Straight Ahead (band)
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Straight Ahead (band)
Straight Ahead (known as N.Y.C. Mayhem in 1985) was an American straight edge hardcore punk band formed in Queens, New York City, in 1984, by drummer and vocalist Tommy Carroll, guitarist Gordon Ancis and bassist Tony Marc Shimkin. History Straight Ahead were formed by former-Assault guitarist and bassist Gordon Ancis and Tony Marc Shimkin along with drummer and vocalist Tommy Carroll, who had previously played in Corrupt, in 1984, the band would then change their name to "N.Y.C. Mayhem" in 1985, release their debut demo tape "Mayhemic Destruction" and then replace Shimkin with Craig Setari. Late-1985 saw the release of their debut EP "We Stand" and the band's first breakup, in which Carrol and Setari would join Youth of Today. N.Y.C. Mayhem reformed in 1986, back under their previous moniker "Straight Ahead", this time with Rob Echeverria on guitar, instead of Gordon Ancis. This lineup would record a 7-inch as a three-piece, before recruiting Armand Majidi on drums, having Car ...
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Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ...
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Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhea ...
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Jeff Walker (musician)
Carcass or Carcase (both pronounced ) may refer to: *Dressed carcass, the body of a livestock animal ready for butchery, after removal of skin, visceral organs, head, feet etc. *Carrion, the decaying dead body of an animal or human being *The structural system or frame of a structure, especially one not normally seen *Carcass saw, a type of backsaw Arts and entertainment *Carcass (band), a British extreme metal band * Carcass (G.I. Joe), a fictional character *Have His Carcase, a British crime novel Military *Carcass (projectile), a type of incendiary ammunition designed to be fired from a cannon *, three ships of the Royal Navy *Carcass, in the US Navy, a repairable component that is Depot Level Repairable (DLR), but Not Ready-For-Issue (NRFI) Places *Carcass Island, one of the Falkland Islands *Krkavče, a village in Slovenia See also *Cadaver (other) * Carrion (other) *Corpse (other) A corpse is a dead body, usually of a human. Corpse may also ...
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Death Growl
A death growl, or simply growl, is an extended vocal technique usually employed in extreme styles of music, particularly in death metal and other extreme subgenres of heavy metal music. Death growl vocals are sometimes criticized for their "ugliness", but their unintelligibility contributes to death metal's abrasive style and often dark and obscene subject matter.Sharpe-Young, Garry. ''Death Metal'', Definition Death metal, in particular, is associated with growled vocals; it tends to be lyrically and thematically darker and more morbid than other forms of metal, and features vocals which attempt to evoke chaos, death, and misery by being "usually very deep, guttural, and unintelligible." Natalie Purcell notes, "Although the vast majority of death metal bands use very low, beast-like, almost indiscernible growls as vocals, many also have high and screechy or operatic vocals, or simply deep and forcefully-sung vocals."Purcell, Natalie J. ''Death Metal Music:The Passion and ...
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Black Metal
Black metal is an extreme metal, extreme subgenre of heavy metal music. Common traits include Tempo#Beats per minute, fast tempos, a Screaming (music)#Black metal, shrieking vocal style, heavily distorted Electric guitar, guitars played with tremolo picking, raw (Lo-fi music, lo-fi) recording, unconventional song structures, and an emphasis on atmosphere. Artists often appear in corpse paint and adopt pseudonyms. During the 1980s, several thrash metal and death metal bands formed a prototype for black metal. This "first wave" included bands such as Venom (band), Venom, Bathory (band), Bathory, Mercyful Fate, Hellhammer and Celtic Frost. A second wave arose in the early 1990s, spearheaded by Norwegian bands such as Mayhem (band), Mayhem, Darkthrone, Burzum, Immortal (band), Immortal, Emperor (band), Emperor, Satyricon (band), Satyricon and Gorgoroth. The early Norwegian black metal scene developed the style of their forebears into a distinct genre. Norwegian-inspired black metal ...
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Grindcore
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor. A trait of grindcore is the "microsong" much shorter than average for punk or metal; several bands have produced songs that are only seconds i ...
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Stormtroopers Of Death
Stormtroopers of Death (abbreviated to S.O.D.) was an American crossover thrash band formed in New York City in 1985. They are credited as being among the first bands to fuse hardcore punk with thrash metal into a style sometimes referred to as crossover thrash. The band is also known for reuniting Anthrax members Scott Ian (guitars) and Charlie Benante (drums) with their former bassist Dan Lilker. Their instrumental song "March of the SOD" from their 1985 debut album, ''Speak English or Die'', was the ''Headbangers Ball'' intro anthem for many years. Another song from the same album, "Chromatic Death", was also used during the show as a segue between ads and videos. The band was the source of some controversy due to their deliberately offensive lyrics. Scott Ian described the songs on ''Speak English Or Die'' as "ridiculous" and "just a big inside joke", adding: "Some people thought we were racist, and those people are stupid." Bassist Dan Lilker stated: "The lyrics were never i ...
