Stump Juice
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Stump Juice
''Stump Juice'' is an album by American jazz organist Jimmy McGriff recorded in 1975 and released on the Groove Merchant label.Jazzlists: Groove Merchant Records 3300 Series
accessed April 9, 2018

accessed April 9, 2018


Reception

's Jason Ankeny said: "'Unlike the majority of Groove Merchant dates from the mid-'70s, ''Stump Juice'' forgoes warhorse pop and soul covers in favor of original tunes – these tabulas rasa are the ideal canvas for Lester's bare-essentials production and McGriff's sinuous grooves, eschewi ...
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Jimmy McGriff
James Harrell McGriff (April 3, 1936 – May 24, 2008) was an American hard bop and soul-jazz organist and organ trio bandleader. Biography Early years and influences Born in Germantown, Philadelphia, Pennsylvania, Germantown, Pennsylvania, United States, McGriff started playing piano at the age of five and by his teens had also learned to play Vibraphone, vibes, alto sax, drums and upright bass. He played bass in his first group, a piano trio. When he joined the United States Army, McGriff served as a military policeman during the Korean War. He later became a police officer in Philadelphia for two years. Music kept drawing McGriff's attention away from the police force. His childhood friend, organist Jimmy Smith (musician), Jimmy Smith, had begun earning a substantial reputation in jazz for his Blue Note Records, Blue Note albums (the two played together once in 1967) and McGriff became entranced by the organ sound while Richard "Groove" Holmes played at his sister's wedding. ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Groove Merchant
Groove Merchant was an American jazz and R&B record label during the 1970s. It was run by producer Sonny Lester and distributed by Pickwick Records. Notable artists included Chick Corea, O'Donel Levy, Buddy Rich, Jimmy McGriff, Lonnie Smith and Lionel Hampton. Lester would later close Groove Merchant and restructure it as Lester Radio Corporation, or LRC; TK Records were distributors for a period. Lester still retains the rights to the Groove Merchant/LRC back catalog and independently distributes them on compact disc. Discography 500 Series The Groove Merchant 500 Series consisted of 34 albums released between 1971 and 1974.Jazzlists: Groove Merchant Records 500 Series
accessed March 26, 2018


2200 Series

The 2200 Series, released in 1972, consisted o ...
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Sonny Lester
Sumner Lester (November 15, 1924 – April 28, 2018), better known as Sonny Lester, was an American Grammy-award-winning music producer from New York City. He started his career as a musician in a big band jazz ensemble before being drafted into the U.S. Army. During the war he earned a Purple Heart and worked under Henry Kissinger, who was an intelligence officer at the time. Lester's recordings have been distributed by labels including Blue Note, United Artists, Capitol, Denon and CBS Records. Record label executive In 1966, Lester formed Solid State, the jazz division of United Artists Records, with arranger Manny Albam and recording engineer Phil Ramone. He later formed Groove Merchant in the early 1970s The label released albums by jazz musicians such as Chick Corea, Joe Williams, Dizzy Gillespie, and Jimmy McGriff. When his distribution deal ran out in the mid-1970s, he launched LRC Records, continuing to release albums by jazz artists such as Jimmy McGriff, Jimmy Ponde ...
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The Main Squeeze (album)
''The Main Squeeze'' is an album by American jazz organist Jimmy McGriff recorded in 1974 and released on the Groove Merchant label.Jazzlists: Groove Merchant Records 500 Series
accessed April 4, 2018

accessed April 9, 2018


Reception

's Jason Ankeny said: "''Main Squeeze'' percolates but never quite boils over. It's a collection of short, sharp and oh-so-sincere funk workouts performed with both style and skill, the album simply plays its cards too close to the vest, controlling the groove but never giving in to it".< ...
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The Mean Machine (album)
''The Mean Machine'' is an album by American jazz organist Jimmy McGriff recorded in 1976 and released on the Groove Merchant label.Jazzlists: Groove Merchant Records 3300 Series
accessed April 16, 2018

accessed April 16, 2018


Reception

's Jason Ankeny said: "Ironically enough, ''Mean Machine'' captures Jimmy McGriff at his sweetest. Employing electric piano as much as his signature organ, its grooves are disappointingly tepid, favoring a CTI-inspired smooth jazz approach at odds with McGriff's essential funkiness. ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Electric Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self-po ...
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Joe Thomas (flautist)
Joseph Samuel Thomas (May 31, 1933 - July 26, 2017) was an American jazz flutist and occasional saxophonist.Eugene ChadbourneAllmusic: Joe Thomas - Artist Biography accessed April 16, 2018. Biography As a child, Thomas learned to play alto and soprano saxophone, trombone, flute and piano, and also taught himself how to write music. Encouraged by his older brother, he began performing in clubs from the age of fifteen and was noticed by James Moody. After enlisting in the United States Army he received a Purple Heart during combat in the Korean War he returned to the US and performed with Specks Williams and joined Rhoda Scott's Trio in the early 1960s.Jazz Promo Services
accessed April 16, 2018 Thomas recorded with organist

Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Jimmy Ponder
Jimmy Ponder (May 10, 1946 – September 16, 2013) was an American jazz guitarist. Career When Ponder's brother entered the military, he left his guitar, and Ponder picked it up. In his early teens he received lessons from the guitarist in a band for which he sang doo-wop. He was drawn to the jazz guitar he heard on the radio. While playing in a rhythm and blues band, he occasionally inserted a jazz solo. He considered hearing guitarist Thornel Schwartz an important part of his life, when Schwartz was playing with organist Jimmy McGriff. He was impressed by Pat Martino when he saw Martino in the Jack McDuff band. He also cited as influences George Benson, Kenny Burrell, and Rene Thomas, though none surpassed the impact of seeing Wes Montgomery. He learned the guitar solo from "Daily Double" (Quaker Town), the first 45 rpm single released by Charles Earland. When Earland performed in Pittsburgh, he invited Ponder to sit-in with the band and liked what he heard. Earland promised ...
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Bob Cranshaw
Melbourne Robert Cranshaw (December 3, 1932 – November 2, 2016) was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album '' The Bridge''. Cranshaw died at the age of 83 on November 2, 2016, in Manhattan, New York, from Stage IV cancer. Discography As sideman With Pepper Adams *''Pepper Adams Plays the Compositions of Charlie Mingus'' (Workshop Jazz, 1964) With Nat Adderley *'' Little Big Horn!'' ( Riverside, 1963) *''Sayin' Somethin''' (Atlantic, 1966) With Eric Alexander *'' Second Impression'' (HighNote, 2016) With Mose Allison *'' Hello There, Universe'' (Atlantic, 1970) With Gene Ammons *'' Gene Ammons and Friends at Montreux'' (Prestige, ...
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