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Stern Conservatory
The Stern Conservatory (''Stern'sches Konservatorium'') was a private music school in Berlin with many distinguished tutors and alumni. The school is now part of Berlin University of the Arts. History It was founded in 1850 as the ''Berliner Musikschule'' by Julius Stern, Theodor Kullak and Adolf Bernhard Marx. Kullak withdrew from the conservatory in 1855 in order to create a new academy of sculpture and three-dimensional art. With Marx's withdrawal in 1856, the conservatory came exclusively under the Stern family and adopted its name. In 1894 it was taken over by Gustav Hollaender (the uncle of film composer Friedrich Hollaender), who moved the school's location to the Berlin Philharmonic concert hall on Bernburger Strasse in Berlin-Kreuzberg. In the course of the ''Gleichschaltung'' process, the Stern Academy in 1936 was renamed ''Konservatorium der Reichshauptstadt Berlin'' controlled by the Nazi regime. Gustav Hollaender's heirs were disseized, but for a few years they we ...
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Music School
A music school is an educational institution specialized in the study, training, and research of music. Such an institution can also be known as a school of music, music academy, music faculty, college of music, music department (of a larger institution), conservatory, conservatorium or conservatoire ( , ). Instruction consists of training in the performance of musical instruments, singing, musical composition, conducting, musicianship, as well as academic and research fields such as musicology, music history and music theory. Music instruction can be provided within the compulsory general education system, or within specialized children's music schools such as the Purcell School. Elementary-school children can access music instruction also in after-school institutions such as music academies or music schools. In Venezuela El Sistema of youth orchestras provides free after-school instrumental instruction through music schools called ''núcleos''. The term "music school" can also ...
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Heinz Tiessen
Richard Gustav Heinz Tiessen (10 April 1887 – 29 November 1971) was a German composer. Biography Tiessen was born at Königsberg, where he studied with composer Erwin Kroll before moving to Berlin. There, he enrolled at Humboldt University and at the Stern'sches Konservatorium, where he studied composition and music theory. He worked as a music critic for ''Allgemeine Musikzeitung'' from 1911 to 1917 before becoming a theater '' Kapellmeister'' and composer for Volksbühne in 1918. From 1920 to 1922, he conducted the Akademische Orchester and between 1925 and 1945, he taught music theory and composition at the Berliner Musikhochschule. He also co-founded the German division of the International Society for Contemporary Music and served as conductor of the Junger Chor. During the Third Reich, his music was classified as "undesirable" by the Nazi authorities, and after World War II, he almost completely stopped composing. From 1946 to 1949 he directed the city Konservatorium ...
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Ernst Eduard Taubert
Ernst Eduard Taubert (25 September 1838 in Regenwalde – 14 July 1934) was a Pomeranian composer, music critic, and music educator. He began his education in Bonn where he was first a student of theology and later a music pupil of Albert Dietrich. He then studied under Friedrich Kiel in Berlin. He remained in Berlin for the rest of his life where he worked as a music critic for local publications and taught at the Stern Conservatory, first as a lecturer and then as a full professor since 1898. In 1905 he was elected a member of the Prussian Academy of Arts The Prussian Academy of Arts (German: ''Preußische Akademie der Künste'') was a state arts academy first established in Berlin, Brandenburg, in 1694/1696 by prince-elector Frederick III, in personal union Duke Frederick I of Prussia, and late ... where he taught until his death in Berlin in 1934. He is best remembered today for his ''Quintet for Piano and Winds, Op. 48'' and his ''String Quartet, Op. 56''. References Ext ...
