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Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Bruegel (I) - Bouquet Of Flowers In A Ceramic Vase
Jan Brueghel (also Bruegel or Breughel) the Younger (, ; ; 13 September 1601 – 1 September 1678) was a Flemish Baroque painting, Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who contributed respectively to the development of Renaissance and Baroque painting in the Habsburg Netherlands. Taking over his father's workshop at an early age, he largely painted the same subjects as his father in a style which was similar to that of his father.Jan Brueghel the Younger at the Getty Center He gradually was able to break away from his father's style by developing a broader, more painterly, and less structured manner of painting. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peiraikos
Peiraikos, or Piraeicus, was an Ancient Greek painter of uncertain date and location. None of his work is known to have survived and he is known only from a brief discussion by the Latin author Pliny the Elder. Pliny's passage comes in the middle of his discussion of painting in Book XXXV of his '' Natural History'', completed about 78 AD: It is well to add an account of the artists who won fame with the brush in painting smaller pictures. Amongst them was Peiraikos. In mastery of his art but few take rank above him, yet by his choice of a path he has perhaps marred his own success, for he followed a humble line, winning however the highest glory that it had to bring. He painted barbers' shops, cobblers' stalls, asses, eatables and similar subjects, earning for himself the name of ''rhyparographos'' ainter of dirt/low things In these subjects he could give consummate pleasure, selling them for more than other artists received for their large pictures. In the terms of later a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre Painting
Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ''grand genre'') and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre subjects appear in many traditions of art. Painted decorations in anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Painting
Portrait Painting is a genre in painting, where the intent is to represent a specific human subject. The term 'portrait painting' can also describe the actual painted portrait. Portraitists may create their work by commission, for public and private persons, or they may be inspired by admiration or affection for the subject. Portraits often serve as important state and family records, as well as remembrances. Historically, portrait paintings have primarily memorialized the rich and powerful. Over time, however, it became more common for middle-class patrons to commission portraits of their families and colleagues. Today, portrait paintings are still commissioned by governments, corporations, groups, clubs, and individuals. In addition to painting, portraits can also be made in other media such as prints (including etching and lithography), photography, video and digital media. It might seem obvious that a painted portrait is intended to achieve a likeness of the sitter that i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parrhasius (painter)
Parrhasius of Ephesus ( grc-gre, Παρράσιος) was one of the greatest painters of Ancient Greece. Life Born to the painter Evenor, he settled in Athens. The period of his activity is fixed by the anecdote which Xenophon records of the conversation between him and Socrates on the subject of art; he was therefore distinguished as a painter before 399 BC. Seneca relates a tale that Parrhasius bought one of the Olynthians whom Philip sold into slavery, 346 BC, and tortured him in order to have a model for a picture of the bound Prometheus for the Parthenon in Athens; but the story, which is similar to one told of Michelangelo, is chronologically impossible. Contest with Zeuxis Pliny the Elder described Parrhasius's contest with Zeuxis in his book ''Naturalis Historia'': The latter painted some grapes so perfectly that a flock of birds flew down to eat them but, instead, only pecked at their picture. Zeuxis had fooled the birds with his picture. Parrhasius and Zeuxis walked t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeuxis (painter)
Zeuxis (; grc-gre, Ζεῦξις) (of Heraclea) was a Greek painter who flourished during the 5th century BCE and became famous for his ability to imitate nature and especially still life with his art. Life and work Zeuxis was an innovative Greek painter. Although his paintings have not survived, historical records state they were known for their realism, small scale, novel subject matter, and independent format. His technique created volumetric illusion through manipulating light and shadow, a change from the usual method of filling in shapes with flat color. Preferring small scale panels to murals, Zeuxis also introduced genre subjects (such as still life) into painting. He contributed to the composite method of composition, and may have originated an approach to, and thus influenced the concept of the ideal form of the nude, as described by art historian Kenneth Clark. As the story goes, according to Cicero, Zeuxis could not find a woman beautiful enough to pose as Helen of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greece
