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Stewart Home
Kevin Llewellyn Callan (born 24 March 1962), better known as Stewart Home, is an English artist, filmmaker, writer, pamphleteer, art historian, and activist. His novels include the non-narrative ''69 Things to Do with a Dead Princess'' (2002), and the re-imagining of the 1960s in ''Tainted Love'' (2005). Earlier parodistic pulp fictions work includes ''Pure Mania'', ''Red London'', ''No Pity'', ''Cunt'', and ''Defiant Pose'' which pastiche the work of 1970s British skinhead pulp novel writer Richard Allen and combine it with pornography, political agit-prop, and historical references to punk rock and avant-garde art. Life and work Home was born in South London. His mother, Julia Callan-Thompson, was a model who was associated with the radical arts scene in Notting Hill Gate. In the 1980s and 1990s, he exhibited art and also wrote a number of non-fiction pamphlets, magazines, and books, and edited anthologies. They chiefly reflected the politics of the radical left, punk cultu ...
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Neoism
Neoism is a parodistic -ism. It refers both to a specific subcultural network of artistic performance and media experimentalists, and, more generally, to a practical underground philosophy. It operates with collectively shared pseudonyms and identities, pranks, paradoxes, plagiarism and fakes, and has created multiple contradicting definitions of itself in order to defy categorization and historization. Background Definitions of Neoism were always disputed. The main source of this is the undefinable concept of Neoism which created vastly different, tactically distorted accounts of Neoism and its history. Undisputed, however, are the origin of the movement in the late 1970s Canada. It was initiated by Hungarian-born Canadian performance and media-artist Istvan Kantor (aka Monty Cantsin) in 1979, in Montreal. At around the same time the open-pop-star identity of Monty Cantsin was spread through the Mail Artist David Zack (born New Orleans, June 12, 1938, died presumably in Texa ...
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69 Things To Do With A Dead Princess
''69 Things to Do with a Dead Princess'' is an experimental novel by the British writer Stewart Home, first published by Canongate in 2002. It tells the story of a suicidal man investigating a conspiracy theory about the death of Diana, Princess of Wales, with much explicit sex and philosophical discussions, and was positively reviewed by ''The Times'' and the ''London Review of Books''. Plot Following epigraphs from Karl Marx and Samuel Taylor Coleridge, the novel tells the story of a man, variously called Callum or Alan, who is planning to kill himself. He has relocated to Aberdeen in the northeast of Scotland, where he befriends Anna Noon, a female student at Aberdeen University who also acts as the novel's narrator. They discuss literature and philosophy. Callum/Alan has a large collection of books he is attempting to read, including the fictional ''69 Things to Do with a Dead Princess'' by the fictional cult writer K.L. Callan, which contains a conspiracy theory about the ...
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Communism
Communism (from Latin la, communis, lit=common, universal, label=none) is a far-left sociopolitical, philosophical, and economic ideology and current within the socialist movement whose goal is the establishment of a communist society, a socioeconomic order centered around common ownership of the means of production, distribution, and exchange which allocates products to everyone in the society.: "One widespread distinction was that socialism socialised production only while communism socialised production and consumption." Communist society also involves the absence of private property, social classes, money, and the state. Communists often seek a voluntary state of self-governance, but disagree on the means to this end. This reflects a distinction between a more libertarian approach of communization, revolutionary spontaneity, and workers' self-management, and a more vanguardist or communist party-driven approach through the development of a constitutional socialist st ...
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Festival Of Plagiarism
A festival is an event ordinarily celebrated by a community and centering on some characteristic aspect or aspects of that community and its religion or cultures. It is often marked as a local or national holiday, mela, or eid. A festival constitutes typical cases of glocalization, as well as the high culture-low culture interrelationship. Next to religion and folklore, a significant origin is agricultural. Food is such a vital resource that many festivals are associated with harvest time. Religious commemoration and thanksgiving for good harvests are blended in events that take place in autumn, such as Halloween in the northern hemisphere and Easter in the southern. Festivals often serve to fulfill specific communal purposes, especially in regard to commemoration or thanking to the gods, goddesses or saints: they are called patronal festivals. They may also provide entertainment, which was particularly important to local communities before the advent of mass-produced e ...
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Appropriation Art
Appropriation in art is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts). In the visual arts, to appropriate means to properly adopt, borrow, recycle or sample aspects (or the entire form) of human-made visual culture. Notable in this respect are the Readymades of Marcel Duchamp. Inherent in the understanding of appropriation is the concept that the new work recontextualizes whatever it borrows to create the new work. In most cases, the original "thing" remains accessible as the original, without change. Definition Appropriation, similar to found object art is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art." The Tate Gall ...
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Art In Ruins
Art in Ruins was formed in 1984 as a collaborative interventionist practice in art and architecture, staging exhibitions and publishing texts, by Hannah Vowles and Glyn Banks. Alex Coles. ''Appearances are Against Us'', Art and Text, Los Angeles, July 2000. History and practiceArt in Ruins based in Bloomsbury, London, uses 1960s conceptual art strategies utilized by Art & Language and Gilbert and George. Works include ''Trust Us'' (1997) and ''We Like You'' (1995). Their reaction to current art is ''"iconoclastic"'' with ''"a sort of supersensitivity to the politics of art."'' They curated the exhibition ''Our Wonderful Culture'' (St George's Crypt, Bloomsbury 1995) and collaborated with Stewart Home, Ed Baxter, and others on ''Ruins of Glamour, Glamour of Ruins'' (Chisenhale Gallery 1986) and ''Desire in Ruins'' (Transmission Gallery, Glasgow 1987). Since the early 1990s, Art in Ruins have been satirising self-expression and focusing on art's economic basis. Like General Id ...
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