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Storm Bugs
Storm Bugs are an English post punk band formed in 1978 in Deptford, London, England, by Philip Sanderson and Steven Ball who had met in the Medway Towns, England. The band have been linked to a number of genres including: cassette culture, industrial music and DIY. Storm Bugs were initially active between 1978 and 1982 and reformed in 2001. 1978–82 Sanderson had experimented with tape recorders whilst still at school, after moving to London in 1978 he began to get out of hours access to the electronic music studio at Goldsmiths College (equipped with the EMS VCS3 synthesizer) and also purchased a Revox reel to reel tape recorder setting up a DIY home studio. It was using these facilities that Sanderson recorded much of the Storm Bugs output from 1978 to 1980 with Ball designing the artwork for the releases. The first Storm Bugs release was on Snatch 1 on the Snatch Tapes cassette label. Snatch Tapes was part of the then burgeoning cassette culture scene and also released ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinyl On Demand
Vinyl On Demand is a record label that targets vinyl collectors of 1970's and 80's minimal synth, industrial, and avant-garde music. Along with sales to distributors, Vinyl On Demand provides a subscription service. Most releases are limited to 500 copies and between subscribers and distributors they often sell out. History Vinyl On Demand was founded in 2003 by Frank Maier. Maier is a record collector and archivist whose focus has always been on early minimal synth, drone, and Industrial recordings of the late 1970s and early 1980s, particularly obscure cassette recordings. Initially Vinyl On Demand releases focused on German releases by artists such as Die Tödliche Doris, Hermann Kopp, and Mutter. Over the years the Vinyl On Demand catalog as grown to feature recordings of other late 1970s and early 1980s by musicians such as John Duncan, Clair Obscur, Current 93, The Legendary Pink Dots, SPK, Nurse With Wound, Psychic TV, Asmus Tietchens, Conrad Schnitzler, Merzbow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formative UK Electronica 1975-1984
{{Short pages monitor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Anthology Of Noise & Electronic Music
''An Anthology of Noise & Electronic Music'' is a seven album compilation of 176 tracks of historic noise music and electronic music released on 15 CDs between the years 2001 and 2011. It was curated, noted and edited by Guy-Marc Hinant. Almost all of the CDs are out of print. The breadth of the anthology makes it comparable to Harry Everett Smith’s 1952 ''Anthology of American Folk Music''. Anthology #1 Anthology #2 Anthology #3 Anthology #4 * Halim El-Dabh ''Wire recorder piece'' 2:01 / 1944 *György Ligeti ''Pièce Électronique #3'' 2:15 / 1958 * Jean-Claude Risset ''Mutations'' 10:32 1969 *Beatriz Ferreyra ''Demeures aquatiques'' 7:20 / 1967 *Maja Ratkje ''Vox'' 13:23 / 2005 *Laurie Spiegel ''Sediment'' 9:16 / 1972 *Steve Reich ''Pendulum music'' 7:27 / 1968 * Stephen Vitiello ''Marfa mix'' 4:15 / 2003 * eRikm ''Ressac'' 4:41 / 2003 *Wang Changcun ''Sea-Food'' 4:49 / 2005 *Chlorgeschlecht ''Unyoga'' 2:40 / 2003 *Gottfried Michael Koenig ''Funktion grau'' 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinyl On Demand
Vinyl On Demand is a record label that targets vinyl collectors of 1970's and 80's minimal synth, industrial, and avant-garde music. Along with sales to distributors, Vinyl On Demand provides a subscription service. Most releases are limited to 500 copies and between subscribers and distributors they often sell out. History Vinyl On Demand was founded in 2003 by Frank Maier. Maier is a record collector and archivist whose focus has always been on early minimal synth, drone, and Industrial recordings of the late 1970s and early 1980s, particularly obscure cassette recordings. Initially Vinyl On Demand releases focused on German releases by artists such as Die Tödliche Doris, Hermann Kopp, and Mutter. Over the years the Vinyl On Demand catalog as grown to feature recordings of other late 1970s and early 1980s by musicians such as John Duncan, Clair Obscur, Current 93, The Legendary Pink Dots, SPK, Nurse With Wound, Psychic TV, Asmus Tietchens, Conrad Schnitzler, Merzbow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resonance FM
Resonance 104.4 FM is a London based non-profit community radio station specialising in the arts run by the London Musicians' Collective (LMC). The station is staffed by four permanent staff members, including programme controller Ed Baxter and over 300 volunteer technical and production staff. Until September 2007, its studios were located on Denmark Street before moving to its present location at 144 Borough High Street, Southwark. The station broadcasts to a radius on 104.4 MHz FM from a transmitter on the roof of Guy's Hospital at London Bridge. Its schedule includes nearly 100 shows catering to many sub-communities of the London area on a wide variety of subjects including a multitude of musical genres, local and foreign current affairs and subjects of local interest. Noted for its policy of giving broadcasters free rein of their creative outlet, it has been described by '' Time Out'' as "brilliantly eccentric". The station receives funding grants from Arts Council En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WFMU
