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Stream Of Unconsciousness (narrative Mode)
In literary criticism, stream of unconsciousness is a narrative mode that portrays an individual's point of view by transcribing the author's unconscious dialogue or ''somniloquy'' during sleep, in connection to their actions within a dream. Stream of unconsciousness is characterized by disjointed leaps in ideation and story line, bizarre new word creation, loss of self-censorship, one sided conversations and punctuation that can make the prose both disturbing and difficult to follow. Despite the name, the stream of unconsciousness occurs more in the form of waves than an actual continuous running stream of dialogue. The stream of unconsciousness is one of several forms of dramatic monologue, where the speaker is addressing an audience or a third person. Such monologues are commonly used in poetry and drama, but with the stream of unconsciousness, the audience or third persons are 'unknowingly' imaginary. It is primarily a fictional device and often takes the form of a tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Criticism
Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, the ''Johns Hopkins Guide to Literary Theory and Criticism'' draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book form. Academic literary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stream Of Consciousness (narrative Mode)
In literary criticism, stream of consciousness is a narrative mode or method that attempts "to depict the multitudinous thoughts and feelings which pass through the mind" of a narrator. The term was coined by Daniel Oliver in 1840 in ''First Lines of Physiology: Designed for the Use of Students of Medicine,'' when he wrote, Better known, perhaps, is the 1855 usage by Alexander Bain in the first edition of ''The Senses and the Intellect'', when he wrote, "The concurrence of Sensations in one common stream of consciousness–on the same cerebral highway–enables those of different senses to be associated as readily as the sensations of the same sense". But it is commonly credited to William James who used it in 1890 in his ''The Principles of Psychology''. In 1918, the novelist May Sinclair (1863–1946) first applied the term stream of consciousness, in a literary context, when discussing Dorothy Richardson's novels. '' Pointed Roofs'' (1915), the first work in Richardson's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiction
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and conte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narratology
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. It is an anglicisation of French ''narratologie'', coined by Tzvetan Todorov (''Grammaire du Décaméron'', 1969). Its theoretical lineage is traceable to Aristotle (''Poetics'') but modern narratology is agreed to have begun with the Russian Formalists, particularly Vladimir Propp (''Morphology of the Folktale'', 1928), and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in ''The Dialogic Imagination'' (1975). Cognitive narratology is a more recent development that allows for a broader understanding of narrative. Rather than focus on the structure of the story, cognitive narratology asks "how humans make sense of stories" and "how humans use stories as sense-making instruments". Defining narrative Structuralist narratologists like Rimmon-Kenan define narrative fiction as "the narration of a succession of fictional eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative Techniques
A narrative technique (known for literary fictional narratives as a literary technique, literary device, or fictional device) is any of several specific methods the creator of a narrative uses to convey what they want —in other words, a strategy used in the making of a narrative to relay information to the audience and particularly to develop the narrative, usually in order to make it more complete, complex, or interesting. Literary techniques are distinguished from literary elements, which exist inherently in works of writing. Setting } from Homer's epic poem ''Odyssey'', whose role is carried by Leopold Bloom, much of the setting is described realistically, with great attention to detail. The locations within Dublin also represent locations in the Odyssey. Bloom's home is at 7 Eccles Street, and at the same time, Ithaca, the home of Odysseus. The Post office, Westland Row and Sweny's pharmacy on Lombard Street represent the Dublin location for Episode 5, Lotus Eaters; th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Pinsent
Ed Pinsent (born 1960, Liverpool, England) is a British cartoonist, artist, and writer. Biography Ed Pinsent is the son of the classical scholar John Pinsent and was brought up in the city of Liverpool. Pinsent has written and drawn his own small press comics since 1982, including characters such as Primitif, Henrietta and Windy Wilberforce. Around 1987 he took over Fast Fiction, the market stall, magazine, mail order distributor and news sheet that played a key role in the history of British small press comics. It existed in its various forms from 1981 through to 1990 under the stewardship of Paul Gravett, Phil Elliott and Ed Pinsent. The name was taken from a '' Classics Illustrated'' knock-off spotted in the '' Overstreet Comic Book Price Guide''. Pinsent, who had been aware of the cassette culture music trading scene, subsequently took over from Elliott and continued to run things until 1990. ''Fast Fiction'' #30 in 1991 was the last issue of the flagship magazine whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fragment Factory
