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Strange Fruit (Trijntje Oosterhuis Album)
''Strange Fruit'' is the second solo album by Trijntje Oosterhuis and was released on 22 March 2004 on Blue Note records. Trijntje's solo debut album was well received, and consisted mainly of pop ballads not reflective of her personal fondness for jazz. During 2003 Trijntje made a tour with the Amsterdam Sinfonietta and the Houdini's playing covers of Billie Holiday and George Gershwin.PopInstituut.nl Biography Trijntje Oosterhuis. Retrieved: September 15, 2006 Trijntje decided to record the 7 January 2003 concert in the Concertzaal in and the 8 January 2003 concert in Stadsgehoorzaal in |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
God Bless The Child (Billie Holiday Song)
"God Bless the Child" is a song written by Billie Holiday and Arthur Herzog Jr. in 1939. It was first recorded on May 9, 1941, by Billie Holiday and released by the Okeh Records in 1942. Holiday's version of the song was honored with the Grammy Hall of Fame Award in 1976. It was also included in the list of ''Songs of the Century'', by the Recording Industry Association of America and the National Endowment for the Arts. Billie Holiday recording sessions Billie Holiday recorded the song three times. First recording (Session #44, Columbia/Okeh): Columbia Studio A, 799 Seventh Avenue, New York City, May 9, 1941, Eddie Heywood and his Orchestra with Roy Eldridge (trumpet), Jimmy Powell and Lester Boone (alto saxophone), Ernie Powell (trumpet), Eddie Heywood (piano), Johan Robins (guitar), Paul Chapman (guitar), Grachan Moncur II (bass), Herbert Cowans (drums), Billie Holiday (vocal). Second recording (Session #65, her final Decca session): Los Angeles March 8, 1950, Gordon Jenk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I've Got Rhythm
"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the " rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology (Thrivin' on a Riff)". Composition The song came from the musical ''Girl Crazy'', which also includes two other hit songs, " Embraceable You" and " But Not for Me", and has been sung by many jazz singers since. It was originally written as a slow song for ''Treasure Girl'' (1928) and found another, faster setting in ''Girl Crazy''. Ethel Merman sang the song in the original Broadway production and Broadway lore holds that George Gershwin, after seeing her opening reviews, warned her never to take a singing lesson. The four-note opening riff bears a striking resemblance to the opening melody of the third movement of William Grant Still's ''Symphony No. 1,'' "Afro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Summertime (George Gershwin Song)
"Summertime" is an aria composed in 1934 by George Gershwin for the 1935 opera ''Porgy and Bess''. The lyrics are by DuBose Heyward, the author of the novel '' Porgy'' on which the opera was based, and Ira Gershwin. The song soon became a popular and much-recorded jazz standard, described as "without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century". Composer and lyricist Stephen Sondheim characterized Heyward's lyrics for "Summertime" and "My Man's Gone Now" as "the best lyrics in the musical theater". ''Porgy and Bess'' Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period. Gershwin had completed setting DuBose Heyward's poem to music by February 1934, and spent the next 20 months completing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Man I Love (song)
"The Man I Love" is a popular standard in AABA form with music by George Gershwin and lyrics by his brother Ira. Part of the 1924 score for the Gershwin musical comedy '' Lady, Be Good'', the song was deleted from that show and put into the Gershwins' 1927 government satire '' Strike Up the Band'' (where it appears as "The Man I Love" and "The Girl I Love"), which closed out-of-town. It was considered for, then rejected from, the 1928 Ziegfeld hit '' Rosalie''. Covers Like many songs from George and Ira Gershwin, "The Man I Love" is considered part of the Great American Songbook and was covered on stage and on record by many artists. It was recorded by Kate Bush in 1994 for Larry Adler's '' The Glory of Gershwin'' tribute album and released as a single, which reached number 27 on the British charts. In 2004, the Brazilian singer-songwriter Caetano Veloso who identifies himself as bisexual recorded a gay version of the song for his English-language album ''A Foreign Sound'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Loves You Porgy
