Stefano Trespidi
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Stefano Trespidi
Stefano Trespidi (; born May 23, 1970) is an Italian opera stage director. Born in Verona, Italy, Trespidi grew up near the Arena di Verona, where he began acting and interning as a youth. He earned a law degree from University of Trento in International Law (1996), but did not enter the business world. He earned his Masters diploma from the Teatro La Scala in Milan (1999). Trespidi first met Franco Zeffirelli in 1995 during the staging of ''Carmen'' at the Arena di Verona. Trespidi has since regularly served on the directorial productions teams in collaboration with Zeffirelli on various productions at the Arena Di Verona, such as ''Il Trovatore'' (2001), ''Aida'' (2002), '' Madama Butterfly'' (2004), ''Turandot'' (2010), and '' Pagliacci'' (2010). January, 2019, Stefano Trespidi became artistic director of the Arena di Veronhttps://www.arena.it/arena/en/pages/who-we-are-fondazione-arena-di-verona.html]'' Trespidi made his US opera directorial debut at LA Opera in Los Ange ...
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Arena 1431
An arena is a large enclosed platform, often circular or oval-shaped, designed to showcase theatre, musical performances, or sporting events. It is composed of a large open space surrounded on most or all sides by tiered seating for spectators, and may be covered by a roof. The key feature of an arena is that the event space is the lowest point, allowing maximum visibility. Arenas are usually designed to accommodate a multitude of spectators. Background The word derives from Latin ', a particularly fine-grained sand that covered the floor of ancient arenas such as the Colosseum in Rome, Italy, to absorb blood.. The term ''arena'' is sometimes used as a synonym for a very large venue such as Pasadena's Rose Bowl, but such a facility is typically called a ''stadium'', especially if it does not have a roof. The use of one term over the other has mostly to do with the type of event. Football (be it association, rugby, gridiron, Australian rules, or Gaelic) is typically played i ...
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Plácido Domingo - Antología De La Zarzuela
Placido may refer to: People Surname *José Plácido de Castro (1873–1908), Brazilian soldier and politician *Michele Placido, (born 1946) Italian actor and director * Plácido Vega y Daza, (1830-1878) 19th century Mexican general and politician * Mike De Placido, (born 1954) English footballer *Violante Placido, actress, singer, and daughter of Michele Placido Given name * Placido (Tonkawa leader) (c.1790—1862) chieftain of the Tonkawa Indians of Texas *Placido Columbani, 18th-century Italian architectural designer, who worked chiefly in England *Placido Costanzi, (1702-1759) Italian painter *Plácido Domingo, (born 1941) Spanish operatic tenor *Placido Falconio, aka "Falconi", 16th-century Italian composer *Plácido Polanco, (born 1975) Dominican Major League Baseball player *Placido Puccinelli, (1609-1685) 17th-century Cassinese monk, historian and scholar *Placido Rizzotto (1914–1948), Italian partisan, socialist peasant and trade union leader *Plácido Rodriguez, (born ...
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Italian Opera Directors
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 m ..., a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Culture of Italy, Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer ...
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Los Angeles Opera
The Los Angeles Opera is an American opera company in Los Angeles, California. It is the fourth-largest opera company in the United States. The company's home base is the Dorothy Chandler Pavilion, part of the Los Angeles Music Center. Leadership Spanish tenor and conductor Plácido Domingo was general director of Los Angeles Opera from 2003 to 2019. Domingo sang 27 different roles with the company. He has also conducted 16 different operas and numerous concerts with the company. Domingo resigned in October 2019 following numerous accusations of sexual misconduct. Los Angeles Opera subsequently hired the law firm of Gibson Dunn, under the leadership of former United States Attorney and Superior Court Judge Debra Wong Yang, to conduct an independent investigation of the accusations. After interviewing 44 individuals, Gibson Dunn found that Domingo neither engaged in sexual quid pro quo nor any professional retaliation against women who rebuffed his advances. They also concluded t ...
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Tristan And Isolde
Tristan and Iseult, also known as Tristan and Isolde and other names, is a medieval chivalric romance told in numerous variations since the 12th century. Based on a Celtic legend and possibly other sources, the tale is a tragedy about the illicit love between the Cornish knight Tristan and the Irish princess Iseult. It depicts Tristan's mission to escort Iseult from Ireland to marry his uncle, King Mark of Cornwall. On the journey, Tristan and Iseult ingest a love potion, instigating a forbidden love affair between them. The story has had a lasting impact on Western culture. Its different versions exist in many European texts in various languages from the Middle Ages. The earliest instances take two primary forms: the courtly and common branches. The former begins with the 12th-century poems of Thomas of Britain and Béroul, while the latter reflects a now-lost original version. A subsequent version emerged in the 13th century in the wake of the greatly expanded Prose ''Trist ...
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Ll Parlatore Eterno
Ll/ll is a digraph that occurs in several languages English In English, often represents the same sound as single : . The doubling is used to indicate that the preceding vowel is (historically) short, or that the "l" sound is to be extended longer than a single would provide (etymologically, in latinisms coming from a gemination). It is worth noting that different English language traditions use and in different words: for example the past tense form of "travel" is spelt "" in British English but "" in American English. See also: American and British English spelling differences#Doubled consonants. Welsh In Welsh, stands for a voiceless alveolar lateral fricative sound (IPA: ). This sound is very common in place names in Wales because it occurs in the word , for example, , where the appears twice, or , where (in the full name) the appears five times – with two instances of . In Welsh, is a separate ''digraph letter'' from (e.g., sorts before ). In modern Welsh ...
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The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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Die Lustige Witwe
''The Merry Widow'' (german: Die lustige Witwe, links=no ) is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, (''The Embassy Attaché'') by Henri Meilhac. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the " Vilja Song", "" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz". Background In 1861, Henri Meilhac premiered a comic play in Paris, (''The Embassy Attaché''), in which the Parisian ambassador of a poor German grand duchy, Baron Scharpf, schemes to arrange a marriage between his country's richest widow (a French woman) and a Count to keep her mon ...
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Nabucco
''Nabucco'' (, short for Nabucodonosor ; en, " Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, Jeremiah, Lamentations and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu. However, Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of ''Nabucodonosor'', the opera was first performed at La Scala in Milan on 9 March 1842. ''Nabucco'' is the opera that is considered to have permanently established Verdi's reputation as a composer. He commented that "this is the opera with which my artistic career really begins. And though I had many difficulties to fight against, it is certain that ''Nabucco'' was born under a lucky star." The opera follows the plight of the Jews as t ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ...
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Teatro Colón
The Teatro Colón (Spanish: ''Columbus Theatre'') is the main opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leading international opera and orchestra directors, the Teatro Colón has the room with the best acoustics for opera and the second best for concerts in the world. The present Colón replaced an original theatre which opened in 1857. Towards the end of the century it became clear that a new theatre was needed and, after a 20-year process, the present theatre opened on 25 May 1908, with Giuseppe Verdi's ''Aïda''. The Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo. After this period of huge international success, the theatre's decline became clear and plans were made for massive ren ...
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