Straight Flight
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Straight Flight
''Straight Flight'' is a studio album by American jazz guitarist John Abercrombie that was released by Jam in 1979. Reception Ken Dryden of Allmusic wrote "John Abercrombie is joined by fellow Berklee alumni George Mraz on bass and drummer Peter Donald for a rare session focusing exclusively on standards and classic jazz compositions. Abercrombie, who has one of the most distinctive approaches to the electric guitar, gives Dave Brubeck's "In Your Own Sweet Way" an intense workout while barely touching on the melody itself. The intimate "My Foolish Heart" is also rather abstract and played very softly, with the primary focus on Mraz. The leader switches to electric mandolin for a breakneck-tempo dash through John Coltrane's "Bessie's Blues," which opens with a furious solo by Donald, while Abercrombie focuses on the upper range of his instrument. "There Is No Greater Love" is relatively straightforward, though the theme never fully emerges until nearly the end of the piece. The br ...
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John Abercrombie (guitarist)
John Laird Abercrombie (December 16, 1944 – August 22, 2017) was an American jazz guitarist. His work explored jazz fusion, free jazz, and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He was known for his understated style and his work with organ trios. Career Early life and education John Abercrombie was born on December 16, 1944, in Port Chester, New York. Growing up in the 1950s in Greenwich, Connecticut he was attracted to the rock and roll of Chuck Berry, Elvis Presley, Fats Domino, and Bill Haley and the Comets. He also liked the sound of jazz guitarist Mickey Baker of the vocal duo Mickey and Silvia. He had two friends who were musicians with a large jazz collection. They played him albums by Dave Brubeck and Miles Davis. The first jazz guitar album he heard was by Barney Kessel. He took guitar lessons at the age of ten, asking his teacher to show him what Barney Kessel was playing. After high school, he attended Berklee ...
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There Is No Greater Love
"There Is No Greater Love" is a 1936 jazz standard composed by Isham Jones, with lyrics by Marty Symes. It was the last hit song for Jones's orchestra before the bandleader turned the orchestra over to Woody Herman, beginning the latter's 50-year career as a bandleader. The song is often played as a ballad – an example of this approach is Dinah Washington's 1954 recording on '' Dinah Jams''. Medium-tempo swing renditions have also been recorded by several artists, including Miles Davis, Gene Ammons, and Sonny Stitt. Other versions * Isham Jones with Woody Herman – 1936 * Duke Ellington – 1936 * Billie Holiday – 1947 * Patti Page - ''Patti Page Sings for Romance'' (1953). * Dinah Washington – '' Dinah Jams'' (1954) * Miles Davis – ''Miles'' (1955) * Peggy Lee - '' The Man I Love'' (1957). * Sonny Rollins – '' Way Out West'' (1957) * Nat King Cole - ''The Very Thought of You'' (1958). * Ahmad Jamal - ''At the Pershing: But Not For Me'' (1958) * Sammy Davis Jr. - ' ...
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George Mraz
George Mraz (born Jiří Mráz; 9 September 1944 – 16 September 2021) was a Czech-born American jazz bassist and alto saxophonist. He was a member of Oscar Peterson's group, and worked with Pepper Adams, Stan Getz, Michel Petrucciani, Stephane Grappelli, Tommy Flanagan, Jimmy Raney, Chet Baker, Joe Henderson, John Abercrombie, John Scofield, and Richie Beirach, among others. During the 1970s, he was a member of the New York Jazz Quartet and The Thad Jones/Mel Lewis Orchestra, and in the 1980s a member of Quest. He also appeared with Joe Lovano, Hank Jones and Paul Motian on Lovano's records '' I'm All For You'' and '' Joyous Encounter''. Discography As leader/co-leader * 1977: ''Alone Together'' with Masaru Imada ( Three Blind Mice) * 1992: ''Catching Up'' * 1995: ''Jazz'' with Richie Beirach, Billy Hart, Larry Willis, Rich Perry * 1995: ''My Foolish Heart'' with Richie Beirach, Billy Hart * 1997: ''Bottom Lines'' with Cyrus Chestnut, Al Foster, Rich Perry * 1999 ...
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Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ...
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Nardis (composition)
"Nardis" is a composition by American jazz trumpeter Miles Davis. It was written in 1958, during Davis's modal period, to be played by Cannonball Adderley for the album ''Portrait of Cannonball''. The piece has come to be associated with pianist Bill Evans, who performed and recorded it many times. Composition From 1955 to 1958, Miles Davis was leading what would come to be called his First Great Quintet. By 1958, the group consisted of John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums, Richard Cook. ''It's About That Time: Miles Davis On and Off Record.'' New York: Oxford University Press, 2005. , pp. 44-45. and had just been expanded to a sextet with the addition of Cannonball Adderley on alto saxophone. Coltrane's return to Davis’s group in 1958 coincided with the "modal phase" albums: ''Milestones'' (1958) and ''Kind of Blue'' (1959) are both considered essential examples of 1950s modern jazz. Davis at this point ...