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Ernst Jedliczka
Ernst Jedliczka (24 May 1855 – 3 August 1904) was a Russian-German pianist, piano pedagogue, and music critic. The ''Encyclopædia Britannica Eleventh Edition'' stated that Jedliczka "did much to spread Russian music in Germany, placing Russian composers in a prominent place within his concerts and devoting them to a series of articles." Biography Born in Poltava, Jedliczka was the son of Ukrainian composer Alois Jedliczka. In 1876 he earned diplomas in mathematics and physics from Saint Petersburg State University. He then pursued studies at the Moscow Conservatory (MC) where he was a piano student of Anton Rubinstein, Nikolai Rubinstein and Charles Klindworth. After graduating from the MC in 1879, he taught on the piano faculty of the MC from 1880-1887. He then taught at the Klindworth-Scharwenka Conservatory in Berlin from 1888–1897 and at the Stern Conservatory from 1897 until his death in 1904. His notable pupils included Charles Tomlinson Griffes, W. H. Hewlett, John ...
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Martin Krause
Martin Krause (17 June 18532 August 1918) was a German concert pianist, piano teacher,James Methuen-Campbell (2001). Krause, Martin. ''Grove Music Online'', Oxford University Press music critic, and writer. Career Martin Krause was born in Lobstädt, Kingdom of Saxony, Saxony as the youngest son of the choirmaster and church schoolmaster Johann Carl Friedrich Krause in Lobstädt. He initially attended the teacher training college in Borna, Germany, Borna, then at the Leipzig Conservatory with Wenzel and Reinecke. He performed on the concert platform in 1878–80 but stopped because of a nervous breakdown. In 1882, he became a pupil of Franz Liszt and studied his technique; he was later among Liszt's most prominent promoters. Krause later established himself as a piano teacher and writer on music in Leipzig, where he was one of the founders of the Franz-Liszt-Verein association. From 1900, he also taught in Dresden. From 1901 Krause worked as a professor at the Royal Academy of ...
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Georg Von Petersenn
Georg (Georges) Ferdinand von Petersenn (13 September 1849 – 14 November 1930) was a German music educator. Life Born in Valmiera (Latvia), Petersenn was the youngest of five children of Heinrich von Petersenn and his wife Jutta, ''née'' Baroness von Engelhardt. After finishing secondary school, he studied law in Dorpat from 1870 until 1872, then music in Würzburg and Munich until 1875. Additionally he gave private piano lessons. On 11 April 1882 he married his pupil Bertha Rindfleisch, 13 years younger than him, daughter of the respected pathologist Eduard von Rindfleisch. The marriage produced one child: daughter Jutta (born 1888 in Berlin). In 1911 Jutta von Petersenn married Hermann Lietz, founder of the first German . In 1884, the couple moved to Berlin. There, Petersenn was appointed professor at the "Königl. Hochschule für Musik" (now merged with the Universität der Künste Berlin). When his wife, , moved her "Landerziehungsheim für Mädchen" from Stolper See to G ...
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Hans Pfitzner
Hans Erich Pfitzner (5 May 1869 – 22 May 1949) was a German composer, conductor and polemicist who was a self-described anti-modernist. His best known work is the post-Romantic opera ''Palestrina'' (1917), loosely based on the life of the sixteenth-century composer Giovanni Pierluigi da Palestrina and his ''Missa Papae Marcelli''. Life Pfitzner was born in Moscow where his father played cello in a theater orchestra. The family returned to his father's native town Frankfurt in 1872, when Pfitzner was two years old, he always considered Frankfurt his home town. He received early instruction in violin from his father, and his earliest compositions were composed at age 11. In 1884 he wrote his first songs. From 1886 to 1890 he studied composition with Iwan Knorr and piano with James Kwast at the Hoch Conservatory in Frankfurt. (He later married Kwast's daughter Mimi Kwast, a granddaughter of Ferdinand Hiller, after she had rejected the advances of Percy Grainger.) He taught pi ...
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Friedrich Gernsheim
Friedrich Gernsheim (17 July 1839 – 10 September 1916) was a German composer, conductor and pianist. Early life Gernsheim was born in Worms. He was given his first musical training at home under his mother's care, then starting from the age of seven under Worms' musical director, Louis Liebe, a former pupil of Louis Spohr. His father, a prominent Jewish physician, moved the family to Frankfurt am Main in the aftermath of the year of revolutions, 1848, where he studied with Edward Rosenhain, brother of Jakob Rosenhain. He made his first public appearance as a concert pianist in 1850 and toured for two seasons, then settled with his family in Leipzig, where he studied piano with Ignaz Moscheles from 1852. He spent the years 1855–1860 in Paris, meeting Gioachino Rossini, Théodore Gouvy, Édouard Lalo and Camille Saint-Saëns. Career His travels afterwards took him to Saarbrücken, where in 1861 he took the conductor post vacated by Hermann Levi; to Cologne, where in 1865 Fe ...
