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Steve Winwood (album)
''Steve Winwood'' is the debut solo studio album by blue-eyed soulster Steve Winwood. It was released in 1977, three years after the break-up of his former band, Traffic. Though the album sold moderately well in the US, it was a commercial disappointment compared to Traffic's recent albums, peaking at number 22 on the ''Billboard'' 200 album chart. In the UK, however, while Traffic's recent albums had only been moderately successful, ''Steve Winwood'' reached number 12 on The Official Charts. Island Records launched two singles from the album, "Hold On" and "Time Is Running Out", both of which failed to make the charts. Reception Reviewing in '' Christgau's Record Guide: Rock Albums of the Seventies'' (1981), Robert Christgau wrote: "Combined with Stomu Yamashta's ersatz electronic classicism on '' Go'', Winwood's chronic meandering seemed vaguely interesting. On its own again, it just seems vague." Track listing All songs written by Steve Winwood and Jim Capaldi, except where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Winwood
Stephen Lawrence Winwood (born 12 May 1948) is an English musician, singer, and songwriter whose genres include blue-eyed soul, rhythm and blues, blues rock, and pop rock. Though primarily a keyboard player and vocalist prominent for his distinctive, soulful high tenor voice, Winwood plays other instruments proficiently, including drums, mandolin, guitar, bass, and saxophone. Winwood was an integral member of three seminal musical ensembles of the 1960s and 1970s: the Spencer Davis Group, Traffic, and Blind Faith. Beginning in the 1980s, his solo career flourished and he had a number of hit singles, including "While You See a Chance" (1980) from the album ''Arc of a Diver'' and "Valerie" (1982) from ''Talking Back to the Night'' ("Valerie" became a hit when it was re-released with a remix from Winwood's 1987 compilation album ''Chronicles''). His 1986 album ''Back in the High Life'' marked his career zenith, with hit singles including "Back in the High Life Again", "The Finer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go (Go Album)
''Go'' is the first album by the rock music supergroup Go. Recorded at Island Studios in London in February 1976, it was released on Island Records in April of the same year. Track listing "Winner/Loser" by Steve Winwood, all other songs by Stomu Yamashta with lyrics by Michael Quartermain. #"Solitude" – 2:57 #"Nature" – 2:32 #"Air Over" – 2:32 #"Crossing the Line" – 4:46 #"Man of Leo" – 2:02 #"Stellar" – 2:53 #"Space Theme" – 3:12 #"Space Requiem" – 3:20 #"Space Song" – 2:00 #"Carnival" – 2:46 #"Ghost Machine" – 2:06 #"Surfspin" – 2:25 #"Time is Here" – 2:46 #"Winner/Loser" – 4:10 A portion of "Crossing the Line" appears on the soundtrack of ''Tempest''. Personnel *Stomu Yamashta – string synthesizers (1, 3-9, 11), Minimoog synthesizer (3, 8, 9), timpani (3, 10), percussion (5, 6, 8-14), Mini Korg synthesizer (8, 9) *Steve Winwood – acoustic piano (1, 2, 4, 10, 13, 14), vocal (2, 4, 5, 11, 13, 14), organ (5, 11), electric piano (6), guitar ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebop Kwaku Baah
Anthony "Rebop" Kwaku Baah (13 February 1944 – 12 January 1983) was a Ghanaian percussionist who worked with the 1970s rock groups Traffic and Can. Biography Baah was born on 13 February 1944, in Konongo, Gold Coast. In 1969, Baah performed on Randy Weston's album ''African Rhythms''. In the same year he worked with Nick Drake on the song "Three Hours", posthumously released in 2004 on the compilation album '' Made to Love Magic''. He then joined the English band Traffic in 1971, having met them in Sweden during a tour. He appeared on the albums ''Welcome to the Canteen'', '' The Low Spark of High Heeled Boys'', ''Shoot Out at the Fantasy Factory'', '' On the Road'', and ''When the Eagle Flies''. In 1973 he performed in the all-star ''Eric Clapton's Rainbow Concert''. After Traffic disbanded in 1974, he played on Steve Winwood’s self-titled debut solo album, which was released in 1977. Also in 1977, he joined the German band Can along with former Traffic bassist Rosko ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andy Newmark
