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Steam (Soft Machine Legacy Album)
''Steam'' is the fourth album by the Canterbury associated band Soft Machine Legacy and their second studio album, released on CD in 2007. This is the final Soft Machine project to feature bassist Hugh Hopper prior to his death in June 2009. He was replaced by Roy Babbington, Soft Machine member from 1973 to 1976. Babbington has previously replaced Hopper in Soft Machine-proper. ''Steam'' also marks the first appearance of Theo Travis in the group replacing Elton Dean who died in February 2006 at age 60. Track listing # "Footloose" (8:46) (Hugh Hopper) # "The Steamer" (4:38) (Theo Travis) # "The Big Man" (5:08) (Hugh Hopper / John Etheridge / John Marshall / Theo Travis) # " Chloe & The Pirates" (7:27) (Mike Ratledge) # "In The Back Room" (7:10) (John Etheridge) # "The Last Day" (5:20) (Theo Travis) # "Firefly" (6:41) (Hugh Hopper / John Marshall) # "So English" (8:29) (Hugh Hopper / John Etheridge / John Marshall / Theo Travis) # "Dave Acto" (6:25) (Hugh Hopper / John Etheridge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elton Dean
Elton Dean (28 October 1945 – 8 February 2006) was an English jazz musician who performed on alto saxophone, saxello (a variant of the soprano saxophone) and occasionally keyboards. Part of the Canterbury scene, he featured in, among others, Soft Machine. Life and career Dean was born in Nottingham, England, moving to Tooting, London, soon after his birth. From 1966 to 1967, Dean was a member of the band Bluesology, led by Long John Baldry. The band's pianist, Reginald Dwight, afterward combined Dean's and Baldry's first names for his own stage name, Elton John. This fact is alluded to in the 2019 film ''Rocketman'', a biopic of the life and career of Elton John, where Dean is portrayed by Evan Walsh, however the film fictionally cites John Lennon as the inspiration for Elton John's taken surname. Dean established his reputation as a member of the Keith Tippett Sextet from 1968 to 1970, and in the band Soft Machine from 1969 to 1972. Shortly before leaving Soft Machine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Marshall (drummer)
John Stanley Marshall (born 28 August 1941) is an English drummer and founding member of the Jazz fusion, jazz rock band Nucleus (band), Nucleus. From 1972 to 1978, he was the drummer for Soft Machine, replacing Phil Howard (musician), Phil Howard when he joined. Marshall was born in Isleworth, Middlesex, and has worked with various jazz and Rock (music), rock bands and musicians, among them J. J. Jackson (singer), J. J. Jackson, Allan Holdsworth, Barney Kessel, Alexis Korner, Graham Collier, Michael Gibbs (jazz composer), Michael Gibbs, Arthur Brown (musician), Arthur Brown, Keith Tippett, Centipede (band), Centipede, Jack Bruce, John McLaughlin (musician), John McLaughlin, Dick Morrissey, Hugh Hopper, Elton Dean, John Surman, Charlie Mariano, John Abercrombie (guitarist), John Abercrombie, Arild Andersen, and Eberhard Weber's Colours. Since 1999, he has worked with former Soft Machine co-musicians in several Soft Machine-related projects like SoftWare, SoftWorks and Soft Mach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loop (music)
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves. Loops can be created using a wide range of music technologies including turntables, digital samplers, looper pedals, synthesizers, sequencers, drum machines, tape machine An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present- ...s, and digital delay, delay units, and they can be Programming (music), programmed using computer music software. The feature to loop a section of an audio track or video footage is also referred to by electronics vendors as ''A–B repeat''. Royalty-free loops can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Concert Flute
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in American English), or simply a flute player. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, flute ensembles, and occasionally jazz bands and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern fifes. These were later modified to include between one and eight keys for chromatic notes. "Six-finger" D is the most common pitch for keyless wooden transverse flutes, which continue to be used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Ratledge
