Studio Sessions, Chicago 1956
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Studio Sessions, Chicago 1956
''Studio Sessions, Chicago 1956'' is the first volume of '' The Private Collection'' a series documenting recordings made by the American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.A Duke Ellington Panorama
accessed June 21, 2010


Reception

The AllMusic review by awarded the album 3 stars and stated, "Each of the sets has its interesting moments, offering previously unknown compositions and performances".
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Manny Kurtz
Manny Curtis (born Emanuel Kurtz, Nov 15, 1911 – Dec 6, 1984) was an American songwriter. He wrote the lyrics for over 250 songs, including "In a Sentimental Mood" (1935) and " Let It Be Me" (1957). He was born in Brooklyn, New York, United States and died in San Francisco, California San Francisco (; Spanish for " Saint Francis"), officially the City and County of San Francisco, is the commercial, financial, and cultural center of Northern California. The city proper is the fourth most populous in California and 17th ..., United States. He also used the pseudonyms Mann Curtis, Manny Curtis and Manny Kurtz. External linksManny Kurtzat JazzBiographies {{DEFAULTSORT:Curtis, Manny 1911 births 1984 deaths Musicians from Brooklyn Jewish American musicians Songwriters from New York (state) 20th-century American musicians 20th-century American Jews ...
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Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ...
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Ray Nance
Ray Willis Nance (December 10, 1913 – January 28, 1976) was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra. Early years Nance was the leader of his own band in Chicago from 1932 to 1937. Then, he worked with Earl Hines from 1937 to 1939; and from 1939 to 1940 he worked with Horace Henderson. Ellington tenure Ellington hired Nance to replace trumpeter Cootie Williams, who had joined Benny Goodman, in 1940. Nance's first recorded performance with Ellington was at the Duke Ellington at Fargo, 1940 Live, Fargo, North Dakota ballroom dance. Shortly after joining the band, Nance was given the trumpet solo on the earliest recorded version of "Take the "A" Train", which became the Ellington theme. Nance's "A Train" solo is one of the most copied and admired trumpet solos in jazz history. Indeed, when Cootie Williams returned to the band more than twenty years later, he would play Nance's sol ...
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Willie Cook
Willie Cook (November 11, 1923 – September 22, 2000) was an American jazz trumpeter. Cook was born in Tangipahoa, Louisiana, on November 11, 1923.Hogan, E"Willie Cook" AllMusic. Retrieved July 13, 2017. He grew up in Chicago and learned to play violin before settling on trumpet as a teenager. He joined King Perry's band in the late 1930s, then joined Jay McShann's band early in the 1940s. His later credits include performing and recording with Johnny Hartman, Earl Hines, Jimmie Lunceford, Ella Fitzgerald, Dizzy Gillespie, Duke Ellington, B.B. King, and Count Basie. He joined Ellington's band in October 1951 as lead trumpeter and stayed for a decade. He moved to Sweden in 1982 after spending time in the country touring. He died of heart failure in Maria Regina Hospice in Stockholm on September 22, 2000.Ratliff, Ben (October 21, 2000"Willie Cook, 76, Lead Trumpeter with Gillespie and Ellington" ''The New York Times''. Discography With The Young Swedes *''Christl Mood'' ( Phont ...
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Cat Anderson
William Alonzo "Cat" Anderson (September 12, 1916 – April 29, 1981) was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register. Biography Born in Greenville, South Carolina, Anderson lost both parents when he was four years old, and was sent to live at the Jenkins Orphanage in Charleston, where he learned to play trumpet. Classmates gave him the nickname "Cat" (which he used all his life) based on his fighting style. He toured and made his first recording with the Carolina Cotton Pickers, a small group based at the orphanage. After leaving the Cotton Pickers, Anderson played with guitarist Hartley Toots, Claude Hopkins' big band, Doc Wheeler's Sunset Orchestra (1938–1942), with whom he also recorded, Lucky Millinder, the Erskine Hawkins Orchestra, Sabby Lewis's Orchestra, and Lionel Hampton, with whom he recorded the classic "Flying Home No.  ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Love You Madly (Duke Ellington Song)
''Comfort Eagle'' is the fourth studio album by American alternative rock band Cake. It was released on July 24, 2001, on Columbia Records, their first with the company. Release In its opening week, ''Comfort Eagle'' sold about 72,000 copies, debuting at number 13 on the ''Billboard'' 200. By 2002, the album had sold 408,000 copies. On February 2, 2003, it was certified gold by the RIAA for shipments of half a million copies. Critical reception ''Comfort Eagle'' was generally well-received by critics, some noting its similarity to the band's previous albums, for better or worse. Track listing Personnel ;Cake * John McCrea – vocals, acoustic guitar, keyboards, percussion * Vince DiFiore – trumpet, keyboards, backing vocals * Xan McCurdy – electric guitar, keyboards, backing vocals * Gabriel Nelson – bass guitar, keyboards, backing vocals * Todd Roper – drums, percussion, Moog synthesizer The Moog synthesizer is a modular synthesizer developed by the American ...
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ...
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Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream.
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Satin Doll
"Satin Doll" is a jazz standard written by Duke Ellington and Billy Strayhorn with lyrics by Johnny Mercer. Written in 1953, the song has been recorded by Ella Fitzgerald, 101 Strings, Terry Callier, and Nancy Wilson. Its chord progression is well known for its unusual use of chords and opening with a ii-V-I turnaround. Background Johnny Mercer was often asked to write lyrics to already popular songs. Lyrics to "Satin Doll" were written after the song was a hit in its instrumental version. Ellington used "Satin Doll" as the closing number in most of his concerts. Other versions * Duke Ellington – ''Capitol Sessions 1953–1955'' (1953) * The Gaylords – 1958 * Bill Doggett – ''Salute to Duke Ellington'' (King, 1959) * Peggy Lee / George Shearing – ''Beauty And The Beat!'' (Capitol Records, 1959) * The Coasters – ''One by One'' (1960) * Harry James – ''Harry James...Today'' (MGM, 1960) * Ella Fitzgerald – ''Ella in Hollywood'' (1961) * McCoy Tyner – ''Night ...
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Irving Gordon
Irving Gordon (February 14, 1915 – December 1, 1996) was an American songwriter. Biography Irving Gordon was born in Brooklyn, New York, to a Jewish family, and later lived on Coney Island. He was named Israel Goldener but later changed his name to Irving Gordon. As a child, he studied violin. After attending public schools in New York City, Gordon worked in the Catskill Mountains at some of the resort hotels in the area. While working there, he took to writing parody lyrics to some of the popular songs of the day. In the 1930s, he took a job with the music publishing firm headed by talent agent Irving Mills, at first writing only lyrics, but subsequently writing music as well. After Gordon was introduced to Duke Ellington in 1937, Ellington sometimes invited him to put lyrics to his compositions. However working with Ellington was probably one of the most difficult commissions there was, since most of the Ellington songs were really instrumental pieces whose singable potentia ...
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