Fragment Factory is an independent record label and mail-order house based in Hamburg, Germany, founded in 2009 by Michael Muennich (*1980). The label specializes in releasing experimental electronic music in the broadest sense, including Electro-acoustic music, Sound Art, Noise and its several sub-categories. The output of Fragment Factory has been published on different formats, such as cassette, vinyl, CD / CD-R and comprises works by international sound artists from the US, Canada, Asia, UK & Europe.Complete listing of Fragment Factory releases on Discogs, retrieved in August 2016, http://www.discogs.com/label/Fragment+Factory Selected discography * RAG46Christina Kubisch - Schall und Klang CD (2019) * RAG45Antoine Chessex - Subjectivation LP (2018) * RAG41Eryck Abecassis & Francisco Meirino - La Gueule Du Loup CD (2017) * RAG39Alice Kemp - Fill My Body With Flowers And Rice LP (2016) * RAG36Leif Elggren - Das Baank LP (2016) * RAG32Enema Syringe - Upshutlenvol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leif Elggren
Leif Elggren (born 1950, Linköping, Sweden), is a Swedish artist who lives and works in Stockholm. Active since the late 1970s, Leif Elggren has become one of the most constantly surprising conceptual artists to work in the combined worlds of audio and visual. A writer, visual artist, stage performer and composer, he has many albums to his credits, solo and with the Sons of God, on labels such as Ash International, Touch, Radium and his own Firework Edition. His music, often conceived as the soundtrack to a visual installation or experimental stage performance, usually presents carefully selected sound sources over a long stretch of time and can range from quiet electronics to harsh noise. His wide-ranging and prolific body of art often involves dreams and subtle absurdities, social hierarchies turned upside-down, hidden actions and events taking on the quality of icons. Together with artist Carl Michael von Hausswolff, he is a founder of the Kingdoms of Elgaland-Vargaland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Shaw (artist)
Jim Shaw (born in 1952) is an American artist. His work is held in the collections of the Metropolitan Museum of Art and the Museum of Modern Art, New York. Education Shaw received his B.F.A. from University of Michigan in 1974 and his M.F.A. from the California Institute of the Arts in 1978. Work Shaw invented O-ism, a pseudo-religion. In 2002, at the Swiss Institute in New York, he exhibited the fictitious studio and paintings of the imaginary O-ist painter "Adam O. Goodman" (or "Archie Gunn"). In 2000 he showed ''Thrift Store Paintings''—a collection of paintings by (mostly anonymous) American amateur artists—at the ICA in London. Adrian Searle of ''The Guardian'' said "The paintings are awful, indefensible, crapulous…", "these people can't draw, can't paint; these people should never be left alone with a paintbrush", and "The Thrift Store Paintings are fascinating, alarming, troubled and funny. Scary too, just like America." [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dion McGregor
Dion McGregor (1922–1994) was an American songwriter known for talking in his sleep. He was born in New York City. An LP of his dream diatribes''The Dream World Of Dion McGregor (He Talks In His Sleep)''was released to minor acclaim by Decca Records in 1964. A book of the same name, containing the transcripts of a wider selection of McGregor's dreams, and with illustrations by Edward Gorey, was also published in 1964. McGregor would essentially narrate his dreams at conversational volume. As a narrator of his (often terrifying) dreams, Dion adopted various personas but frequently established a fey, argumentative, insolent approach to the subject at handbe it a hot air balloon trip to the moon with a group of multi-ethnic children, a frantic journey around New York, or a tattooing job on a woman's tongue. As a songwriter, McGregor's biggest success came when his song "Where Is The Wonder" (cowritten with roommate Michael Barr) was recorded by Barbra Streisand on her hit album ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malapropism
A malapropism (also called a malaprop, acyrologia, or Dogberryism) is the mistaken use of an incorrect word in place of a word with a similar sound, resulting in a nonsensical, sometimes humorous utterance. An example is the statement attributed to baseball player Yogi Berra, regarding switchhitters, "He hits from both sides of the plate. He's amphibious." Malapropisms often occur as errors in natural speech and are sometimes the subject of media attention, especially when made by politicians or other prominent individuals. Philosopher Donald Davidson has said that malapropisms show the complex process through which the brain translates thoughts into language. Humorous malapropisms are the type that attract the most attention and commentary, but bland malapropisms are common in speech and writing. Etymology The word "malapropism" (and its earlier form, "malaprop") comes from a character named "Mrs. Malaprop" in Richard Brinsley Sheridan's 1775 play ''The Rivals''. Mrs. Malapro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative Mode
Narration is the use of a written or spoken commentary to storytelling, convey a narrative, story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the Plot (narrative), plot (the series of events). Narration is a required element of all written stories (novels, short story, short stories, poems, memoirs, etc.), with the function of conveying the story in its entirety. However, narration is merely optional in most other storytelling formats, such as films, plays, television shows, and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