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Egbert Van Alstyne
Egbert Anson Van Alstyne (March 4, 1878 – July 9, 1951) was an American songwriter and pianist. Van Alstyne was the composer of a number of popular and ragtime tunes of the early 20th century. Biography Van Alstyne was born in Marengo, Illinois. After some time touring in Vaudeville he moved to New York City, initially working as a Tin Pan Alley song-plugger until he was able to make his living as a songwriter. He teamed with lyricist Harry H. Williams. Their first success was "Navajo" which was introduced in the Broadway musical '' Nancy Brown'' in 1903 and became one of the first records by Billy Murray early in 1904.Arwulf Arwulf. "Egbert Van Alstyne", All Music http://www.allmusic.com/artist/egbert-vanalstyne-mn0000178190/biography Their best remembered song is ''In the Shade of the Old Apple Tree'' from 1905. Other Van Alstyne hits included "Won't You Come Over to My House?", " I'm Afraid to Come Home in the Dark", and "Memories". Van Alstyne shares credit with T ...
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Wayne King
Harold Wayne King (February 16, 1901 – July 16, 1985) was an American musician, songwriter, and bandleader with a long association with both NBC and CBS. He was referred to as "the Waltz King" because much of his most popular music involved waltzes; "The Waltz You Saved for Me" was his standard set-closing song in live performance and on numerous radio broadcasts at the height of his career. King's innovations included converting Carrie Jacobs-Bond's "I Love You Truly" from its original time over to ., p. 19. Early life Harold Wayne King was born in Savanna, Illinois, the son of Harvey and Ida King. His father worked for the railroad and traveled frequently, so when King's mother died in 1908, he and his brothers lived in an orphanage in Davenport, Iowa, for a brief period of time. He returned to Savanna in 1911 to live with his aunt and uncle, where he was the quarterback and captain of the football team at Savanna Township High School, where he graduated in 1920. He brie ...
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Beautiful Love (1931 Song)
"Beautiful Love" is a popular song composed by Wayne King, Victor Young and Egbert Van Alstyne with lyrics by Haven Gillespie. It was introduced by the Wayne King Orchestra in 1931. The song has been called the "second favourite number" of King, after the Orchestra's theme song "The Waltz You Saved for Me". As a popular jazz standard, the song is included in the first volume of the ''Real Book'' as well as the '' New Real Book''. It appears as a love theme both in the 1932 film ''The Mummy'' (when it is played during the ball sequence where Helen is telepathically called to the museum), and in the film '' Hotel Continental'', also 1932. The song is included in the film ''Sing a Jingle'' (1944) and it was also included in the 1989 film ''Crimes and Misdemeanors'' by Woody Allen. Joe Pass performed the song at the Brecon Jazz Festival in 1991 and stated in good jest that he couldn't remember if it was by Victor Herbert, Victor Young or Victor Mature. Other recordings *Bing Crosby r ...
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Marty Symes
Marty Symes (1904–1953) was an American lyricist. Symes was born in Brooklyn New York in 1904. His first significant collaborator was composer Jerry Livingston. In 1932 they wrote "Darkness on the Delta", which became a hit for Mildred Bailey. The next year the Casa Loma Orchestra recorded their "Under a Blanket of Blue" and "It's the Talk of the Town", both co-written with Al J. Neiburg. In 1936, Symes wrote the lyrics for Isham Jones's hit "There Is No Greater Love". It has been recorded by Guy Lombardo, Billie Holiday, Al Hibbler and many other artists and is considered a jazz standard. Nino Rota used Symes's "I Have But One Heart", composed by Johnny Farrow, in the 1972 film ''The Godfather''. Symes died in Forest Hills, New York Forest Hills is a mostly residential neighborhood in the central portion of the borough of Queens in New York City. It is adjacent to Corona to the north, Rego Park and Glendale to the west, Forest Park to the south, Kew Gardens to the southe ...
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Isham Jones
Isham Edgar Jones (January 31, 1894 – October 19, 1956) was an American bandleader, saxophonist, bassist and songwriter. Career Jones was born in Coalton, Ohio, United States, to a musical and mining family. His father, Richard Isham Jones (1865–1945), was a violinist. The family moved to Saginaw, Michigan, where Jones grew up and started his first ensemble for church concerts. In 1911 one of Jones's earliest compositions "On the Alamo" was published by Tell Taylor Inc. (Taylor had formed a publishing company the year before when his song "Down by the Old Mill Stream" became a hit.) In 1915 Jones moved to Chicago, Illinois. He performed at the Green Mill Gardens, then began playing at Fred Mann's Rainbo Gardens. Chicago remained his home until 1932, when he settled in New York City. He also toured England with his orchestra in 1925. In 1917, he composed the tune "We're In The Army Now" (also known as "You're In the Army Now") when the United States entered World War I. ...
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John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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