Stormy Monday Blues (album)
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Stormy Monday Blues (album)
''Stormy Monday Blues'' is an album by blues guitarist/vocalist T-Bone Walker released by the BluesWay label in 1968. Reception AllMusic reviewer Steve Leggett stated: "The high level of creativity in play here isn't obvious on a cursory listen, since a lot of the tracks favor the same sort of midtempo blues shuffle, but a closer listen reveals a stunning guitarist who plays the blues with a jazzman's soul, and while Walker isn't a flashy singer, he gets the job done with enough conviction that you can feel the country dust settling in behind his urbane delivery, and when he cuts loose a little on guitar, the sparks fly with elegant tension. The highlight here, of course, is Walker's umpteenth version of "Stormy Monday Blues," a track he originally recorded way back in 1947, giving the world a bona fide blues classic, and if he revisits it again here, that's fine". Track listing All compositions by T-Bone Walker except where noted # "I'm Gonna Stop This Nite Life" (Grover McDa ...
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T-Bone Walker
Aaron Thibeaux "T-Bone" Walker (May 28, 1910 – March 16, 1975) was an American blues musician, composer, songwriter and bandleader, who was a pioneer and innovator of the jump blues, West Coast blues, and electric blues sounds. In 2018 ''Rolling Stone'' magazine ranked him number 67 on its list of "The 100 Greatest Guitarists of All Time". Biography 1910–1941: Early years Aaron Thibeaux Walker was born in Linden, Texas, of African-American and Cherokee descent. His parents, Movelia Jimerson and Rance Walker, were both musicians. His stepfather, Marco Washington (a member of the Dallas String Band), taught him to play the guitar, ukulele, banjo, violin, mandolin, and piano. Walker began his career as a teenager in Dallas in the 1920s. His mother and stepfather were musicians, and Blind Lemon Jefferson, a family friend, sometimes came over for dinner. Walker left school at the age of 10, and by 15 he was a professional performer on the blues circuit. Initially, he was Jeffe ...
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Preston Love
Preston Haynes Love (April 26, 1921 – February 12, 2004) was an American saxophonist, bandleader, and songwriter from Omaha, Nebraska, United States, best known as a sideman for jazz and rhythm and blues artists like Count Basie and Ray Charles. Biography Preston Love grew up in North Omaha and graduated from North High. He became renowned as a professional sideman and saxophone balladeer in the heyday of the big band era. He was a member of the bands of Nat Towles, Lloyd Hunter, Snub Mosley, Lucky Millinder and Fats Waller before getting his big break with the Count Basie Orchestra when he was 22. Love played and recorded with the Count Basie band from 1945–1947, and played on Basie's only No. 1 hit record, "Open The Door Richard." Love eventually became a bandleader himself, playing with Lena Horne, Billie Holiday, his friends Johnny Otis and Wynonie Harris, with whom he had several hits. In 1952, he launched the short-lived Spin Records, as a joint effort with song ...
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1968 Albums
The year was highlighted by protests and other unrests that occurred worldwide. Events January–February * January 5 – " Prague Spring": Alexander Dubček is chosen as leader of the Communist Party of Czechoslovakia. * January 10 – John Gorton is sworn in as 19th Prime Minister of Australia, taking over from John McEwen after being elected leader of the Liberal Party the previous day, following the disappearance of Harold Holt. Gorton becomes the only Senator to become Prime Minister, though he immediately transfers to the House of Representatives through the 1968 Higgins by-election in Holt's vacant seat. * January 15 – The 1968 Belice earthquake in Sicily kills 380 and injures around 1,000. * January 21 ** Vietnam War: Battle of Khe Sanh – One of the most publicized and controversial battles of the war begins, ending on April 8. ** 1968 Thule Air Base B-52 crash: A U.S. B-52 Stratofortress crashes in Greenland, discharging 4 nuclear bombs. * ...
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T-Bone Walker Albums
The T-bone and porterhouse are steaks of beef cut from the short loin (called the sirloin in Commonwealth countries and Ireland). Both steaks include a "T"-shaped lumbar vertebra with sections of abdominal internal oblique muscle on each side. Porterhouse steaks are cut from the rear end of the short loin and thus include more tenderloin steak, along with (on the other side of the bone) a large strip steak. T-bone steaks are cut closer to the front, and contain a smaller section of tenderloin. The smaller portion of a T-bone, when sold alone, is known as a filet mignon (called fillet steak in Commonwealth countries and Ireland), especially if cut from the small forward end of the tenderloin. Experts differ about how large the tenderloin must be to differentiate T-bone steak from porterhouse. The United States Department of Agriculture's ''Institutional Meat Purchase Specifications'' state that the tenderloin of a porterhouse must be at least wide at its widest, while that of ...
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Paul Humphrey
Paul Nelson Humphrey (October 12, 1935 – January 31, 2014) was an American jazz and R&B drummer. Biography Humphrey was born in Detroit and began playing drums at age 8, taking private lessons in Detroit. In high school he played baritone horn, trombone and drums in the school band. Upon graduation he entered the U.S. Navy and studied under Kenneth J. Abendschein, touring the world and playing with many jazz figures of 1950s.Paul Humphrey Sextet liner notes After discharge from the service, he worked as a session drummer in New York for Wes Montgomery, John Coltrane, Les McCann, Kai Winding, Jimmy Smith, Charles Mingus, Joe Williams, Lee Konitz, Blue Mitchell, Gene Ammons and the Harry James Band (replacing Buddy Rich). He later moved to Los Angeles and joined the Harry "Sweets" Edison group with Tommy Flanagan and Frank Delarossa. He recorded with Larry Williams and Johnny "Guitar" Watson and toured and recorded with Marvin Gaye, The Four Tops, The Supremes, Tony Orlando, ...
