String Quartet No. 3 (Babbitt)
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String Quartet No. 3 (Babbitt)
String Quartet No. 3 is the third of six chamber-music works in the string quartet medium by the American composer Milton Babbitt. History Babbitt's Third Quartet was written in 1969–70 on commission by Mr. and Mrs. Lee A. Freeman for the Fine Arts Quartet, to whom it is dedicated. The world premiere performances were on May 4–5, 1970, by the Fine Arts Quartet, who subsequently recorded it under a subsidy from the Recording Publication Program of the Ford Foundation. Analysis The Quartet is in a single movement lasting over 18 minutes. On first acquaintance the quartet may seem to consist of a welter of unrelated detail, with few if any short-term patterns. However, contrasting speeds and articulations (''arco'' and ''pizzicato'') gradually bring the shifting relationships of the details and the connected aspects of the larger sections into clear focus, and the composition begins to assume a shape of intricacy and beauty. It falls into four large sections, created by the pitch s ...
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String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, Antonín Dvořák, Leoš Jan ...
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George Sopkin
George Sopkin (April 3, 1914 – October 28, 2008) was an American cellist who was a founding member of the Fine Arts Quartet and faculty member at Kneisel Hall School of Chamber Music in Blue Hill, Maine. Born and raised in Chicago, Sopkin was about twelve years old when he first played the cello. By age eighteen, six years later, he was auditioning for the Chicago Symphony Orchestra. Frederick Stock looked at Sopkin and said, "So we're taking Boy Scouts now?". Stock gave him the job, making him one of the youngest performers with the orchestra. He earned $65 per week for the symphony's 28-week season, plus a seven-week summer session, a respectable income for the Great Depression, especially for a teenager. Sopkin spent eight years with the Chicago Symphony Orchestra.Silvers, Amy Rabideau"Cellist Sopkin lived for music" '' Milwaukee Journal Sentinel'', November 1, 2008. Accessed November 5, 2008. He left in symphony in 1941 to form the Fine Arts Quartet together with violinist ...
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1970 Compositions
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on an ...
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Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ...
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Graham Hair
Graham Barry Hair (born 1943) is an Australian composer, music scholar and retired academic. He was educated at the University of Melbourne, graduating with a Bachelor of Music degree in 1964 and a Master of Music degree three years later. He then completed a doctorate at the University of Sheffield, which was awarded in 1973. He worked at Riverina College of Advanced Education between 1973 and 1975, before being appointed to a lectureship at La Trobe University in 1976. In 1980, he became Head of the School of Composition at the New South Wales State Conservatorium of Music, where he remained until 1990, when he was appointed Gardiner Professor of Music at the University of Glasgow , image = UofG Coat of Arms.png , image_size = 150px , caption = Coat of arms Flag , latin_name = Universitas Glasguensis , motto = la, Via, Veritas, Vita , .... He retired from the chair in 2001.Michael Moss, ...
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Notes (journal)
''Notes'' is a quarterly journal devoted to "music librarianship, music bibliography and discography, the music trade, and on certain aspects of music history." Published by the Music Library Association, ''Notes'' offers reviews on current music-related books, digital media, and sound recordings as well as inventories of publishers’ catalogs and materials recently received. History First series Debuting in July 1934, the first series of ''Notes'' produced fifteen issues in eight years. The journal's first editor, Eva Judd O'Meara, wrote in the first issue: “The notes were intended for a chorus of voices from all the music libraries in the group, but so far none have joined in, and one drones on alone, lamenting the other parts that were expected to give volume and tone to the performance” Those first 23 pages of mimeographed notes included an article on the need to create subdivisions to the card catalog in order to accommodate the many works from or about Johann Sebasti ...
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The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ...
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Paul Griffiths (writer)
Paul Anthony Griffiths (born 1947) is a British music critic, novelist and librettist. He is particularly noted for his writings on modern classical music and for having written the libretti for two 20th century operas, Tan Dun's ''Marco Polo'' and Elliott Carter's ''What Next?''. Career Paul Griffiths was born on 24 November 1947 in the Welsh town of Bridgend to Fred and Jeanne Griffiths. He received his BA and MSc in biochemistry from University of Oxford, and from 1971 worked as a freelance music critic. He joined the editorial staff of ''The New Grove Dictionary of Music and Musicians'' in 1973 and in 1982 became the chief music critic for ''The Times'', a post which he held for ten years. From 1992 to 1996, he was a music critic for ''The New Yorker'', and from 1997 to 2005, for ''The New York Times''. A collection of his musical criticism for these and other periodicals was published in 2005 as ''The substance of things heard: writings about music'', Volume 31 of ''Eas ...
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John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his career. ...
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ...
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The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Elaine Barkin
Elaine "Ray" Barkin née Radoff (December 15, 1932 – February 22, 2023) was an American composer, writer, and educator. Early life Elaine Radoff was born in The Bronx, New York City, lived in the Amalgamated Houses, attended Bronx High School of Science, Third Street Music School Settlement, and Queens College (BA in 1954), where she studied composition and theory with Karol Rathaus, Sol Berkowitz, Leo Kraft, and Saul Novack. At Brandeis University (MFA in 1956, PhD in 1971), her mentors in composition and theory were Irving Fine, Harold Shapero, Arthur Berger, and Seymour Shifrin. In the Summer of 1955 she worked with Boris Blacher at Tanglewood and then in 1956 and 1957 at the Berlin Hochschule für Musik on a Fulbright fellowship. In 1963, Barkin was asked by Benjamin Boretz, founding editor of the composers' journal '' Perspectives of New Music'', to join as editor, a post she held until 1985. In 1972 she served as co-editor and when John Rahn became editor in 1984, sh ...
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