilica, which measures in height. Decorated attics with pinnacles are often associated with the Late Renaissance (Mannerist architecture) period in Poland and are viewed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-corps
An ''avant-corps'' ( it, avancorpo or , plural , german: Risalit, pl, ryzalit), a French term literally meaning "fore-body", is a part of a building, such as a porch or pavilion, that juts out from the ''corps de logis'', often taller than other parts of the building. It is common in façades in French Baroque architecture. Particularly in German architecture, a corner ''Risalit'' is where two wings meet at right-angles. Baroque three-winged constructions often incorporate a median ''Risalit'' in a main hall or a stairwell, such as in Weißenstein Palace Weißenstein ( sl, Bilšak) is a town in the district of Villach-Land in the Austrian state of Carinthia. Geography Weißenstein lies in the lower Drau valley northwest of Villach. The highest point in the municipality is the Spitzeck at 1517 ... and the . Terms By position to the building A central avant-corps stands in the middle of the facade. A side projection is positioned off-centre. Two wings (usually) runn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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