Strong Winds
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Strong Winds
''Strong Winds'' (German: ''Windstärke 9. Die Geschichte einer reichen Erbin'') is a 1924 German silent film directed by Reinhold Schünzel and starring Maria Kamradek, Alwin Neuss and Albert Bennefeld.Das Ufa-Buch p.126 The film's sets were designed by the art director Franz Schroedter. Cast * Maria Kamradek as Mabel Samson * Alwin Neuss as Flanaga, ihr Vetter * Albert Bennefeld * Harry Halm * Adolf Klein * Rudolf Lettinger Rudolf Lettinger (26 October 1865 in Hamburg – 21 March 1937 in Berlin-Schöneberg) was a German stage and film actor. He made his stage debut in 1883 when he played the role of Kosinsky in Friedrich Schiller's drama ''The Robbers''. Some of ... References Bibliography * Hans-Michael Bock & Michael Töteberg. ''Das Ufa-Buch''. Zweitausendeins, 1992. External links * 1924 films Films of the Weimar Republic German silent feature films Films directed by Reinhold Schünzel German black-and-white films UFA GmbH films {{Germany- ...
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Reinhold Schünzel
Reinhold Schünzel (7 November 1888 – 11 November 1954) was a German actor and director, active in both Germany and the United States. The son of a German father and a Jewish mother, he was born in St. Pauli, the poorest part of Hamburg. Despite being of Jewish ancestry, Schünzel was allowed by the Nazis to continue making films for several years until he eventually left in 1937 to live abroad. Life in Germany Reinhold Schünzel (or Schuenzel) started his career as an actor in 1915 with a role in the film ''Werner Krafft''. He directed his first film in 1918's ''Mary Magdalene (1920 film), Mary Magdalene'' and in 1920 directed ''The Girl from Acker Street'' and ''Catherine the Great (1920 film), Catherine the Great''. He was one of Germany's best-known silent film stars after World War I, a period during which films were significantly influenced by the consequences of the war. Schünzel performed in both comedies and dramas, often appearing as a villain or a powerful and corrup ...
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Franz Schroedter
Franz Schroedter (9 May 1897 – 14 November 1968) was a German art director.Giesen p.212 Selected filmography * '' The Black Count'' (1920) * ''The Dance of Love and Happiness'' (1921) * ''The New Paradise'' (1921) * '' The Queen of Whitechapel '' (1922) * ''The Men of Frau Clarissa'' (1922) * ''The Cigarette Countess'' (1922) * '' The Shadows of That Night'' (1922) * '' The Shadow of the Mosque'' (1923) * '' The Woman from the Orient'' (1923) * '' The Voice of the Heart'' (1924) * '' Strong Winds'' (1924) * ''The Heart of Lilian Thorland'' (1924) * ''Chamber Music'' (1925) * ''Tragedy'' (1925) * ''The Adventures of Sybil Brent'' (1925) * ''The Elegant Bunch'' (1925) * ''The Doll of Luna Park'' (1925) * '' The Morals of the Alley'' (1925) * ''The Flower Girl of Potsdam Square'' (1925) * '' Roses from the South'' (1926) * ''The Last Horse Carriage in Berlin'' (1926) * ''Only a Dancing Girl'' (1926) * '' The Flames Lie'' (1926) * ''When She Starts, Look Out'' (1926) * ''The Trousers ...
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Films Directed By Reinhold Schünzel
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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German Silent Feature Films
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germ ...
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Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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1924 Films
The following is an overview of 1924 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) The top eight 1924 released films by box office gross in North America are as follows: Events * January 10 – CBC Distributions corp. is renamed and incorporated as Columbia Pictures. * D. W. Griffith, co-founder of United Artists, leaves the company. *April 17 – Entertainment entrepreneur Marcus Loew gains control of Metro Pictures, Goldwyn Pictures Corporation and Louis B. Mayer Pictures to create Metro-Goldwyn-Mayer (MGM) *November 15 – In Los Angeles, director Thomas Ince ("The Father of the Western") meets publishing tycoon William Randolph Hearst to work out a deal. When Ince dies a few days later, reportedly of a heart attack, rumors soon surface that he was murdered by Hearst. *Loews Theatres acquires the 4,000 seat Capitol Theatre in New York City becoming the flagship of the theatre chain and site of many ...
