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Stellar Sonata
''SONATA VI'' are two paintings, ''Stellar sonata. Allegro'' and ''Stellar sonata''. ''Andante'', of Mikalojus Konstantinas Čiurlionis from 1908. The artist Čiurlionis was a Lithuanian composer and painter. His most famous musical compositions are probably the symphonic poems. ''In the Forest'' (Miške) and ''The Sea'' (Jūra). They are both in a late romantic idiom. As a painter Čiurlionis was a symbolist rooted in Lithuanian mythology, and his paintings were built in part by musical form principles. "Musical" paintings Čiurlionis painted seven pictorial sonatas. He originally numbered them (the titles were later adapted). His pictorial sonatas can be connected with synaesthesia, the fusion of music and art, and embody an original approach to synæstesis. The artist uses principles of musical composition in the paintings associated with the structure of musical forms such as sonatas, fugues or preludes. He united motifs from reality, spatial levels, dates and contras ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikalojus Konstantinas Čiurlionis
Mikalojus Konstantinas Čiurlionis ( pl, Mikołaj Konstanty Czurlanis – ) was a Lithuanian painter, composer and writer. Čiurlionis contributed to symbolism and art nouveau, and was representative of the fin de siècle epoch. He has been considered one of the pioneers of abstract art in Europe. During his short life, he composed about 400 pieces of music and created about 300 paintings, as well as many literary works and poems. The majority of his paintings are housed in the M. K. Čiurlionis National Art Museum in Kaunas, Lithuania. His works have had a profound influence on modern Lithuanian culture. Biography Mikalojus Konstantinas Čiurlionis was born in Senoji Varėna, a town in southeastern Lithuania that at the time was in the Russian Empire. He was the oldest of nine children of his father, Konstantinas, and his mother, Adelė née Radmanaitė (Radmann), who was descended from a Lutheran family of Bavarian origin. Like many educated Lithuanians of the time, Čiu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lithuanian Mythology
Lithuanian mythology ( lt, Lietuvių mitologija) is the mythology of Lithuanian polytheism, the religion of pre-Christian Lithuanians. Like other Indo-Europeans, ancient Lithuanians maintained a polytheistic mythology and religious structure. In pre-Christian Lithuania, mythology was a part of polytheistic religion; after Christianisation mythology survived mostly in folklore, customs and festive rituals. Lithuanian mythology is very close to the mythology of other Baltic nations – Prussians, Latvians, and is considered a part of Baltic mythology. Sources and evidence Early Lithuanian religion and customs were based on oral tradition. Therefore, the very first records about Lithuanian mythology and beliefs were made by travellers, Christian missionaries, chronicle writers and historians. Original Lithuanian oral tradition partially survived in national ritual and festive songs and legends which started to be written down in the 18th century. The first bits about Baltic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synaesthesia
Synesthesia (American English) or synaesthesia (British English) is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to involuntary experiences in a second sensory or cognitive pathway. People who report a lifelong history of such experiences are known as synesthetes. Awareness of synesthetic perceptions varies from person to person. In one common form of synesthesia, known as grapheme–color synesthesia or color–graphemic synesthesia, letters or numbers are perceived as inherently colored. In spatial-sequence, or number form synesthesia, numbers, months of the year, or days of the week elicit precise locations in space (''e.g.,'' 1980 may be "farther away" than 1990), or may appear as a three-dimensional map (clockwise or counterclockwise). Synesthetic associations can occur in any combination and any number of senses or cognitive pathways. Little is known about how synesthesia develops. It has been suggested that synesthesia deve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata
Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preludes (musical)
''Preludes'' is a musical fantasia set in the mind of Sergei Rachmaninoff, written and composed by Dave Malloy. The music is a combination of compositions by Rachmaninoff, Malloy, hybrids of the two, as well as music and lyrics from other related compositions. Synopsis After the disastrous premiere of his first symphony, the young Rachmaninoff suffers from writer's block. He begins daily sessions with a therapeutic hypnotist, in an effort to overcome depression and return to composing. Musical numbers Music and lyrics by Dave Malloy except where noted. Act I Act II †Not included on the Original Cast Recording § Music by Sergei Rachmaninoff Principal roles and cast members Productions The piece premiered Off-Broadway in June 2015 at Lincoln Center Theater 3. The production team was helmed by Rachel Chavkin as director, Or Matias as music director, Bradley King as lighting designer, Mimi Lien as set designer, and Paloma Young as costume designer, all of whom had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opacity (optics)
Opacity is the measure of impenetrability to electromagnetic radiation, electromagnetic or other kinds of radiation, especially visible light. In radiative transfer, it describes the absorption and scattering of radiation in a transmission medium, medium, such as a plasma (physics), plasma, dielectric, radiation shield, shielding material, glass, etc. An opaque object is neither Transparency (optics), transparent (allowing all light to pass through) nor translucent (allowing some light to pass through). When light strikes an interface between two substances, in general some may be reflected, some absorbed, some scattered, and the rest transmitted (also see refraction). Reflection can be diffuse reflection, diffuse, for example light reflecting off a white wall, or specular reflection, specular, for example light reflecting off a mirror. An opaque substance transmits no light, and therefore reflects, scatters, or absorbs all of it. Both mirrors and carbon black are opaque. Opacity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
