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Stone Nadaswaram
Stone Nadaswaram is a Nadaswaram made of stone. Form of ordinary Nadaswaram The tradition of music of Tamils has existed many years. From morning till night throughout the life of Tamils, this instrument holds a place. It is a wind instrument similar to the North Indian ''shehnai''. It is preserved as a treasure in the temple. While playing the musical sound which comes out from it would attract one and all and it would give an extreme satisfaction to the mind and heart. According to season, Tamils made instruments and played and worshipped the deities. Traditionally the body of the instrument is made out of a tree called (Tamil ஆச்சா). The body part of the instrument is made of one type of grass which is found on the banks of the Kaveri River. Kumbeswarar Temple This stone nadaswaram is located in the Kumbeswarar Temple in Kumbakonam, Tamil Nadu, India. This is considered as one of the cultural treasure of this temple.எஸ்.மகாலிங்கம், செ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sankarabharanam (raga)
Dhīraśankarābharaṇaṃ, commonly known as ''Śankarābharaṇaṃ'', is a rāga in Carnatic music. It is the 29th ''Melakarta'' rāga in the 72 ''Melakarta'' rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as ''"Sarva Gamaka Maaṇika Rakti Rāgaṃ".'' By scale wise, the Śankarābharaṇaṃ scale corresponds to ''Bilaval'' in the Hindustani music system. The Western equivalent is the major Scale (music), scale, or the ''Ionian mode''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Hence this rāga is one of the most popular scales across the world, known with different names in different musical styles. Its nature is mellifluous and smooth. This rāga offers a large scope for compositions. It is ideal for a melodious, but still laid back majestic presentation. Structure and Lakshana It is the 5th rāga in the 5th '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagapattinam District
Nagapattinam district is one of the 38 districts (a coastal district) of Tamil Nadu state in southern India. Nagapattinam district was carved out by bifurcating the erstwhile composite Thanjavur district on 19 October 1991. The town of Nagapattinam is the district headquarters. As of 2011, the district had a population of 697,069 with a sex-ratio of 1,025 females for every 1,000 males. Until Mayiladuthurai district was created out of it on 24 March 2020, Nagapattinam was the only discontiguous district in Tamil Nadu. Etymology ''Nagapattinam'' is derived from ''Nagar'', referring to people, and ''pattinam'' referring to town. In Tamil ''Pattinam'' and ''paakkam'' depicts coastal towns. The town was also called ''Cholakula Vallipattinam'' during the Chola period, when it was one of the important ports. Ptolemy refers to Nagapattinam as Nikam and mentions it as one of the most important trade centres of the ancient Tamil country. This view is doubtful as there is no contemporary e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sikkal
Sikkal is a small township located between Thiruvarur and Nagapattinam in Tamil Nadu, India. It is 6 km west of Nagapattinam, 18 km east of Thiruvarur. It is famous for its Murugan Kartikeya ( sa, कार्त्तिकेय, Kārttikeya), also known as Skanda, Subrahmanya, Shanmukha (), and Murugan ( ta, முருகன்), is the Hindu god of war. He is the son of Parvati and Shiva, the brother of Ganesha ... temple, and one of the most popular festivals is the Sura Samhaaram. Singaravelan Temple Navaneetheswarar Templehttp://www.shivatemples.com/sofc/sc083.php Vennailingeswarar Temple, Sikkal References Villages in Nagapattinam district {{Nagapattinam-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hemavati (raga)
Hemavati (pronounced hēmavati) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 58th '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Simhāravam''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications or Deshi Simhāravam''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras in Muthuswami Dikshitar school of Carnatic music. It is beloved especially of nadaswaram vidwans. It is said to be borrowed into Hindustani music from Carnatic music, especially with instrumentalists. Structure and Lakshana Hemavati is the 4th rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Bhu''. The mnemonic phrase is ''sa ri gi mi pa dhi ni''. Its structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : As it is a ''melakarta'' rāgam, by definition it is a ''sampoorna'' rāg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmavati
