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Stripped Classical Architecture
Stripped Classicism (or "Starved Classicism" or "Grecian Moderne") Jstor is primarily a 20th-century classicist architectural style stripped of most or all ornamentation, frequently employed by governments while designing official buildings. It was adapted by both totalitarian and democratic regimes. The style embraces a "simplified but recognizable" classicism in its overall massing and scale while eliminating traditional decorative detailing. The orders of architecture are only hinted at or are indirectly implicated in the form and structure. Despite its etymological similarity, Stripped Classicism is sometimes distinguished from "Starved Classicism", the latter "displaying little feeling for rules, proportions, details, and finesse, and lacking all verve and élan". At other times the terms "stripped" and "starved" are used interchangeably. Stripped Classicism was a materialistic manifestation of 'political' modernism. Recent historiography has explicitly linked this arc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Deco
Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the United States and Europe during the 1920s and 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners. It got its name after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. Art Deco combined modern styles with fine craftsmanship and rich materials. During its heyday, it represented luxury, glamour, exuberance, and faith in socia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Soviet Union
The Soviet Union,. officially the Union of Soviet Socialist Republics. (USSR),. was a transcontinental country that spanned much of Eurasia from 1922 to 1991. A flagship communist state, it was nominally a federal union of fifteen national republics; in practice, both its government and its economy were highly centralized until its final years. It was a one-party state governed by the Communist Party of the Soviet Union, with the city of Moscow serving as its capital as well as that of its largest and most populous republic: the Russian SFSR. Other major cities included Leningrad (Russian SFSR), Kiev (Ukrainian SSR), Minsk (Byelorussian SSR), Tashkent (Uzbek SSR), Alma-Ata (Kazakh SSR), and Novosibirsk (Russian SFSR). It was the largest country in the world, covering over and spanning eleven time zones. The country's roots lay in the October Revolution of 1917, when the Bolsheviks, under the leadership of Vladimir Lenin, overthrew the Russian Provisional Government that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazi Party Rally Grounds (1938) 3
The Nazi party rally grounds (german: Reichsparteitagsgelände, literally: ''Reich Party Congress Grounds'') covered about 11 square kilometres in the southeast of Nuremberg, Germany. Six Nazi party rallies were held there between 1933 and 1938. Overview The grounds included: * the ''Luitpoldarena'', a deployment area * the Luitpold Hall or "Old Congress Hall" (damaged during World War II, later demolished) * the ''Kongresshalle'' (Congress Hall) or ''Neue Kongresshalle'' (New Congress Hall) (unfinished) * the ''Zeppelinfeld'' (Zeppelin Field), another deployment area * the ''Märzfeld'' (March Field) (unfinished, later demolished), a deployment area for the ''Wehrmacht'' (army) * the '' Deutsche Stadion'' (German stadium) (only foundations were built), which was to be the largest sports stadium in the world * the former ''Stadion der Hitlerjugend'' ("stadium of the Hitler Youth", today Frankenstadion) * the ''Große Straße'' ("Great Road"), a (never-used) parade road A "Haus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Works
Public works are a broad category of infrastructure projects, financed and constructed by the government, for recreational, employment, and health and safety uses in the greater community. They include public buildings ( municipal buildings, schools, and hospitals), transport infrastructure (roads, railroads, bridges, pipelines, canals, ports, and airports), public spaces (public squares, parks, and beaches), public services (water supply and treatment, sewage treatment, electrical grid, and dams), and other, usually long-term, physical assets and facilities. Though often interchangeable with public infrastructure and public capital, public works does not necessarily carry an economic component, thereby being a broader term. Public works has been encouraged since antiquity. For example, the Roman emperor Nero encouraged the construction of various infrastructure projects during widespread deflation. Overview Public works is a multi-dimensional concept in economics and poli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classicism
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection, restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the ''Discobolus'' Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as Cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Architecture
Modern architecture, or modernist architecture, was an architectural movement or architectural style based upon new and innovative technologies of construction, particularly the use of glass, steel, and reinforced concrete; the idea that form should follow function ( functionalism); an embrace of minimalism; and a rejection of ornament. It emerged in the first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture. Origins File:Crystal Palace.PNG, The Crystal Palace (1851) was one of the first buildings to have cast plate glass windows supported by a cast-iron frame File:Maison François Coignet 2.jpg, The first house built of reinforced concrete, designed by François Coignet (1853) in Saint-Denis near Paris File:Home Insurance Building.JPG, The Home Insurance Building in Chicago, by William Le Baron Jenney (1884) File:Const ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Friedrich Schinkel