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Deathcore
Deathcore is an extreme metal subgenre that combines death metal with metalcore. The genre consists of death metal guitar riffs, blast beats, and metalcore breakdowns. While there are some precursors to the concept of death metal fused with metalcore/hardcore elements seen in the 1990s, deathcore itself emerged in the early 2000s and gained prominence beginning in the mid-2000s within the southwestern United States, especially Arizona and inland southern California (mostly the Coachella Valley), which are home to many notable bands and various festivals. Some of the genre's earliest examples include Antagony, Despised Icon, and the Red Chord. Deathcore's expansion in the mid-2000s saw bands like All Shall Perish, Through the Eyes of the Dead, Bring Me the Horizon, Suicide Silence, Carnifex, Job for a Cowboy, Chelsea Grin and Whitechapel taking off. In the 2010s, deathcore bands began experimenting with an eclectic selection of other genres. The genre is noted for its criticism ...
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Negative Approach
Negative Approach is an American hardcore punk band, formed in Detroit, Michigan in 1981. The band is considered among the pioneers of hardcore punk, particularly in the Midwest region. Like most hardcore bands, Negative Approach was little known in its day outside of its hometown. It is now idolized in the Detroit rock underground and the punk subculture, considered to be one of the elite bands of the "old school" era, and continues to be influential. Negative Approach initially broke up in 1984 with singer John Brannon moving on to the Laughing Hyenas, and later Easy Action, but the band has reformed as of 2006 and continues to tour sporadically. Biography Main career (1981-1983) Negative Approach was formed in August 1981 in Detroit, Michigan by Brannon and Pete Zelewski, supposedly after seeing a Black Flag/Necros show. The first NA lineup consisted of Brannon on vocals, Rob McCulloch on guitar, Pete Zelewski on bass and Zuheir Fakhoury on drums. Not long after, Zelewski lef ...
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Necros
Necros was an early American hardcore punk band from Maumee, Ohio, although they are usually identified with the Detroit music scene. They were the first band to record for Touch and Go Records. History Necros was formed in mid-1975 by then-teenagers Barry Henssler (vocals), Andy Wendler (guitar), and Todd Swalla (drums). After going through a handful of bassists (including Donny Brook, Jeff Allsop, David Cooke, Brian Hyland, Jeff Lake, and Brian Pollack), Corey Rusk joined the band. Barry Henssler had struck up a friendship with Tesco Vee and Dave Stimson of ''Touch and Go'' magazine after sending them a copy of his own 'zine, ''Smegma Journal''. Vee and Stimson became fans and put out the band's first record, a self-titled 4-song 7" EP (recorded prior to Rusk joining) most commonly known as "Sex Drive". This was Touch and Go Records' (then spelled "Rekords") first release and was limited to only 100 copies. Andy Wendler left the band in 1981 (although he continued to writ ...
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Void (band)
Void was an American hardcore punk band formed in Columbia, Maryland, in 1980. The group was a pioneering force in the thriving D.C. Hardcore scene in Washington D.C. during the early 1980s, successfully combining elements of punk with heavy metal in a style that was accepted by the scene's otherwise exclusive community. Void's punk metal fusion sound was marked by guitarist Bubba Dupree's innovative guitar work and the "unhinged" vocals of John Weiffenbach, which resonated in the band's chaotic but popular live performances. Like many of their contemporaries, Void had a short-lived recording career, limited to the split album ''Faith/Void Split'' with the Faith on Dischord Records. However, they have enjoyed an enduring cult following among hardcore aficionados. History Inspired by punk rock bands the Teen Idles and Minor Threat, Void—a name which referred to Black Sabbath's song " Into the Void"—was formed in 1979, and consisted of an interracial lineup unique to the e ...
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Slayer
Slayer was an American thrash metal band from Huntington Park, California. The band was formed in 1981 by guitarists Kerry King and Jeff Hanneman, drummer Dave Lombardo and bassist/vocalist Tom Araya. Slayer's fast and aggressive musical style made them one of the "big four" bands of thrash metal, alongside Metallica, Megadeth, and Anthrax. Slayer's final lineup comprised Araya, King, drummer Paul Bostaph (who replaced Lombardo in 1992 and again in 2013) and guitarist Gary Holt (who replaced Hanneman in 2011). Drummer Jon Dette was also a member of the band. In the original lineup, King, Hanneman and Araya contributed to the band's lyrics, and all of the band's music was written by King and Hanneman. The band's lyrics and album art, which cover topics such as serial killers, torture, genocide, organized crime, secret societies, occultism, terrorism, religion or antireligion, fascism, racism and war, have generated album bans, delays, lawsuits and criticism from religious group ...
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