Steppenwolf Live
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Steppenwolf Live
''Steppenwolf Live'' is primarily a collection of recordings from a single concert early in 1970 at the Santa Monica Civic Auditorium by Steppenwolf staged in support of their 1969 album ''Monster''. Released in April 1970 by Dunhill Records, it contains Steppenwolf's well-known hits: "Born to Be Wild", "Magic Carpet Ride" and "The Pusher", as well as most of the songs from ''Monster'', including three previous top 40 hits, as well as the top 40 hit "Hey Lawdy Mama" from this album. Steppenwolf USA chart history Billboard.com. Retrieved January 18, 2013. Background The song "Hey Lawdy Mama" was recorded in the studio, but edited in a manner to segue directly into "Magic Carpet Ride", thus retaining the album's "live" feel. On original LP copies of ''Steppenwolf Live'', "Hey Lawdy Mama" and "Magic Carpet Ride" are banded together as a single track, with a total running time of 7:13. A differently edited version of "Hey Lawdy Mama", incorporating a fade-out instead of the segue, wa ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Don Covay
Donald James Randolph (March 24, 1936 – January 31, 2015), better known by the stage name Don Covay, was an American R&B, rock and roll, and soul singer-songwriter most active from the 1950s to the 1970s. His most successful recordings include " Mercy, Mercy" (1964), "See-Saw" (1965), and "It's Better to Have (and Don't Need)" (1974). He also wrote "Pony Time", a US number 1 hit for Chubby Checker, and "Chain of Fools", a Grammy-winning song for Aretha Franklin. He received a Pioneer Award from the Rhythm and Blues Foundation in 1994. Writing in the ''Washington Post'' after his death, Terence McArdle said, "Mr. Covay’s career traversed nearly the entire spectrum of rhythm-and-blues music, from doo-wop to funk." Early life Covay was born in Orangeburg, South Carolina. His father, a Baptist preacher, died when Covay was eight. He resettled in Washington, D.C., with his mother Helen Zimmerman Randolph and his siblings in the early 1950s and initially sang in the Cherry Keys ...
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The Pusher
"The Pusher" is a rock song written by Hoyt Axton, made popular by the 1969 movie ''Easy Rider'' which used Steppenwolf's version to accompany the opening scenes showing drug trafficking. The lyrics of the song distinguish between a ''dealer'' in drugs such as marijuana—who "will sell you lots of sweet dreams"—and a ''pusher'' of hard drugs such as heroin—a "monster" who doesn't care "if you live or if you die". Steppenwolf version The song was made popular when rock band Steppenwolf released the song on their 1968 album '' Steppenwolf''. Organist Goldy McJohn, who recorded the original Steppenwolf version, said the version that appears on '' Early Steppenwolf'' performed by The Sparrows, a predecessor band to Steppenwolf in 1967 at the Matrix came about when singer John Kay and Jerry Edmonton were late for a performance: :Nick and Mars and me started that long version of the Pusher. John and Jerry's flight was late one night at the Avalon Ballroom, so we started an ...
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Rushton Moreve
Rushton Moreve (born John Rushton Morey; November 6, 1948 – July 1, 1981) was an American bass guitarist best known for his work with the rock band Steppenwolf from 1967–68 and again in 1978. According to singer John Kay, he was an intuitive bassist with a melodic style that brought a non-commercial sound to the band, a technique exemplified on the hit he co-wrote with Kay, " Magic Carpet Ride". Moreve's early influence was essential in creating the unique musical style for which Steppenwolf became famous. He joined the band in 1967 and performed on their debut album, '' Steppenwolf'', which was composed of covers and songs written by Kay. His influence was heavier on the follow-up, ''The Second'', his final album with Steppenwolf. He was killed in 1981 in an auto accident. Biography Steppenwolf Moreve joined the band in 1967, having responded to a "Bass Player Wanted" notice posted at Wallich's Music City at Vine and Sunset. One of Steppenwolf's most popular so ...
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Magic Carpet Ride (Steppenwolf Song)
"Magic Carpet Ride" is a rock song written by John Kay and Rushton Moreve from the Canadian-American hard rock band Steppenwolf. The song was initially released in 1968 on the album ''The Second''. It was the lead single from that album, peaking at number three in the US, and staying in the charts for 16 weeks, longer than any other Steppenwolf song. The 45 rpm version is not only an edit of the album version, but contains a different vocal take on the first verse. Despite the single's popularity, the album version enjoyed heavy airplay on FM radio and is still the preferred version on most classic rock stations, as well as the one most commonly included on compilations and in popular media. Writing and recording When preparing to record the band's second album, ''The Second'', bassist Rushton Moreve came up with a "bouncy riff". Band member Jerry Edmonton's brother, Mars Bonfire, started playing guitar, and the band developed the riff. For the introduction, guitarist Michael ...
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Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ...
