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String Quartet No. 7 (Beethoven)
The String Quartet No. 7 in F major, Op. 59, No. 1, was written by Ludwig van Beethoven and published in 1808. This work is the first of three of his " Rasumovsky" cycle of string quartets.Grove, G., p. 244, and p. 270 under the heading "''Original Publisher.''": "Bureau des Arts et d'Industrie of Schreyvogel & Co., Pesth, 1808." Overview This work is the first of three quartets commissioned by prince Andrey Razumovsky, then the Russian ambassador to Vienna. This quartet is the first of Beethoven's middle period quartets and departs in style from his earlier Op. 18 quartets. The most apparent difference is that this quartet is over forty minutes long in a typical performance, whereas most of Beethoven's earlier quartets lasted twenty-five to thirty minutes. Furthermore, this quartet notoriously requires a greatly expanded technical repertoire. Form It consists of four movements: # Allegro (F major) # Allegretto vivace e sempre scherzando (B♭ major) # Adagio molto e mesto - a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartets Nos
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * ''Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, musical ens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F Major
F major (or the key of F) is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp mi .... The F major scale is: : F major is the home key of the English horn, the basset horn, the French horn, horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. (The basset horn also often sounds an octave and a fifth lower.) Notable compositions in F major *Antonio Vivaldi **Twelve Trio Sonatas, Op. 1 (Vivaldi), Trio sonata Op. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Quartet
The Pascal Quartet was a French string quartet musical ensemble which took shape during the early 1940s and emerged after World War II to become a leading representative of the French performance tradition. It was named after its founder, the viola player Léon Pascal, and was occasionally termed the Leon Pascal Quartet. Personnel Throughout its recording career during the 1940s and 1950s, the personnel comprised: 1st violin: Jacques Dumont 2nd violin: Maurice Crut viola: Léon Pascal violoncello: Robert Salles Origins During the 1930s Léon Pascal occupied the viola desk in the celebrated Calvet Quartet, with Joseph Calvet, Daniel Guilevitch (i.e. Daniel Guilet of the Beaux Arts Trio) and Paul Mas (cello). Pascal appears in the 1931-1938 recordings made by that ensemble. The recordings of the Pascal Quartet begin before 1945. The quality of the soloists with whom they recorded attest to the standing of the Pascal Quartet. McNaught said of them that 'due praise would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrey Razumovsky
Count (later Prince) Andrey Kirillovich Razumovskyrussian: Андре́й Кири́ллович Разумо́вский, , german: Andreas von Rasumofsky (2 November 1752 – 23 September 1836) was a Russian Imperial diplomat who spent many years of his life in Vienna. His name is transliterated differently in different English sources, including spellings Razumovsky, Rasumofsky, and Rasoumoffsky. This last spelling was used by the British Government for its official translation from the French of the Paris peace treaty of 1815 and the Final Act of the Congress of Vienna. Life Razumovsky was the son of Kirill Razumovsky, the last Hetman of Zaporizhian Host and of , a cousin of Tsarina Elizabeth of Russia. He was also a nephew of the Tsarina's lover, Aleksey Grigorievich Razumovsky, called the "Night Emperor" of Russia. The elder Rasumovsky's late Baroque palace on the Nevsky Prospekt is a minor landmark in Saint Petersburg. In 1792 Andrey Kirillovitch was appointed the T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambassador Of Russia To Austria
The Ambassador Extraordinary and Plenipotentiary of the Russian Federation to the Republic of Austria is the official representative of the President and the Government of the Russian Federation to the President and the Government of the Republic of Austria. The ambassador and his staff work at large in the Embassy of Russia in Vienna. The post of Russian Ambassador to Austria is currently held by , incumbent since 10 August 2015. History of diplomatic relations The first ambassador of Russia to Austria was Prince Dmitry Mikhailovich Golitsyn and he served in this position from 1763 until 1792. Gallitzinstraße, the street where his ambassadorial villa was located is named after him. In 1792 Count Andrey Kirillovich Razumovsky became ambassador in Vienna, where he kept contact with representatives of the European aristocracy, politicians and artists. While in Vienna, he built the Palais Rasumofsky, and also financed construction of a stone bridge across the Danube. As a pat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata Form
Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical music era, Classical period). While it is typically used in the first Movement (music), movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Arensky
Anton Stepanovich Arensky (russian: Анто́н Степа́нович Аре́нский; – ) was a Russian composer of Romantic classical music, a pianist and a professor of music. Biography Arensky was born into an affluent, music-loving family in Novgorod, Russia. He was musically precocious and had composed a number of songs and piano pieces by the age of nine. With his mother and father, he moved to Saint Petersburg in 1879, after which he studied composition at the Saint Petersburg Conservatory with Nikolai Rimsky-Korsakov. After graduating from the Saint Petersburg Conservatory in 1882, Arensky became a professor at the Moscow Conservatory. Among his students there were Alexander Scriabin, Sergei Rachmaninoff, and Alexander Gretchaninov. In 1895, Arensky returned to Saint Petersburg as the director of the Imperial Choir, a post for which he had been recommended by Mily Balakirev. He retired from this position in 1901, living off a comfortable pension and spending hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Kerman
Joseph Wilfred Kerman (3 April 1924 – 17 March 2014) was an American musicologist and music critic. Among the leading musicologists of his generation, his 1985 book ''Contemplating Music: Challenges to Musicology'' (published in the UK as ''Musicology'') was described by Philip Brett in ''The Grove Dictionary of Music and Musicians'' as "a defining moment in the field."Brett He was Professor Emeritus of Musicology at the University of California, Berkeley. Life and career Kerman, the son of an American journalist, William Zukerman, was born in London and educated at University College School there.Hewett He then attended New York University where he received his BA in 1943 and Princeton University where he received his PhD in 1950. While at Princeton he studied under Oliver Strunk, Randall Thompson and Carl Weinrich and wrote his doctoral thesis on the Elizabethan madrigal. When young, he used Kerman as a pen-name, and then adopted it officially. From 1949 to 1951 he taught a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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