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Lloyd Glenn
Lloyd Colquitt Glenn (November 21, 1909 – May 23, 1985) was an American R&B pianist, bandleader and arranger, who was a pioneer of the "West Coast" blues style. Career Born in San Antonio, Texas, from the late 1920s, Glenn played with various jazz bands in the Dallas and San Antonio areas, first recording in 1936 with Don Albert's Orchestra. He moved to California in 1941, joining the Walter Johnson trio in 1944, and finding employment as a session musician and arranger. He accompanied T-Bone Walker on his 1947 hit "Call It Stormy Monday", and later the same year made his own first solo records, billed as Lloyd Glenn and His Joymakers. In 1949 he joined Swing Time Records as A&R man, and recorded a number of hits with Lowell Fulson, including "Everyday I Have the Blues" and the #1 R&B hit "Blue Shadows". He also had major R&B hits of his own, with "Old Time Shuffle Blues" (#3 U.S. Billboard R&B chart in 1950) being followed by "Chica Boo", which also made #1 on the R&B ...
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Mel Brown (guitarist)
Mel Brown (October 7, 1939March 20, 2009) was an American-born blues guitarist and singer. He is best remembered for his decade long backing of Bobby Bland, although in his own right, Brown recorded over a dozen albums between 1967 and 2006. Career Brown was born in Jackson, Mississippi, United States, and was presented with his first guitar as a teenager while recovering from a bout of meningitis. By 1955, after performing backing duties for both Sonny Boy Williamson II and Jimmy Beasley, Brown had a two year long stint backing Johnny Otis. This led to work with Etta James, where he swapped his Gibson Les Paul for an ES-175 to give him a richer and fuller tone to his guitar work, that set him apart from his contemporaries. The stress of constant touring led him to Los Angeles, California, to resume work with Otis, spending an extended residency at the Club Sands. Further session duties saw Brown back Bobby Darin and Bill Cosby among others, as well as performing on T- ...
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Streamline Ewing
John Richard "Streamline" Ewing (January 19, 1917 – February 1, 2002) was an American jazz trombonist. Career In 1934, Ewing began his career when he was seventeen. Four years later he was with Horace Henderson, then with Earl Hines live and on record from 1938 to 1939 and from 1941 to 1942. He worked for short spans with Louis Armstrong and Lionel Hampton in the 1940s, in addition to Jimmie Lunceford (1943–45), Cab Calloway (1946, 1949), Jay McShann (1948), Cootie Williams (1950), Louis Jordan, and Earl Bostic. In the early 1950s he moved to California and played with George Jenkins and in the studio with T-Bone Walker and Gerald Wilson. He began playing with Teddy Buckner in 1956; the two would play together on and off into the 1980s. He led his band the Streamliners for recording sessions in 1958 and 1960. In 1962 he toured with Henderson again and with Rex Stewart in 1967. Late in the 1960s he played in the Young Men of New Orleans band. In 1983 he played with the Eagle B ...
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Call It Stormy Monday (But Tuesday Is Just As Bad)
"Call It Stormy Monday (But Tuesday Is Just as Bad)" (commonly referred to as "Stormy Monday") is a song written and recorded by American blues electric guitar pioneer T-Bone Walker. It is a slow twelve-bar blues performed in the West Coast blues-style that features Walker's smooth, plaintive vocal and distinctive guitar work. As well as becoming a record chart hit in 1948, it inspired B.B. King and others to take up the electric guitar. "Stormy Monday" became Walker's best-known and most-recorded song. In 1961, Bobby "Blue" Bland further popularized the song with an appearance in the pop record charts. Bland introduced a new arrangement with chord substitutions, which was later used in many subsequent renditions. His version also incorrectly used the title "Stormy Monday Blues", which was copied and resulted in royalties being paid to songwriters other than Walker. The Allman Brothers Band recorded an extended version for their first live album in 1971, with additional c ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ...
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Penguin Books
Penguin Books is a British publishing, publishing house. It was co-founded in 1935 by Allen Lane with his brothers Richard and John, as a line of the publishers The Bodley Head, only becoming a separate company the following year."About Penguin – company history"
, Penguin Books.
Penguin revolutionised publishing in the 1930s through its inexpensive paperbacks, sold through Woolworths Group (United Kingdom), Woolworths and other stores for Sixpence (British coin), sixpence, bringing high-quality fiction and non-fiction to the mass market. Its success showed that large audiences existed for serious books. It also affected modern British popular culture significantly through its books concerning politics, the arts, and science. Penguin Books is now an imprint (trade name), imprint of the ...
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The Penguin Guide To Blues Recordings
''The Penguin Guide to Blues Recordings'' is an encyclopedia of blues music albums released on CD. Content The book was released on 31 October 2006 and was written by Tony Russell and Chris Smith with contributions by Neil Slaven, Ricky Russell and Joe Faulkner. Russell in particular is known as a musical historian, working closely with programs presented on BBC Radio, as well as documentaries on the blues. In the book, artists are set up alphabetically and include short (usually one paragraph) biographies before showing a complete listing of their discography. Each album includes title, a rating out of four stars, label, musicians on the album, month and year of recording, and finally a review of varying length. See also * ''The Penguin Guide to Jazz ''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine edi ...
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