|
String Quartet No. 2 (Ives)
The String Quartet No. 2 by Charles Ives is a work for string quartet written between 1907 and 1913. It was premiered at McMillin Theatre, Columbia University in New York City on 11 May 1946, by a Juilliard School student ensemble. Its first professional performance was by the Walden String Quartet, on 15 September 1946, at Yaddo, on a concert which prompted composer Lou Harrison to write: "This work is... the finest piece of American chamber music yet... Music of this kind happens only every fifty years or a century, so rich in faith and so full of the sense of completion." In his ''Memos'', Ives referred to the quartet as "one of the best things I have". The quartet was first published in 1954 by Peer International, and was reprinted in 1970 with corrections by John Kirkpatrick. In 2016, Peermusic Classical published a critical edition of the quartet, commissioned by the Charles Ives Society and edited by Malcolm Goldstein. Form and content The quartet is a programmatic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Ives
Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century. Sources of Ives's tonal imagery included hymn tunes and traditional songs; he also incorporated melodies of the tow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elliott Carter
Elliott Cook Carter Jr. (December 11, 1908 – November 5, 2012) was an American modernist composer. One of the most respected composers of the second half of the 20th century, he combined elements of European modernism and American "ultra-modernism" into a distinctive style with a personal harmonic and rhythmic language, after an early neoclassical phase. His compositions are performed throughout the world, and include orchestral, chamber music, solo instrumental, and vocal works. The recipient of many awards, Carter was twice awarded the Pulitzer Prize. Born in New York City, Carter had developed an interest in modern music in the 1920s. He was later introduced to Charles Ives, and he soon came to appreciate the American ultra-modernists. After studying at Harvard University with Edward Burlingame Hill, Gustav Holst and Walter Piston, he studied with Nadia Boulanger in Paris in the 1930s, then returned to the United States. Carter was productive in his later years, pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia, The Gem Of The Ocean
"Columbia, the Gem of the Ocean" is an American patriotic song which was popular in the United States during the 19th and early 20th centuries. Composed 1843, it was long used as an unofficial national anthem of the United States, in competition with other songs. Under the title "Three Cheers for the Red, White, and Blue," the song is mentioned in Chapter IX of MacKinlay Kantor's Pulitzer Prize-winning novel '' Andersonville'' (1955). It was also featured in the 1957 musical ''The Music Man''. In 1969, "Columbia, the Gem of the Ocean" was the music performed by a U.S. Navy Band embarked aboard USS ''Hornet'' as one of the ship's helicopters recovered the Apollo 11 astronauts from their capsule named ''Columbia'' after a splashdown in the Pacific Ocean. The melody of "Columbia, the Gem of the Ocean" is identical to that of the British patriotic song "Britannia, the Pride of the Ocean" and there is disagreement as to which song was adapted from the other. History The origin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkey In The Straw
"Turkey in the Straw" is an American folk song that first gained popularity in the 19th century. Early versions of the song were titled "Zip Coon", which were first published around 1834 and performed in minstrel shows, with different people claiming authorship of the song. The melody of "Zip Coon" later became known as "Turkey in the Straw"; a song titled "Turkey in de Straw" with different music and lyrics was published in 1861 together with the wordless music of "Zip Coon" added at the end, and the title "Turkey in the Straw" then became linked to the tune of "Zip Coon". The song is related to a number of tunes of the 19th century and the origin of these songs has been widely debated. Links to older Irish/Scottish/English ballads have been proposed, such as "The Old Rose Tree". The song became highly popular and many variations of the song exist. It was also frequently adapted and used in popular media. A song based the tune of "Turkey in the Straw", "Nigger Love a Watermel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marching Through Georgia
"Marching Through Georgia" (sometimes spelled as "Marching Thru' Georgia" or "Marching Thro Georgia") is a marching song written by Henry Clay Work at the end of the American Civil War in 1865. The title and lyrics of the song refer to U.S. Army major general William T. Sherman's " March to the Sea" to capture the Confederate city of Savannah, Georgia in late 1864. History The song became widely popular with Union Army veterans after the American Civil War. The song, sung from the point of view of a Union soldier, tells of marching through Georgian territory, freeing slaves, meeting Southern Unionist men glad to once again see the U.S. flag, and punishing the Confederacy for their starting the war. After the war, in parts of the southern United States, and particularly in Georgia, ex-Confederates and some white Southerners saw the song as a symbol of perceived excessive damage and political domination the United States army and government exercised over the former Confederacy a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixie (song)