"I Loves You, Porgy" is a duet from the 1935 opera ''Porgy and Bess'' with music by George Gershwin and lyrics by Ira Gershwin. It was performed in the opera's premiere in 1935 and on Broadway the same year by Anne Brown and Todd Duncan. They recorded the song on volume 2 of the album '' Selections from George Gershwin's Folk Opera Porgy and Bess'' in 1942. The duet occurs in act 2, scene 3, Catfish Row, where Porgy promises Bess that he will protect her. Bess has a lover, Crown, who is abusive and continually seduces her. The song was popularised by Nina Simone's adaptation from her first album, '' Little Girl Blue''. Analysis Lyrics In the lyrics Bess is asking Porgy to stop her from going with Crown, her abusive lover. During the early stages of the opera, Bess' opening stanza was cut out. The re-addition of this stanza into the opera proved crucial in demonstrating Bess' feelings towards Porgy and Crown, as well as showing the extent of Bess's self-understanding. In contrast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What A Little Moonlight Can Do
"What a Little Moonlight Can Do" is a popular song written by Harry M. Woods in 1934. In 1934, Woods moved to London for three years where he worked for the British film studio Gaumont British, contributing material to several films, one of which was '' Road House'' (1934). The song was sung in the film by Violet Lorraine and included an introductory verse, not heard in the version later recorded by Billie Holiday in 1935. Notable recordings *Lew Stone and His Band (vocal by Al Bowlly) - recorded in London on August 3, 1934 (Dec F-5270). *Billie Holiday, accompanied by Teddy Wilson & His Orchestra, on July 2, 1935. This reached the various charts of the day in the USA. She recorded the song again in 1954 for the album ''Billie Holiday''. * Jack Jackson - this also was very popular in 1935. * Helen Ward and Benny Goodman - published 1953 by Columbia Records 78 rpm, jazz * Bing Crosby and Gary Crosby - recorded November 4, 1953 with John Scott Trotter and His Orchestra. * Bill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Explain (song)
"Don't Explain" is a song written by jazz singer Billie Holiday and Arthur Herzog Jr. It was Billie Holiday’s final song. Overview In her 1956 autobiography, Holiday cites the infidelity of her first husband, Jimmy Monroe, as the inspiration for this song; specifically, an instance in which Monroe's woeful attempt to explain away lipstick on his collar elicits Holiday's disgusted response: "Take a bath, man; don't explain." Recording session Session #52: New York City, November 8, 1944, Decca, Toots Camarata and His Orchestra, with Russ Case (trumpet), Hymie Schertzer, Jack Cressey (alto saxophone), Larry Binyon and Dave Harris (tenor saxophone), Dave Bowman (piano), Carl Kress (guitar), Haig Stephens (bass), George Wettling (drums), Billie Holiday (vocals), and six strings. Notable cover versions * Helen Merrill (1954) * George Shearing (1956) * John Coltrane (1957) * Abbey Lincoln (1957) * Charlie Byrd (1958) * Wes Montgomery (1959) * Anita O'Day – for her album ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Of Me (Ruth Etting Song)
"All of Me" is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931. Composition and characteristics Gerald Marks and Seymour Simons wrote the words and music of "All of Me" in 1931. It has an ABAC structure, and is written in the key of B-flat major. There is a 20-bar introductory verse, but this is routinely omitted. "The melody ..combines the contradictory possibilities of the song. The downward thrusts of the opening phrases hint at emotional despair while the closing line, with its repeated high notes, seems almost jubilant." It is usually performed at a medium tempo. The harmony is relatively straightforward, and has served as the basis for Lennie Tristano's "Line Up", Warne Marsh's "Background Music", and Bill Dobbins's "Lo Flame". Successful recordings "All of Me" first came to public awareness when a performance by Belle Baker was broadcast over the radio in 1931. Paul Whiteman and His Orchestra recorded the song on December 1 that year, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Morning Heartache
"Good Morning Heartache" is a song written by Irene Higginbotham, Ervin Drake, and Dan Fisher. It was recorded by jazz singer Billie Holiday on January 22, 1946. Bill Stegmeyer and his Orchestra (Decca Session No. 54) New York City, January 22, 1946: with Chris Griffin (trumpet), Joe Guy (trumpet), Bill Stegmeyer (alto saxophone), Hank Ross (tenor saxophone), Bernie Kaufman (tenor saxophone), Armand Camgros (tenor saxophone), Joe Springer (piano), Tiny Grimes (guitar), John Simmons (bass), Sidney Catlett (drums), Billie Holiday (vocal) + 4 strings. The song has subsequently been recorded by numerous artists. Chart recordings *The song was recorded by singer Diana Ross, when she portrayed Holiday in the movie '' Lady Sings the Blues'', in 1972. Ross brought jazz back to the pop and R&B audiences, sending it to numbers 20 and 34 on the US ''Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