WFMU is a listener-supported, independent community radio station, licensed to East Orange, New Jersey. Since 1998 its studios and operating facilities have been headquartered in Jersey City, New Jersey. It broadcasts locally at 91.1 Mhz FM, in the Hudson Valley, the Lower Catskills, western New Jersey, and eastern Pennsylvania from Mount Hope, New York at 90.1 WMFU, and to New York City and Rockland County at 91.9 FM. It is the longest-running freeform radio station in the U.S. The station's main terrestrial transmitter is located in West Orange, New Jersey. Philosophy and influence WFMU does not belong to any existing public broadcasting network, and nearly 100% of its programming originates at the radio station. WFMU has a stated commitment to unstructured-format broadcasting. All programming is created by each individual air personality, and is not restricted by any type of station-wide playlist or rotation schedule. Experimentation, spontaneity and humor are among the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wire (magazine)
''The Wire'' (or simply ''Wire'') is a British music magazine publishing out of London, which has been issued monthly in print since 1982. Its website launched in 1997, and an online archive of its entire back catalog became available to subscribers in 2013. Since 1985, the magazine's annual year-in-review issue, Rewind, has named an album or release of the year based on critics' ballots. Originally, ''The Wire'' covered the British jazz scene with an emphasis on avant-garde and free jazz. It was marketed as a more adventurous alternative to its conservative competitor ''Jazz Journal'', and targeted younger readers at a time when ''Melody Maker'' had abandoned jazz coverage. In the late 1980s and 1990s, the magazine expanded its scope until it included a broad range of musical genres under the umbrella of non-mainstream or experimental music. Since then, ''The Wire''s coverage has included experimental rock, electronica, alternative hip hop, modern classical, free improvisat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Pinsent
Ed Pinsent (born 1960, Liverpool, England) is a British cartoonist, artist, and writer. Biography Ed Pinsent is the son of the classical scholar John Pinsent and was brought up in the city of Liverpool. Pinsent has written and drawn his own small press comics since 1982, including characters such as Primitif, Henrietta and Windy Wilberforce. Around 1987 he took over Fast Fiction, the market stall, magazine, mail order distributor and news sheet that played a key role in the history of British small press comics. It existed in its various forms from 1981 through to 1990 under the stewardship of Paul Gravett, Phil Elliott and Ed Pinsent. The name was taken from a ''Classics Illustrated'' knock-off spotted in the ''Overstreet Comic Book Price Guide''. Pinsent, who had been aware of the cassette culture music trading scene, subsequently took over from Elliott and continued to run things until 1990. ''Fast Fiction'' #30 in 1991 was the last issue of the flagship magazine which Pins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his professional career on the staff of ''Melody Maker'' in the mid-1980s. He has since gone on to freelance and publish a number of full-length books on music and popular culture, ranging from historical tomes on rave music, glam rock, and the post-punk era to critical works such as ''Retromania: Pop Culture's Addiction to Its Own Past'' (2011). He has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', ''Pitchfork'', and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University, which dates back to the 1200s. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ZigZag (magazine)
''ZigZag'' was a British rock music magazine. It was started by Pete Frame and the first edition was published on 16 April 1969. The magazine was noted for its interviews, articles, innovative "rock family trees" by Frame, and support for American songwriters such as Michael Nesmith, Mickey Newbury, Gene Clark, etc. It lasted in various forms through 1986. History It was edited by Pete Frame for the first 29 issues, up to February 1973. Frame later said: "None of the English music papers wrote about the music I liked. They all concentrated on popular acts, but I was interested in the Underground scene. So I decided to start a magazine for people who liked the same kind of music I did. I called it Zigzag after the Captain Beefheart track " Zigzag Wanderer" and also the cigarette papers, which were used for rolling joints." Pete Frame's "rock family trees" first appeared in ''ZigZag''. Very basic examples appeared in issue #14 The Byrds (August 1970) and issue #17 John Mayall (Dec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middles c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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