Michael Roland Ratledge (born 6 May 1943) is a British musician. A part of the Canterbury scene, he was a founding member of Soft Machine. He was the last founding member to leave the group, doing so in 1976. Biography and career Ratledge was born in Maidstone, Kent, the son of a Canterbury secondary modern school headmaster. As a child, he was educated in classical music, the only kind of music played in his parents' home. He learned to play the piano, and with his friend Brian Hopper, whom he had met at Simon Langton Grammar School for Boys in Canterbury, played classical piano and clarinet pieces. Ratledge also met Brian's younger brother Hugh, and Robert Wyatt. In 1961, he met Daevid Allen, who interested them in playing jazz. Through Cecil Taylor's piano pieces Ratledge became familiar with the music of Thelonious Monk, Miles Davis and John Coltrane. In 1963, he played in the Daevid Allen Trio. Unlike his friends, Ratledge wanted to further his education, and studied at Un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Six (Soft Machine Album)
''Six'' is the sixth studio (instrumental) album (half including live material) by the jazz rock band Soft Machine, originally released in 1973 as a double LP. This is the first album to feature Karl Jenkins as a member and songwriter for the group. He eventually became the de facto leader and main composer of the group following the departure of the last remaining original member, Mike Ratledge in 1976. Overview The previous two albums had been issued with slightly different titles in different countries ('' Fourth'' and '' Fifth'' in the UK, ''Four'' and ''5'' in the USA, with the former album showing a numeral ''4'' on the cover, while the album before that had been titled ''Third'' worldwide). On this album, they deferred to their American standard for worldwide release. The album includes a live record and a studio record, individually titled as shown in the track listing below. One song from the live album, "All White", had been previously recorded for their '' Fifth'' al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Etheridge
John Michael Glyn Etheridge (born 12 January 1948) is an English jazz fusion guitarist, composer, bandleader and educator known for his eclecticism and broad range of associations in jazz, classical, and contemporary music. He is best known for his work with Soft Machine from 1975 to 1978, 1984 and 2004 to present. Biography Early life Etheridge began playing at 13, his early influences being Hank Marvin of The Shadows and Django Reinhardt. Although his father was a jazz pianist, he was primarily self-taught. In the mid 1960s he formed his first notable band, Rush Release, with Robert Lipson (the future drummer of Gracious!). The band was formed at the height of the British 'blues boom', with the emergence of guitarists such as Peter Green, Jeff Beck and, later, Jimi Hendrix. Etheridge played with Rush Release at London's Speakeasy Club in 1966, and on occasion would jam with other guitarists on the scene such as Eric Clapton. In 1967, Etheridge left London to study Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theo Travis
Theo Travis (born 7 July 1964 in Birmingham, England) is a British saxophonist, flautist and composer. He is best known for being a member of Soft Machine which he joined in 2006 while the group was still using the "Legacy" suffix and for being a member of Gong from 1999 to 2010. Biography Travis received his degree in music from the University of Manchester specialising in the works of Shostakovich. He has made eleven solo albums, mostly as a band leader working in the field of jazz, composing and arranging most of the material. However, 2003's ''Slow Life'', on which he is the sole performer, is an ambient album employing loops which prefigures his later work with Travis & Fripp. He has made about the same number of albums again credited to himself and one (or occasionally more) other collaborator(s), including John Foxx and, as half of Travis & Fripp with Robert Fripp. On his albums as band leader, Travis has played with numerous other jazz musicians. These have included, on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soft Machine Legacy
Soft Machine are a British rock band from Canterbury formed in mid-1966 by Mike Ratledge (keyboards, 1966–1976), Robert Wyatt (drums, vocals, 1966–1971), Kevin Ayers (bass, guitar, vocals, 1966–1968) and Daevid Allen (guitar, 1966–1967). As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive rock and jazz fusion. Their varying line-ups have included former members such as Andy Summers (guitar, 1968), Hugh Hopper (bass, 1968–1973), Elton Dean (saxophone 1969–1972), Karl Jenkins (keyboards, saxophone, 1972–1978, 1980–1981, 1984) and Allan Holdsworth (guitar, 1973–1975), and currently consists of John Marshall (drums, 1972–1978, 1980–1981, 1984 and since 2015), John Etheridge (guitar, 1975–1978, 1984 and since 2015), Theo Travis (saxophone, flutes, keyboards since 2015), and Fred Thelonious Baker (bass since 2020). Though they achieved little commercial success, the Soft M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