Ancient Greece ( el, Ἑλλάς, Hellás) was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity ( AD 600), that comprised a loose collection of culturally and linguistically related city-states and other territories. Most of these regions were officially unified only once, for 13 years, under Alexander the Great's empire from 336 to 323 BC (though this excludes a number of Greek city-states free from Alexander's jurisdiction in the western Mediterranean, around the Black Sea, Cyprus, and Cyrenaica). In Western history, the era of classical antiquity was immediately followed by the Early Middle Ages and the Byzantine period. Roughly three centuries after the Late Bronze Age collapse of Mycenaean Greece, Greek urban poleis began to form in the 8th century BC, ushering in the Archaic period and the colonization of the Mediterranean Basin. This was followed by the age of Classical G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vanitas
A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are ''vanitas'' still lifes, a common genre in the Low Countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres. Etymology The Latin noun ''vanitas'' (from the Latin adjective ''vanus'' 'empty') means "emptiness", "futility", or "worthlessness", the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes , where ''vanitas'' translates the Hebrew word ''hevel'', which also includes the concept of transitoriness. Themes Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th century, these could be extremely morbid and explicit, reflecting an increased obsession with de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Boscoreale
Villa Boscoreale is a name given to any of several Roman villas discovered in the district of Boscoreale, Italy. They were all buried and preserved by the eruption of Mount Vesuvius in 79 AD, along with Pompeii and Herculaneum. The only one visible ''in situ'' today is the Villa Regina, the others being reburied soon after their discovery. Although these villas can be classified as "rustic" ('' villae rusticae'') rather than of ''otium'' due to their agricultural sections and sometimes lack of the most luxurious amenities, they were often embellished with extremely luxurious decorations such as frescoes, testifying to the wealth of the owners. Among the most important finds are the exquisite frescoes from the Villa of Publius Fannius Synistor and the sumptuous silver collection of the Villa della Pisanella, which are now displayed in several major museums. In Roman times this area, like the whole of Campania, was agricultural despite its proximity to cities including Pompeii, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herculaneum
Herculaneum (; Neapolitan and it, Ercolano) was an ancient town, located in the modern-day ''comune'' of Ercolano, Campania, Italy. Herculaneum was buried under volcanic ash and pumice in the eruption of Mount Vesuvius in AD 79. Like the nearby city of Pompeii, Herculaneum is famous as one of the few ancient cities to be preserved nearly intact, as the ash that blanketed the town protected it against looting and elements. Although less known than Pompeii today, it was the first, and the only discovered buried Vesuvian city (in 1709) for a long time. Pompeii was revealed only in 1748 and identified in 1763. Unlike Pompeii, the mainly pyroclastic material that covered Herculaneum carbonized and preserved more wood in objects such as roofs, beds, and doors, as well as other organic-based materials such as food and papyrus. According to the traditional tale, the city was rediscovered by chance in 1709, during the drilling of a well. Remnants of the city, however, were already fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Rome
In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC), Roman Republic (509–27 BC) and Roman Empire (27 BC–476 AD) until the fall of the western empire. Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually dominated the Italian Peninsula, assimilated the Greek culture of southern Italy ( Magna Grecia) and the Etruscan culture and acquired an Empire that took in much of Europe and the lands and peoples surrounding the Mediterranean Sea. It was among the largest empires in the ancient world, with an estimated 50 to 90 million inhabitants, roughly 20% of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural History (Pliny)
The ''Natural History'' ( la, Naturalis historia) is a work by Pliny the Elder. The largest single work to have survived from the Roman Empire to the modern day, the ''Natural History'' compiles information gleaned from other ancient authors. Despite the work's title, its subject area is not limited to what is today understood by natural history; Pliny himself defines his scope as "the natural world, or life". It is encyclopedic in scope, but its structure is not like that of a modern encyclopedia. It is the only work by Pliny to have survived, and the last that he published. He published the first 10 books in AD 77, but had not made a final revision of the remainder at the time of his death during the AD 79 eruption of Vesuvius. The rest was published posthumously by Pliny's nephew, Pliny the Younger. The work is divided into 37 books, organised into 10 volumes. These cover topics including astronomy, mathematics, geography, ethnography, anthropology, human physiolog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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