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Rudolf Lettinger
Rudolf Lettinger (26 October 1865 in Hamburg – 21 March 1937 in Berlin-Schöneberg) was a German stage and film actor. He made his stage debut in 1883 when he played the role of Kosinsky in Friedrich Schiller's drama ''The Robbers''. Some of his more prominent roles in his prestigious stage career were ''Cyrano de Bergerac'' and Gessler in ''William Tell''. He also worked with acclaimed stage director Max Reinhardt. In 1912, Lettinger played his first film role in ''Das Geheimnis von Monte Carlo''. Lettinger appeared in over 90 films until 1931, mostly as a supporting actor. His best-known film is perhaps '' The Cabinet of Dr. Caligari'' (1920), where Lettinger portrayed Dr. Olsen. Selected filmography * ''Das Geheimnis von Monte Carlo'' (1912) * ''Ein Gruss aus der Tiefe'' (1915) - Vareno Ziehtochter Rawalla * ''Das goldene Friedelchen'' (1916) - Hermann Strecker * ''Irrende Liebe'' (1917) - Carl Coster, ehemaliger Bankdirektor * ''Das Legat'' (1917) - Geldverleiher Rosen * ...
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Adolf Klein
Adolf Klein (15 August 1847 – 11 March 1931) was an Austrian actor and theatre director. Klein appeared in around sixty films, mainly during the silent era. He appeared in a number of the epics made by the German film industry during the early 1920s such as his role as Cardinal Wolsey in Ernst Lubitsch's '' Anna Boleyn'' (1920).Fletcher p. 191 Selected filmography * '' Dr. Hart's Diary'' (1917) * ''The Mirror of the World'' (1918) * ''The Seeds of Life'' (1918) * '' Veritas Vincit'' (1919) * '' The Panther Bride'' (1919) * '' The Loves of Käthe Keller'' (1919) * '' Anna Boleyn'' (1920) * '' The Secret of the Mummy'' (1921) * ''Lady Hamilton'' (1921) * ''Ilona'' (1921) * '' The Adventuress of Monte Carlo'' (1921) * '' The Amazon'' (1921) * ''The Inheritance of Tordis'' (1921) * '' The Maharaja's Favourite Wife'' (1921) * ''The Passion of Inge Krafft'' (1921) * ''The Women of Gnadenstein'' (1921) * ''The Three Aunts'' (1921) * '' Phantom'' (1922) * ''Fridericus Rex'' (1922) * ' ...
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Harry Halm
Harry Halm (born Harry Hermann Hahn; 17 January 1901 – 22 November 1980) was a German film actor. He was the son of director Alfred Halm and took acting lessons with Eduard von Winterstein and Hermann Vallentin. He began his stage career in 1919 at the Schauspielhaus in Potsdam. Selected filmography * ''Friend Ripp'' (1923) * '' The Evangelist'' (1924) * '' Chamber Music'' (1925) * '' Strong Winds'' (1924) * ''The Humble Man and the Chanteuse'' (1925) * '' Love and Trumpets'' (1925) * ''Three Waiting Maids'' (1925) * '' The Untouched Woman'' (1925) * ''The Fire Dancer'' (1925) * ''If Only It Weren't Love'' (1925) * ''Old Mamsell's Secret'' (1925) * ''Princess Trulala'' (1926) * ''Only a Dancing Girl'' (1926) * '' A Sister of Six'' (1926) * '' I Lost My Heart in Heidelberg'' (1926) * '' Die Königin des Varietés'' (1927) * '' Fabulous Lola'' (1927) * ''How Do I Marry the Boss?'' (1927) * '' My Heidelberg, I Can Not Forget You'' (1927) * '' Vacation from Marriage'' (1927) * '' ...
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Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ...
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Arzén Von Cserépy
Arzén von Cserépy (1881–1958) was a Hungary, Hungarian screenwriter, film producer and film director, director who was based in Germany. He ran his own production company Cserépy-Film until it was merged into the larger UFA GmbH, UFA empire. von Cserépy became associated with a series of films about the Kingdom of Prussia, Prussian monarch Frederick the Great. He was sometimes credited as Arzén Cserépy. Selected filmography Screenwriter * ''The Armoured Vault (1914 film), The Armoured Vault'' (1914) * ''Marshal Forwards (film), Marshal Forwards'' (1932) Producer * ''Catherine the Great (1920 film), Catherine the Great'' (1920) * ''Mary Magdalene (1920 film), Mary Magdalene'' (1920) * ''The Girl from Acker Street'' (1920) * ''A Day on Mars'' (1921) * ''Fridericus Rex'' (1922-1923) * ''Old Heidelberg (1923 film), Old Heidelberg'' (1923) * ''Strong Winds'' (1924) * ''The Hymn of Leuthen'' (1933) Director * ''Seltsame Köpfe'' (1916) * ''Colomba (film), Colomba'' (1918) * '' ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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