Karl Friedrich Schinkel (13 March 1781 – 9 October 1841) was a Prussian architect, city planner and painter who also designed furniture and stage sets. Schinkel was one of the most prominent architects of Germany and designed both neoclassical and neogothic buildings. His most famous buildings are found in and around Berlin. Biography Schinkel was born in Neuruppin, Margraviate of Brandenburg. When he was six, his father died in the disastrous Neuruppin fire of 1787. He became a student of architect Friedrich Gilly (1772–1800) (the two became close friends) and his father, David Gilly, in Berlin. At that time, the architectural taste in Prussia was shaped in neoclassical style, mainly by Carl Gotthard Langhans, the architect of the Brandenburg Gate in Berlin. After returning to Berlin from his first trip to Italy in 1805, he started to earn his living as a painter. When he saw Caspar David Friedrich's painting ''Wanderer above the Sea of Fog'' at the 1810 Berlin art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Soane
Sir John Soane (; né Soan; 10 September 1753 – 20 January 1837) was an English architect who specialised in the Neoclassical architecture, Neo-Classical style. The son of a bricklayer, he rose to the top of his profession, becoming professor of architecture at the Royal Academy and an official architect to the Office of Works. He received a Knight Bachelor, knighthood in 1831. His best-known work was the Bank of England (his work there is largely destroyed), a building which had a widespread effect on commercial architecture. He also designed Dulwich Picture Gallery, which, with its top-lit galleries, was a major influence on the planning of subsequent art galleries and museums. His main legacy is Sir John Soane's Museum, the eponymous museum in Lincoln's Inn Fields in his former home and office, designed to display the art works and architectural artefacts that he collected during his lifetime. The museum is described in the ''Oxford Dictionary of Architecture'' as "one o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Speeth
Peter Speeth (29 November 1772 – 1831) was a German architect. Speeth was born in Mannheim and worked in Frankfurt from 1788–1794 under Nicolas de Pigage (1723-1796), in Heidelberg from 1797, and from 1804 at Amorbach for the Prince of Leiningen. In 1807 he moved to Würzburg in the service of Ferdinand III, Grand Duke of Tuscany, where he designed the Women's Pententiary (1809–1810), an early and striking Neo-Renaissance design, as well as the ''Zeller Torhaus'' guard house (1814) which resembles Claude-Nicolas Ledoux's barrières for Paris, and the ''Gerichtsdienerhaus'' (House of the Court Usher, 1811–13). His employment for the Grand Duke ended in 1815, and in 1826 he moved to Russia. He died in Odessa Odesa (also spelled Odessa) is the third most populous city and municipality in Ukraine and a major seaport and transport hub located in the south-west of the country, on the northwestern shore of the Black Sea. The city is also the administrativ ... in 1831. Select ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Gilly
Friedrich David Gilly (16 February 1772 – 3 August 1800) was a German architect and the son of the architect David Gilly. His works are influenced by revolutionary architecture (''Revolutionsarchitektur''). Born in Altdamm, Pomerania, (today Dąbie, district of Szczecin, Poland), Gilly was known as a prodigy and the teacher of the young Karl Friedrich Schinkel. In 1788 he enrolled at the Akademie der Bildenden Künste in Berlin. His teachers in architecture were Friedrich Becherer and Carl Gotthard Langhans. Gilly enjoyed drawing lessons with Christian Bernhard Rode, Johann Christoph Frisch, Johann Heinrich Meil, Daniel Nikolaus Chodowiecki and Johann Gottfried Schadow. In the practical part, he was taught by Carl Gotthard Langhans, Michael Philipp Boumann and Baron Friedrich Wilhelm von Erdmannsdorff. He was first employed by the Oberhofbauamt in 1789, and worked for a time with Bernhard Matthias Brasch on the reconstruction of Neuruppin. In 1797 Gilly travelled extensive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Nicolas Ledoux
Claude-Nicolas Ledoux (21 March 1736 – 18 November 1806) was one of the earliest exponents of French Neoclassical architecture. He used his knowledge of architectural theory to design not only domestic architecture but also town planning; as a consequence of his visionary plan for the Ideal City of Chaux, he became known as a utopian. His greatest works were funded by the French monarchy and came to be perceived as symbols of the Ancien Régime rather than Utopia. The French Revolution hampered his career; much of his work was destroyed in the nineteenth century. In 1804, he published a collection of his designs under the title ''L'Architecture considérée sous le rapport de l'art, des mœurs et de la législation'' (Architecture considered in relation to art, morals, and legislation). In this book he took the opportunity of revising his earlier designs, making them more rigorously neoclassical and up to date. This revision has distorted an accurate assessment of his role in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne-Louis Boullée
Étienne-Louis Boullée (12 February 17284 February 1799) was a visionary French neoclassical architect whose work greatly influenced contemporary architects. Life Born in Paris, he studied under Jacques-François Blondel, Germain Boffrand and Jean-Laurent Le Geay, from whom he learned the mainstream French Classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ... in the 17th and 18th century and the Neoclassicism that evolved after the mid century. He was elected to the Académie Royale d'Architecture in 1762 and became chief architect to Frederick II of Prussia, a largely honorary title. He designed a number of private houses from 1762 to 1778, though most of these no longer exist; notable survivors into the modern era include the Hôtel de Brunoy (demo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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