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String Quartet No. 2 (Tchaikovsky)
The String Quartet No. 2 in F major, Op. 22, by Pyotr Ilyich Tchaikovsky, was composed between December 1873 and January 1874. It premiered on 22 March 1874. In October 1874, Tchaikovsky got on record as considering it his finest work: "I regard it as my best work; no other piece has poured forth from me so simply and easily. I wrote it almost at one sitting." (from letter to his brother Modest, quoted in reference). Also, later (quoted in the chapter '1879-1881'), "I wrote that music (Vakula) with affection and with delight, just as I did... the Second Quartet" (from letter to Nadezhda von Meck, ibid). Structure The string quartet is in four movements: The first movement starts with an 18-bar slow introduction without key signature in time, with the character almost of a cadenza with increasingly rococo embellishment. This leads to the main body in time. The second movement is in a mixed meter The time signature (also known as meter signature, metre signature, or me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4/4 Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions In F Major
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartets By Pyotr Ilyich Tchaikovsky
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * '' Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * '' The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Rubinstein
Anton Grigoryevich Rubinstein ( rus, Антон Григорьевич Рубинштейн, r=Anton Grigor'evič Rubinštejn; ) was a Russian pianist, composer and conductor who became a pivotal figure in Russian culture when he founded the Saint Petersburg Conservatory. He was the elder brother of Nikolai Rubinstein, who founded the Moscow Conservatory. As a pianist, Rubinstein ranks among the great 19th-century keyboard virtuosos. He became most famous for his series of historical recitals—seven enormous, consecutive concerts covering the history of piano music. Rubinstein played this series throughout Russia and Eastern Europe and in the United States when he toured there. Although best remembered as a pianist and educator (most notably in the latter as the composition teacher of Tchaikovsky), Rubinstein was also a prolific composer throughout much of his life. He wrote 20 operas, the best known of which is '' The Demon''. He composed many other works, including five pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Fitzenhagen
Wilhelm Karl Friedrich Fitzenhagen (15 September 1848 – 14 February 1890) was a German cellist, composer and teacher, best known today as the dedicatee of Pyotr Ilyich Tchaikovsky's ''Variations on a Rococo Theme''. Life Fitzenhagen was born in Seesen in the Duchy of Brunswick, where his father served as music director. Beginning at age five, he received lessons on the piano, the cello and the violin. Many times, he had to substitute for wind players absent due to various emergencies.Campbell, p. 76. At age 14, Fitzenhagen began advanced studies of the cello with Theodore Müller. Three years later, Fitzenhagen played for the Duke of Brunswick, who released him from all military service. In 1867, some noble patrons enabled him to study for a year with Friedrich Grützmacher in Dresden, A year later he was appointed to the Dresden Hofkapelle, where he started his career as soloist.MacGregor, 8:912. Fitzenhagen's playing at the 1870 Beethoven Festival in Weimar attracted the atte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Hřímalý
Jan Hřímalý (russian: Иван Войцехович Гржимали, also ''Ivan Voitsekhovich Grzhimali''; 13 April 1844 – ) was an influential Czech violinist and teacher, who was associated with the Moscow Conservatory for 46 years in 1869–1915. He was born in Pilsen, Bohemia (then part of the Austrian Empire), the second son of the organist and composer Vojtěch Hřímalý (1809–1880), and a member of a notable Czech musical family. He was taught by his older brother Vojtěch Hřímalý jr., and by Moritz Mildner. Hřímalý studied violin at the Prague Conservatory (1855–1861), and went on to become leader of the Amsterdam Orchestra (1862–1868). In 1869 he was appointed violin teacher at the Moscow Conservatory. He succeeded Ferdinand Laub as professor of violin studies 1874–1915. He was leader of the Russian Musical Society Orchestra in Moscow from 1874 until 1906. He was acquainted with Pyotr Ilyich Tchaikovsky, who held him in high regard. He co-premiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Laub
Ferdinand Laub (January 19, 1832March 17, 1875) was a Czech violinist and composer. Life and career Laub was born in Prague from a German Bohemian family which had assimilated into the ethnic Czech community. His father Erasmus (1794–1865) arranged for Ferdinand's first public appearance at age six. His first solo concert was at age ten in the Stavovské divadlo (a theater in Prague). From 1843 to 1846, he studied at the Prague Conservatory. He began his adult career as a virtuoso in Vienna, at the imperial court. In 1850, he traveled across Europe with a series of exhibitions. He stayed for a longer time in Weimar and Berlin (1855–62 as professor at the Stern Conservatory). From 1866 to 1874 he was professor of violin at the Moscow Conservatory, where his many notable students included Stanisław Barcewicz. Laub was a well-admired violinist, winning awards all over Europe; Pyotr Ilyich Tchaikovsky called him "the best violinist of our time". He was the first violinist in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'istesso Tempo
In music, metric modulation is a change in pulse rate (tempo) and/or pulse grouping (subdivision) which is derived from a note value or grouping heard before the change. Examples of metric modulation may include changes in time signature across an unchanging tempo, but the concept applies more specifically to shifts from one time signature/tempo (metre) to another, wherein a note value from the first is made equivalent to a note value in the second, like a pivot or bridge. The term "modulation" invokes the analogous and more familiar term in analyses of tonal harmony, wherein a pitch or pitch interval serves as a bridge between two keys. In both terms, the pivoting value functions differently before and after the change, but sounds the same, and acts as an audible common element between them. Metric modulation was first described by Richard Franko Goldman while reviewing the Cello Sonata of Elliott Carter, who prefers to call it tempo modulation. Another synonymous term is proporti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixed Meter
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational mete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo (music)
In music, galant refers to the style which was fashionable from the 1720s to the 1770s. This movement featured a return to simplicity and immediacy of appeal after the complexity of the late Baroque era. This meant simpler, more song-like melodies, decreased use of polyphony, short, periodic phrases, a reduced harmonic vocabulary emphasizing tonic and dominant, and a clear distinction between soloist and accompaniment. C. P. E. Bach and Daniel Gottlob Türk, who were among the most significant theorists of the late 18th century, contrasted the galant with the "learned" or "strict" styles.) The German ''empfindsamer Stil'', which seeks to express personal emotions and sensitivity, can be seen either as a closely related North-German dialect of the international galant style, or as contrasted with it, as between the music of Carl Philipp Emanuel Bach, a founder of both styles, and that of Johann Christian Bach, who carried the galant style further and was closer to classical. This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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