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Georg Wilhelm Rauchenecker
Georg Wilhelm Rauchenecker (8 March 1844, in Munich – 17 July 1906, in Elberfeld, today part of Wuppertal) was a German composer, conductor and violinist. Life Childhood and youth (1844–1860) Rauchenecker was born in Munich on 8 March 1844; he was the first child of Jakob Rauchenecker (1815–1876), an official musician of the city, and Rosina Crescenz Rauchenecker, née Wening (1815–1876) and was baptised a Catholic two days later at St Peter's in Munich. As a young boy he was sent by his father to his uncle, Georg Wening, who had been pastor of the parish of Thalheim (pop. 260) near Erding since 1855. It is possible that Rauchenecker was expected to follow the same career path as his uncle. After this he attended the King Maximilian Grammar School in Munich and here, at the age of eleven, he played first violin accompanying the church choir. Rauchenecker received comprehensive musical instruction in both piano and organ from (1798–1877), in the violin from Joseph Walt ...
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Arnold Krug
Arnold Krug (16 October 1849 – 14 August 1904) was a German composer and music teacher. Biography Born in Hamburg, Krug began his music studies with piano lessons from his father, Diederich Krug, who was himself a pianist and composer. Later he was sent to the Leipzig Conservatory where he studied with Carl Reinecke and then went on to Berlin, where he continued with Friedrich Kiel and Eduard Franck. After completing his studies, he taught in Berlin at the Stern Conservatory for several years before returning to Hamburg where he remained for the rest of his life, working primarily as a music teacher and choral director. Gustav Jenner was among his many students. Music While he wrote works in several different genres, including symphonies, orchestral overtures, operas, piano works, and chamber music, it is his choral works which received the most attention. However, today he is primarily remembered for his String Sextet in D Major, Op. 68. This work was known as the "Prize Sexte ...
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Eduard Franck
Eduard Franck (5 October 1817 – 1 December 1893) was a German composer, pianist and music pedagogue. Life Franck was born in Breslau, the capital of the Prussian province of Silesia. He was the fourth child of a wealthy banker who exposed his children to Germany's cultural figures. Frequenters of the Franck home included Heine, Humboldt, Heller, Mendelssohn, and Wagner. His family's financial position allowed Franck to study with Felix Mendelssohn as a private student in Düsseldorf and later in Leipzig. As a talented pianist, he embarked upon a dual career as a concert artist and teacher for more than four decades during the course of which he held many positions. Although he was highly regarded as both a teacher and performer, he never achieved the public recognition of his better known contemporaries such as Mendelssohn, Schumann or Liszt. Despite being compared favourably to them, the fact that he failed to publish very many of his compositions until toward the end of h ...
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Friedrich Kiel
Friedrich Kiel (8 October 182113 September 1885) was a German composer and music teacher. Writing of the chamber music of Friedrich Kiel, the scholar and critic Wilhelm Altmann notes that it was Kiel’s extreme modesty which kept him and his exceptional works from receiving the consideration they deserved. After mentioning Johannes Brahms and others, Altmann writes, “He produced a number of chamber works, which . . . need fear no comparison.” Biography Kiel was born in Bad Laasphe, Puderbach. He was taught the rudiments of music and received his first piano lessons from his father, but was in large part self-taught. Something of a prodigy, he played the piano almost without instruction at the age of six, and by his thirteenth year he had composed much music. Kiel eventually came to the attention of Prince Albrecht Sayn-Wittgenstein-Berleburg, a great music lover. Through the Prince's efforts, Kiel was allowed to study violin with the concertmaster of the Prince’s fine ...
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