|
Steamboat Willie
''Steamboat Willie'' is a 1928 American animated short film directed by Walt Disney and Ub Iwerks. It was produced in black and white by Walt Disney Animation Studios, Walt Disney Studios and was released by Pat Powers, under the name of Celebrity Productions. The cartoon is considered the debut of Mickey Mouse and his wife Minnie Mouse, Minnie, although both characters appeared several months earlier in a test screening of ''Plane Crazy''. ''Steamboat Willie'' was the third of Mickey's films to be produced, but it was the first to be Film distribution, distributed, because Walt Disney, having seen ''The Jazz Singer'', had committed himself to produce one of the first fully synchronized sound cartoons. ''Steamboat Willie'' is especially notable for being one of the first cartoons with Sound film, synchronized sound, as well as one of the first cartoons to feature a fully Audio post production, post-produced soundtrack, which distinguished it from earlier sound cartoons, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steamboat Bill, Jr
''Steamboat Bill, Jr.'' is a 1928 silent comedy film starring Buster Keaton. Released by United Artists, the film is the final product of Keaton's independent production team and set of gag writers. It was not a box-office success and became the last picture Keaton made for United Artists. Keaton ended up moving to Metro-Goldwyn-Mayer, where he made one last film in his trademark style, ''The Cameraman'', before his creative control was taken away by the studio. Charles Reisner directed the film, and the credited story writer was Carl Harbaugh. The film, named after Arthur Collins's popular 1911 recording of the 1910 song "Steamboat Bill", also featured Ernest Torrence, Marion Byron, and Tom Lewis. The film is known for what may be Keaton's most famous film stunt: The facade of a house falls around him while he stands in the precise location of open window to avoid being flattened. In 2016, the film was selected for preservation in the United States National Film Registry by t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Maltin
Leonard Michael Maltin (born December 18, 1950) is an American film critic and film historian, as well as an author of several mainstream books on cinema, focusing on nostalgic, celebratory narratives. He is perhaps best known for his book of film capsule reviews, ''Leonard Maltin's Movie Guide'', published annually from 1969 to 2014. Early life Maltin was born in New York City, the son of singer Jacqueline ( née Gould; 1923–2012) and Aaron Isaac Maltin (1915–2002), a lawyer and immigration judge. Maltin was raised in a Jewish family in Teaneck, New Jersey. He graduated from Teaneck High School in 1968. Career Maltin began his writing career at age 15, writing for ''Classic Images'' and editing and publishing his own fanzine, ''Film Fan Monthly'', dedicated to films from the golden age of Hollywood. After earning a journalism degree at New York University, Maltin went on to publish articles in a variety of film journals, newspapers, and magazines, including ''Variety'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fleischer Studios
Fleischer Studios () is an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s. Today, the company is again family owned and oversees the licensing and merchandising for its characters. Fleischer Studios characters included Koko the Clown, Betty Boop, Bimbo, Popeye the Sailor, and Superman. Unlike other studios, whose characters were anthropomorphic animals, the Fleischers' most successful characters were humans (with the exception of Bimbo, a black-and-white cartoon dog). The cartoons of the Fleischer Studio were very different from those of Disney, both in concept and in execution. As a result, they were rough rather than refined and consciously ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Leonard Maltin")
.jpg "Click for more on -> Fleischer Studios"){kind=logo}