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Corrina, Corrina (song)
"Corrine, Corrina" (sometimes "Corrina, Corrina") is a 12-bar country blues song in the AAB form. "Corrine, Corrina" was first recorded by Bo Carter ( Brunswick 7080, December 1928). However, it was not copyrighted until 1932 by Armenter "Bo Carter" Chatmon and his publishers, Mitchell Parish and J. Mayo Williams. The song is familiar for its opening verse: The Mississippi Sheiks, as the Jackson Blue Boys with Papa Charlie McCoy on vocals, recorded the same song in 1930; this time as "Sweet Alberta" ( Columbia 14397-D), substituting the words ''Sweet Alberta'' for ''Corrine, Corrina''. "Corrine, Corrina" has been recorded in a number of musical styles, including blues, jazz, rock and roll, Cajun, and Western swing. The title of the song varies from recording to recording, most often with the variant "Corrina, Corrina". History "Corrine, Corrina" may have traditional roots, however, earlier songs are different musically and lyrically. One of the earliest is the commercial ...
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Goldy McJohn
John Raymond Goadsby (May 2, 1945 – August 1, 2017), known as Goldy McJohn, was a Canadian keyboard player best known as the original keyboardist for rock group Steppenwolf. Originally a classically trained pianist, he was a pioneer in the early use of the electronic organ (Hammond B3) in heavy metal. Career McJohn was born John Raymond Goadsby to middle class parents in Toronto, Ontario. They enrolled him in piano lessons at a young age which eventually enabled him to become a pioneer in the use of the electronic organ in rock and roll. "I was up at 4 a.m. daily to practice from the age of seven until…I got stupid. ... I was classically trained. I played on a Lowrey". In 1964, McJohn played with local band Little John & The Friars before moving on later that year to become a member of the Mynah Birds, which also included Rick James, Bruce Palmer and (after McJohn left) Neil Young. In March 1965, he briefly joined The Diplomats before joining The Sparrows in Septe ...
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Nick St
Nick may refer to: * Nick (given name) * A cricket term for a slight deviation of the ball off the edge of the bat * British slang for being arrested * British slang for a police station * British slang for stealing * Short for nickname Places * Nick, Hungary * Nick, Warmian-Masurian Voivodeship, Poland Other uses * Nick, the Allied codename for Japanese World War II fighter Kawasaki Ki-45 * Nick (DNA), an element of DNA structure * Nick (German TV channel) * ''Nick'' (novel), a 2021 novel by Michael Farris Smith * Nick's, a jazz tavern in New York City * Désirée Nick, a German actress and writer * Nickelodeon, a children's cable channel See also * Nicks, surname * * * NIC (other) * Nik (other) * 'Nique (other) * Nix (other) * Old Nick (other) * Knick (other) * Nick Nack (other) Knick Knack is an English equivalent of bric-à-brac. Knick Knack, Knickknack or Nick Nack may also refer to: * ''Knick Kn ...
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Larry Byrom
Steppenwolf was an American-Canadian rock band that was prominent from 1968 to 1972. The group was formed in late 1967 in Los Angeles by lead singer John Kay, keyboardist Goldy McJohn, and drummer Jerry Edmonton, all formerly of the Canadian band the Sparrows. Guitarist Michael Monarch and bass guitarist Rushton Moreve were recruited via notices placed in Los Angeles-area record and musical instrument stores. Steppenwolf sold over 25 million records worldwide, released seven gold albums and one platinum album, and had 13 ''Billboard'' Hot 100 singles, of which seven were Top 40 hits, including three top 10 successes: "Born to Be Wild", " Magic Carpet Ride", and " Rock Me". Steppenwolf enjoyed worldwide success from 1968 to 1972, but clashing personalities led to the end of the core lineup. Today, John Kay is the only original member, having been the lead singer since 1967. The band was called John Kay & Steppenwolf from 1980 to 2018. In Canada, they had four top 10 songs, 12 ...
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Jerry Edmonton
Gerald Michael Edmonton (born Gerald McCrohan, October 24, 1946 – November 28, 1993) was a Canadian-American musician who was the drummer, and secondary lead vocalist for the rock band Steppenwolf. Early life and career Edmonton was born in Oshawa, Ontario, Canada. Both his brother Dennis, also known as Mars Bonfire, and he changed their surnames to Edmonton during the 1960s, when they performed in a group called The Sparrows. John Kay and Goldy McJohn joined this group in Toronto in 1965 and, after some more changes in personnel and relocating to California, the group was renamed Steppenwolf. When Steppenwolf temporarily broke up on February 14, 1972, Edmonton and Steppenwolf organist Goldy McJohn formed the band Seven with singer Lance Gullickson and guitarist Robin Huff. After Seven, Edmonton, and McJohn formed Manbeast with Rod Prince and Roy Cox of Bubble Puppy before Steppenwolf reconvened in 1974 for three albums before breaking up again in 1976. Personal life Edmo ...
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Junior Wells
Junior Wells (born Amos Wells Blakemore Jr., December 9, 1934January 15, 1998) was an American singer, harmonica player, and recording artist. He is best known for his signature song "Messin' with the Kid" and his 1965 album ''Hoodoo Man Blues'', described by the critic Bill Dahl as "one of the truly classic blues albums of the 1960s". Wells himself categorized his music as rhythm and blues. Wells performed and recorded with various notable blues musicians, including Muddy Waters, Earl Hooker, and Buddy Guy. He remained a fixture on the blues scene throughout his career and also crossed over to rock audiences while touring with the Rolling Stones. Not long before Wells died, the blues historian Gerard Herzhaft called him "one of the rare active survivors of the 'golden age of the blues. Life and career Early years Wells may have been born in Memphis, Tennessee, and raised in West Memphis, Arkansas (some sources report that he was born in West Memphis). Initially taught by his ...
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