"Dixie", also known as "Dixie's Land", "I Wish I Was in Dixie", and other titles, is a song about the Southern United States first made in 1859. It is one of the most distinctively Southern musical products of the 19th century. It was not a folk song at its creation, but it has since entered the American folk vernacular. The song likely cemented the word "Dixie" in the American vocabulary as a nickname for the Southern U.S. Most sources credit Ohio-born Daniel Decatur Emmett with the song's composition, although other people have claimed credit, even during Emmett's lifetime. Compounding the problem are Emmett's own confused accounts of its writing and his tardiness in registering its copyright. "Dixie" originated in the minstrel shows of the 1850s and quickly became popular throughout the United States. During the American Civil War, it was adopted as a de facto national anthem of the Confederacy, along with "The Bonnie Blue Flag" and "God Save the South". New versions app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Ferneyhough
Brian John Peter Ferneyhough (; born 16 January 1943) is an English composer. Ferneyhough is typically considered the central figure of the New Complexity movement. Ferneyhough has taught composition at the Hochschule für Musik Freiburg and the University of California, San Diego; he teaches at Stanford University and is a regular lecturer in the summer courses at Darmstädter Ferienkurse. He has resided in California since 1987. Life Ferneyhough was born in Coventry and received formal musical training at the Birmingham School of Music and the Royal Academy of Music from 1966 to 1967, where he studied with Lennox Berkeley. Ferneyhough was awarded the Mendelssohn Scholarship in 1968 and moved to mainland Europe to study with Ton de Leeuw in Amsterdam, and later with Klaus Huber in Basel. Between 1973 and 1986 he taught composition at the Hochschule für Musik Freiburg, Germany,Richard Toop, "Ferneyhough, Brian", '' Grove Music Online'' (Updated 22 October 2008), edited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juilliard String Quartet
The Juilliard String Quartet is a classical music string quartet founded in 1946 at the Juilliard School in New York by William Schuman. Since its inception, it has been the quartet-in-residence at the Juilliard School. It has received numerous awards, including four Grammys and membership in the National Academy of Recording Arts and Sciences Hall of Fame. In February 2011, the group received the NARAS Lifetime Achievement Award for its outstanding contributions to recorded classical music. As of 2022, the quartet's members are violinists Areta Zhulla and Ronald Copes, violist Molly Carr, and cellist Astrid Schween. History Robert Mann era: 1946–1996 The quartet was founded by Juilliard School president William Schuman and violin faculty member Robert "Bobby" Mann in 1946. The original members were Mann and violinist Robert Koff, violist Raphael Hillyer and cellist Arthur Winograd. It began recording with Columbia Records upon its founding. Between March and August 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Hurwitz
Robert Hurwitz (born in 1949) was president of Nonesuch Records from 1984 to 2017. He was named Chairman Emeritus of Nonesuch Records in January 2017. He previously ran the American operations of ECM Records, after beginning his career at Columbia Records. Hurwitz grew up in Los Angeles, where he was trained as a pianist and graduated from Alexander Hamilton High School in 1967, then went on to study at the University of California, Berkeley. Founded as a classical label in 1964, Nonesuch expanded into the world music field in 1967 with its Explorer series. Since Hurwitz became head of the company, it has further expanded its mission to include artists from a wide range of musical genres, including jazz, musical theater, folk, bluegrass, and rock. Among the artists he has signed or worked with are composers including John Adams, Timo Andres, Louis Andriessen, Henryk Górecki, Philip Glass, Ástor Piazzolla, Steve Reich, Stephen Sondheim, and John Zorn as well as performers and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Quarterly
''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930–1944), Gustave Reese (1944-45), Paul Henry Lang, who edited the journal for over 25 years, from 1945 to 1973, Joan Peyser (1977–84), Eric Salzman who served as editor from 1984 to 1991 and several others. Since 1993 ''The Musical Quarterly'' has been edited by Leon Botstein, president of Bard College and principal conductor of the American Symphony Orchestra. Originally published by G. Schirmer, Inc., it is published by Oxford University Press. References External links * Articles published before 1923at the Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Moevs
Robert Walter Moevs (2 December 1920 – 10 December 2007) was an American composer of contemporary classical music. He was known for his highly Chromaticism, chromatic music. Career Moevs was born in La Crosse, Wisconsin, and served in the United States Army Air Forces as a pilot during World War II. He then received his degree from Harvard University. Moevs was a student of Walter Piston and Nadia Boulanger. He taught at Harvard University and Rutgers University. He received the Rome Prize (1952) and a Guggenheim Fellowship (1962). In 1978 his Concerto Grosso was awarded the Karlheinz Stockhausen, Stockhausen International Prize in Composition. His music has been performed by the Cleveland Orchestra, the Boston Symphony Orchestra and the NBC Symphony Orchestra, Symphony of the Air. His papers, including unpublished scores and recordings, are held by the Rutgers Music Library. He died in Hillsborough, New Jersey. Music Discography Notes Sources *Archibald, Bruce, and Richar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