Andrew Newmark (born July 14, 1950)Scrymgeour, Alex (2008). "Andy Newmark: And the beat goes on." ''The Royal Gazette'' (online) October 10, 2008. Retrieved 9-2-2013. is an American session drummer who was a member of and has played with , , |
Alan Spenner
Alan Henry Spenner (7 May 1948 – 11 August 1991) was an English bass player who performed with Wynder K. Frog, the Grease Band, Spooky Tooth, ABC, David Coverdale, David Soul, Joe Cocker, Kenny Loggins, Lynda Carter, Peter Frampton, Ted Nugent, Mick Taylor, China Crisis, Murray Head, Kokomo, Roxy Music, and played on the original 1970 concept album '' Jesus Christ Superstar''. Spenner played bass live at Woodstock in 1969 with Joe Cocker and the Grease Band and can be seen on ''The Woodstock Directors Cut'' DVD. In 1975 he played on Bryn Haworth's album '' Sunny Side of the Street''. In August 1982 he played on Roxy Music's VHS/DVD '' The High Road'', filmed live in Fréjus, France. Spenner died on 11 August 1991 of a heart attack at the age of 43. He was married to Dyan Birch, former lead vocalist with Arrival and then Kokomo. His son Henry is the former drummer for the band Fields. Equipment Spenner typically played Fender Precision, Fender Precision Fretless and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Weeks
Willie Weeks (born August 5, 1947) is an American bass guitarist. He has gained fame performing with famous musicians in a wide variety of genres. He has been one of the most in-demand session musicians throughout his career. Weeks has also gained fame touring with many of rock's heavyweights throughout his career. Career Weeks was born in Salemburg, North Carolina and began playing the electric bass in the early 1960s. His earliest influences were the country, pop and R&B music he heard on the radio. Weeks counts bassists Ron Carter, James Jamerson, and Ray Brown as early influences. Weeks has worked in the studio or toured with a wide range of artists, including: Gregg Allman, David Bowie, Clarence "Gatemouth" Brown, Roy Buchanan, Jimmy Buffett, Kevin Chalfant, Eric Clapton, Hank Crawford, Robert Cray, Pino Daniele, Bo Diddley, The Doobie Brothers, Lou Fellingham, Aretha Franklin, Vince Gill, Buddy Guy, Isaac Hayes, George Harrison, Donny Hathaway, Etta Jame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Marvin
Junior Marvin (born Donald Hanson Marvin Kerr Richards Jr., June 22, 1949), also known as Junior Marvin-Hanson, Junior Hanson, Junior Kerr, and Julian Junior Marvin is a Jamaican-born guitarist and singer best known for his association with Bob Marley and The Wailers. He started his career as Junior Hanson with the band Hanson in 1973. Marvin has also been associated with Gass, Keef Hartley Band, Toots & the Maytals and Steve Winwood. Biography Born in Kingston, Surrey County, Jamaica, Marvin moved to London as a child, where his love of both acting and music was nurtured. He appeared in the Beatles' film ''Help!'', which was followed by a number of other television appearances. Meanwhile, Marvin served his musical apprenticeship in America by playing with the likes of blues legend T-Bone Walker and Ike & Tina Turner. Back in England he played with bands such as Herbie Goins & The Nighttimers, Blue Ace Unit and White Rabbit. In 1973 Marvin formed the band Hanson and reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonium
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason & ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavinet
The Clavinet is an electrically amplified clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds by a rubber pad striking a point on a tensioned string, and was designed to resemble the Renaissance-era clavichord. Although originally intended for home use, the Clavinet became popular on stage, and could be used to create electric guitar sounds on a keyboard. It is strongly associated with Stevie Wonder, who used the instrument extensively, particularly on his 1972 hit "Superstition", and was regularly featured in rock, funk and reggae music throughout the 1960s and 1970s. Modern digital keyboards can emulate the Clavinet sound, but there is also a grass-roots industry of repairers who continue to maintain the instrument. Description The Clavinet is an electromechanical instrument that is usually used in conjunction with a keyboard amplifier. Most models have 60 keys ranging ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