Dharmavati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 59th '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called ''Dhaamavati'' in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras ''Madhuvanti'' is the nearest Hindustani music scale to ''Dharmavati''. Structure and Lakshana It is the 5th rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Ma''. The mnemonic phrase is ''sa ri gi mi pa dhi nu''. Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : (the notes in this scale are ''chathusruthi rishabham, sadharana gandharam, prati madhyamam, chathusruthi dhaivatham, kakali nishadham'') As it is a ''melakarta'' rāgam, by definition it is a ''samp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahamaham
''Mahamaham'', also known as ''Mahamagham'' or ''Mamangam'', is a Hindu festival celebrated every 12 years in the Mahamaham tank located in the city of Kumbakonam in Tamil Nadu in the south of India. This 20-acre square tank surrounded by Shiva mandapams is believed by Tamil Hindus to be ancient, and the holy confluence of nine Indian river goddesses: Ganga, Yamuna, Sarasvati, Narmada, Godavari, Krishna, Tungabhadra, Kaveri, and Sarayu, states Diana Eck – a professor of Comparative Religion and Indian Studies. On the day of the Mahamaham festival, the river goddesses and Shiva gather here to rejuvenate their waters, according to a legend in the ''Periya Purana''. The Hindus consider taking a pilgrimage and holy dip at the Mahamaham tirtha on the day of Mahamaham festival as sacred. The event attracts chariot processions, street fairs and classical dance performances in temple mandapas. The 12-year cycle Mahamaham festival in Tamil Nadu is observed in the Hindu calendar mont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kharaharapriya
Kharaharapriya is a rāga in Carnatic music. It is the 22nd ''melakarta'' rāga (parent scale) in the 72 ''melakarta'' rāga system. It is possible that the name of the ragam was originally ''Harapriya'' but it was changed to conform to the Katapayadi formula. ''Kharaharapriya'' has a distinct melody and brings out the ''Karuna'' rasam, invoking pathos in the listeners. The ''Kafi thaat'' of Hindustani music is the equivalent of ''Kharaharapriya''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Its Western equivalent is the Dorian mode. Etymology There are many theories behind the etymology of the name ''Kharaharapriya''. One of the most popular beliefs is that the ragam was initially called Samaganam and when Ravana was trapped by Shiva, under the kailash hill trying to lift it, it is believed that, to appease the lord, Ravana sang many hymns in praise of the lord, but his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyani (raga)
Kalyani is a melakarta raga (parent musical scale) in the Carnatic music. It was called Kalyan but is now more popularly called Yaman (raga), Yaman in Hindustani Music. Its Western equivalent is the Lydian mode. Kalyani in Carnatic music In South Indian weddings it is a very prominently played raga. The word ''Kalyani'' means ''she who causes auspicious things''. It is the 65th melakarta raga under the Katapayadi Katapayadi sankhya, sankhya. It is also called ''Mechakalyani''. The notes for Kalyani are S R2 G3 M2 P D2 N3. Kalyani is the first Prathi Madhyama raga that was ever discovered. It was obtained by the process of Graha Bhedam or modal shift of tonic of the ancient Shadja Grama. Specifics on this raga Kalyani has scope for elaborate alapana. One should not remain too long on panchamam (pa) or alternate between shadjamam and panchamam too frequently. Kalyani is prominently known among the public. It is often performed at the beginning of concerts because it is conside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadaswaram
The Nagaswaram (nādḥasvaram) is a double reed wind instrument from South India. It is used as a traditional classical instrument in Tamil Nadu, Andhra Pradesh, Telangana, Karnataka, and Kerala. This instrument is "among the world's loudest non-brass acoustic instruments". It is a wind instrument partially similar to the North Indian ''shehnai,'' but much longer, with a hardwood body, and a large flaring bell made of wood or metal. In South Indian culture, the nadasvaram is considered to be very auspicious, and it is a key musical instrument played in almost all Hindu weddings and temples of the South Indian tradition. It is part of the family of instruments known as ''mangala vadyam'' (lit. ''mangala'' "auspicious", ''vadya'' "instrument"). The instrument is usually played in pairs, and accompanied by a pair of drums called ''thavil''; it can also be accompanied with a drone from a similar oboe, called the ottu. History The nadasvaram is referred to in many ancient Tam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
