Stoa Of Eumenes
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Stoa Of Eumenes
The Stoa of Eumenes was a Hellenistic colonnade built on the South slope of the Acropolis, Athens and which lay between the Theater of Dionysus and the Odeon of Herodes Atticus The gallery was donated to the city of Athens by the king of Pergamon, Eumenes II (197–159 BC), around 160 BC. Vitruvius makes reference to the building when speaking about the purpose of stoai erected near theatres that served as a refuge for the spectators in inclement weather conditions or as stores for theatre props. History The Stoa of Eumenes was constructed south of the Asklepieion staircase and the peripatos, on an artificial terrace of 9m x 13ms. To retain the pathway to the north an arched retaining wall was constructed along the northern edge of the site. Along this wall, the remains of which now dominate the site, the arcade was built. A substantial part of its northern wall, which is made from breccia and limestone and faced with Hymettian and Pentelic marble, is still preserved. Tod ...
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The Stoa Of Eumenes On March 7, 2019
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ...
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Hellenistic Architecture
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aege ...
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Ancient Greek Buildings And Structures In Athens
Ancient history is a time period from the History of writing, beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian language, Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already Exponential growth, exponentially increasing due to the Neolithic Revolution, which was in full pro ...
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Buildings And Structures Completed In The 2nd Century BC
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Archaeological Society Of Athens
The Archaeological Society of Athens (Greek: Εν Αθήναις Αρχαιολογική Εταιρεία) is an independent learned society. Also termed the Greek Archaeological Society, it was founded in 1837 by Konstantinos Bellios, just a few years after the establishment of the modern Greek State, with the aim of encouraging archaeological excavations, maintenance, care and exhibition of antiquities in Greece. The Archaeological Society of Athens work in excavation and funding of archaeological endeavours are extensive. For example, the society helped discover new epigraphical evidence associated with the sanctuary of the goddess Demeter within Eleusis. In addition to this, they provided plans of the prehistoric settlement of Thorikos to help uncover ancient ceramic material. History The Archaeological Society of Athens is an independent archaeological organisation of scholars, historians, and academics founded in 1837. It was built to relocate, restore, and re-erecting ...
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City Walls Of Athens
The city of Athens, capital of modern Greece, has had different sets of city walls from the Bronze Age to the early 19th century. The city walls of Athens include: * the Mycenaean Cyclopean fortifications of the Acropolis of Athens * the Pelasgic wall at the foot of the Acropolis * the so-called "Archaic Wall", whose existence and course are debated by scholarsFor arguments for and against, cf. and respectively * the Themistoclean Wall, built in 479 BC, the main city wall during Antiquity, restored and rebuilt several times (under Conon, Demosthenes, Demetrios Poliorketes, etc.) * the Long Walls, built in the 460s and 440s BC, connecting Athens with its ports at Piraeus and Phaleron * the ''Protocheisma'', a second wall built in front of the Themistoclean Wall in 338 BC as an extra defence against the Macedonians * the '' Diateichisma'', built in the 280s BC as a second line of defence against Macedonian-held Piraeus * the Valerian Wall, built in , partly along the lines of older ...
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Pergamon
Pergamon or Pergamum ( or ; grc-gre, Πέργαμον), also referred to by its modern Greek form Pergamos (), was a rich and powerful ancient Greece, ancient Greek city in Mysia. It is located from the modern coastline of the Aegean Sea on a promontory on the north side of the river Caicus (modern-day Bakırçay) and northwest of the modern city of Bergama, Turkey. During the Hellenistic period, it became the capital of the Kingdom of Pergamon in 281–133 BC under the Attalid dynasty, who transformed it into one of the major cultural centres of the Greek world. Many remains of its monuments can still be seen and especially the masterpiece of the Pergamon Altar. Pergamon was the northernmost of the seven churches of Asia cited in the New Testament Book of Revelation. The city is centered on a mesa of andesite, which formed its acropolis. This mesa falls away sharply on the north, west, and east sides, but three natural terraces on the south side provide a route up to th ...
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Attalos II
Attalus II Philadelphus (Greek: Ἄτταλος Β΄ ὁ Φιλάδελφος, ''Attalos II Philadelphos'', which means "Attalus the brother-loving"; 220–138 BC) was a Greek King of Pergamon and the founder of the city of Attalia (Antalya). Family He was the second son of Attalus I Soter and queen Apollonis of Cyzicus, and ascended the throne first as co-ruler alongside his ailing brother Eumenes II in 160 BC, whose widow Stratonice of Pergamon he married in 158 BC upon Eumenes' death.Strabo13.4.2 Hansen, pp. 44–45; Hurwit, p. 271. Biography Prior to becoming king, Attalus was already an accomplished military commander. In 192 BC he was sent by his brother Eumenes to Rome to warn against Antiochus III. In 190 BC, he was present in the Battle of Magnesia which resulted in a defeat against the Seleucids. Around 189 BC he led his forces to fight alongside the Roman Army under Gnaeus Manlius Vulso in Galatia. From 182-179 BC, he successfully defeated the Kingdom of ...
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Ancient Agora Of Athens
The ancient Agora of Athens (also called the Classical Agora) is the best-known example of an ancient Greek agora, located to the northwest of the Acropolis and bounded on the south by the hill of the Areopagus and on the west by the hill known as the Agoraios Kolonos, also called Market Hill. The Agora's initial use was for a commercial, assembly, or residential gathering place. Buildings and structures of the classical agora North side of the agora * Stoa Poikile (Painted stoa), a building built in the 4th century B.C. used purely for socialising unlike many other buildings in the agora. * Altar of the Twelve Gods * Stoa Basileios (Royal stoa) * Temple of Aphrodite Urania *The south end of what is believed to be a Basilica has been uncovered near Hadrian Street and is dated to the mid 100s CE East side of the agora * The Stoa of Attalos, a stoa lined with shops built in the 2nd century B.C. which has since been reconstructed for use as the Museum of The Ancient Agora. * ...
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Stoa Of Attalos
The Stoa of Attalos (also spelled Attalus) was a stoa (covered walkway or portico) in the Agora of Athens, Greece. It was built by and named after King Attalos II of Pergamon, who ruled between 159 BC and 138 BC. The current building was reconstructed from 1952 to 1956 by the American School of Classical Studies at Athens and currently houses the Museum of the Ancient Agora. Description Typical of the Hellenistic age, the stoa was more elaborate and larger than the earlier buildings of ancient Athens and had two rather than the normal one storeys. The stoa's dimensions are and it is made of Pentelic marble and limestone. The building skillfully makes use of different architectural orders. The Doric order was used for the exterior colonnade on the ground floor with Ionic for the interior colonnade. This combination had been used in stoas since the Classical period and was by Hellenistic times quite common. On the first floor of the building, the exterior colonnade was Ionic ...
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Parodos
A parodos (also parode and parodus; grc, πάροδος, 'entrance', plural ), in the theater of ancient Greece, is a side-entrance to the stage, or the first song that is sung by the chorus at the beginning of a Greek tragedy. Side-entrance to the theater The parodos is a large passageway affording access either to the stage (for actors) or to the orchestra (for the chorus) of the ancient Greek theater. The parodoi can be distinguished from the entrances to the stage from the ''skene'', or stage building, as the two parodoi are long ramps located on either side of the stage, between the and the ''theatron'', or audience seating area. The term ('way in') is also used. Scholars note that was an older term for the passageway while ''parodos'' was widely used by writers from Aristotle onwards. Entrance song of the chorus ''Parodos'' also refers to the ode sung by the chorus as it enters and occupies its place in the orchestra. Aristotle defined it as "the first whole utterance of ...
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