Stripping Of The Altar
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Stripping Of The Altar
The Stripping of the Altar or the Stripping of the Chancel is a ceremony carried out in many Anglican, Catholic, Lutheran and Methodist churches on Maundy Thursday. At the end of the Maundy Thursday liturgy in Methodist parishes, the chancel is traditionally stripped; black paraments are sometimes added for Good Friday as black is the liturgical colour of Good Friday in the Methodist Churches. Methodist custom holds that apart from depictions of the Stations of the Cross, other images (such as the altar cross) continue the Lenten habitude of being veiled. In addition to the stripping of the altar at the conclusion of the Maundy Thursday liturgy in Lutheran Churches, the "lectern and pulpit are lsoleft bare until Easter to symbolize the humiliation and barrenness of the cross." In Anglican Churches, this ceremony is also performed at the conclusion of Maundy Thursday services, "in which all appointments, linens, and paraments are removed from the altar and chancel in prepar ...
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Chancel Of Houston Memorial UMC On Good Friday
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. ...
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Easter Vigil
Easter Vigil, also called the Paschal Vigil or the Great Vigil of Easter, is a liturgy held in traditional Christian churches as the first official celebration of the Resurrection of Jesus. Historically, it is during this liturgy that people are baptized and that adult catechumens are received into full communion with the Church. It is held in the hours of darkness between sunset on Holy Saturday and sunrise on Easter Day – most commonly in the evening of Holy Saturday or midnight – and is the first celebration of Easter, days traditionally being considered to begin at sunset. Among liturgical Western Christian churches including the Roman Catholic Church, the Lutheran Churches, the Reformed Churches, the Anglican Communion and the Methodist Churches, the Easter Vigil is the most important liturgy of public worship and Mass of the liturgical year, marked by the first use since the beginning of Lent of the exclamatory "Alleluia", a distinctive feature of the Easter sea ...
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Hyssop
''Hyssopus officinalis'' or hyssop is a shrub in the Lamiaceae or mint family native to Southern Europe, the Middle East, and the region surrounding the Caspian Sea. Due to its purported properties as an antiseptic, cough reliever, and expectorant, it has been used in traditional herbal medicine. Description Hyssop is a brightly coloured shrub or subshrub that ranges from in height. The stem is woody at the base, from which grow a number of upright branches. Its leaves are lanceolate, dark green, and from long. During the summer, hyssop produces pink, blue, or, more rarely, white fragrant flowers. These give rise to small oblong tetra-achenes. History A plant called hyssop has been in use since classical antiquity. Its name is a direct adaptation from the Greek ὕσσωπος (). The Hebrew word אזוב (''ezov'', ''esov'', or ''esob'') and the Greek word ὕσσωπος probably share a common (but unknown) origin. The name hyssop appears as a translation of ''ezov ...
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Antiphon
An antiphon ( Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responds (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American culture. Antiphonal music is that performed by two choirs in interaction, often singing ...
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Psalm 22
Psalm 22 of the Book of Psalms (the hind of the dawn) or My God, my God, why hast thou forsaken me? is a psalm in the Bible. The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 21. In Latin, it is known as "Deus, Deus meus". The psalm forms a regular part of Jewish, Orthodox Christian, Catholic, Anglican, Lutheran, and other Protestant liturgies. History and context In the most general sense, Psalm 22 is about a person who is crying out to God to save him from the taunts and torments of his enemies, and (in the last ten verses) thanking God for rescuing him. Jewish interpretations of Psalm 22 identify the individual in the psalm with a royal figure, usually King David or Queen Esther. The psalm is also interpreted as referring to the plight of the Jewish people and their distress ...
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Altar Cross
An altar crucifix or altar cross is a cross placed upon an altar, and is often the principal ornament of the altar. History Early Christians were wary of publicly exposing the cross or crucifix for fear of subjecting it to the insults of pagans, or scandalizing the weak. To avoid this, they often used symbols like the anchor or trident. The first appearances of a cross upon the altar occurred approximately in the 6th century, although it remained unusual for several centuries, and even discouraged. When it was used, it seems to have been only during the actual service, and was likely a processional cross detachable from its staff, and placed on the altar after processing. This was at first almost always a cross rather than a true crucifix; these began to be made specifically for altars in the late 11th century, and became more common from the 12th century, though they may have been expensive at first. By the start of the 13th century, treatises by Pope Innocent III expected t ...
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Antependium
An ''antependium'' (from Latin ''ante-'' and ''pendēre'' "to hang before"; pl: ''antependia''), also known as a ''parament'' or ''hanging'', or, when speaking specifically of the hanging for the altar, an altar frontal (Latin: ''pallium altaris''), is a decorative piece, usually of textile, but also metalwork, stone or other material that can adorn a Christian altar. Specifically, and as the etymology of the word suggests, an antependium hangs down in front of whatever it covers, and is to be distinguished from the altar linens which are used in the service of the Eucharist, and an altar cloth which covers the top of the altar table (''mensa''). Types of antependia Western Christianity "Antependium" is the word used for elaborate fixed altar frontals, which, in large churches and especially in the Ottonian art of the Early Medieval period, were sometimes of gold studded with gems, enamels and ivories, and in other periods and churches often carved stone, painted wood panel ...
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Stole (vestment)
The stole is a liturgical vestment of various Christian denominations, which symbolizes priestly authority; in Protestant denominations which do not have priests but use stoles as a liturgical vestment, however, it symbolizes being a member of the ordained. It consists of a band of colored cloth, usually of silk, about seven and a half to nine feet long and three to four inches wide, whose ends may be straight or may broaden out in the shape of a spade or bell. The center of the stole is worn around the back of the neck and the two ends hang down parallel to each other in front, either attached to each other or hanging loose. The stole is almost always decorated in some way, usually with two crosses, or sometimes another significant religious design. It is often decorated with contrasting galloons (ornamental trim) and fringe is usually applied to the ends of the stole following . A piece of white linen or lace may be stitched onto the back of the collar as a sweat guard, wh ...
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Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the church, but in some cases it is an annex or separate building (as in some monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the service. They will return there at the end of the service to remove their vestments and put away any of the vessels used during ...
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High Altar
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islamic communities around Caucasia and Asia Minor. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions. Etymology The modern English word ''altar'' was derived from Middle English ''altar'', from Old English '' alter'', taken from Latin '' altare'' ("altar"), probably related to '' adolere'' ("burn"); thus "burning place", influenced by '' altus'' ("high"). It displaced the native Old English word '' wēofod''. Altars in antiquity File:Tel Be'er Sheva Altar 2007041.JPG, Horned altar at Tel Be'er Sheva, Israel. File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by Giovanni Dall'Orto, Nov 9 2009 ...
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Ciborium (container)
A ciborium (plural ciboria; Medieval Latin ''ciborium'' (drinking cup), from the Ancient Greek κιβώριον ''kibōrion'', a type of drinking-cupOED.) is a vessel, normally in metal. It was originally a particular shape of drinking cup in Ancient Greece and Rome, but the word later came to refer to a large covered cup designed to hold hosts for, and after, the Eucharist, thus the counterpart (for the bread) of the chalice (for the wine). The word is also used for a large canopy over the altar of a church, which was a common feature of Early Medieval church architecture, now relatively rare. History The ancient Greek word referred to the cup-shaped seed vessel of the Egyptian water-lily '' nelumbium speciosum'' and came to describe a drinking cup made from that seed casing, or in a similar shape. These vessels were particularly common in ancient Egypt and the Greek East. The word "'ciborium'" was also used in classical Latin to describe such cups, although the only exampl ...
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