Steal Your Face
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Steal Your Face
''Steal Your Face'' is a live double album by the Grateful Dead, released in June 1976. The album was recorded October 1720, 1974, at San Francisco's Winterland Ballroom, during a "farewell run" that preceded a then-indefinite hiatus. It was the fourth and final album released by the band on their original Grateful Dead Records label. '' The Grateful Dead Movie Soundtrack'', a second album from the same run of shows, was released in 2005. Concerts and recording After a grueling schedule, caused in part by the cost of the band's unwieldy "Wall of Sound" public address system, the decision was made to stop touring and performing as the Grateful Dead, short of disbanding. Averaging over 600 speakers powered by a minimum of 48 600-watt amplifiers, the massive and experimental sound reinforcement system advanced the technology, but presented an array of physical, audio, and technical difficulties. It required four semi-trailer trucks to transport, and due to the rigging time, necessita ...
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Grateful Dead
The Grateful Dead was an American rock music, rock band formed in 1965 in Palo Alto, California. The band is known for its eclectic style, which fused elements of rock, Folk music, folk, country music, country, jazz, bluegrass music, bluegrass, blues, rock and roll, gospel music, gospel, reggae, world music, and psychedelic music, psychedelia; for Concert, live performances of lengthy jam session, instrumental jams that typically incorporated mode (music), modal and tonality, tonal musical improvisation, improvisation; and for its devoted fan base, known as "Deadheads". "Their music", writes Lenny Kaye, "touches on ground that most other groups don't even know exists." These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead "the pioneering Godfathers of the jam band world". The band was ranked 57th by ''Rolling Stone'' magazine in its "Rolling Stone's 100 Greatest Artists of All Time, The Greatest Artists of All Time" issue. The ...
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Semi-trailer Trucks
A semi-trailer truck, also known as a semitruck, (or semi, eighteen-wheeler, big rig, tractor-trailer or, by synecdoche, a semitrailer) is the combination of a tractor unit and one or more semi-trailers to carry freight. A semi-trailer attaches to the tractor with a type of hitch called a fifth wheel. Regional configurations Europe The noticeable difference between tractor units in Europe and North America is that almost all European models are cab over engine (called "forward control" in the UK), while the majority of North American trucks are "conventional" (called "normal control" or "bonneted" in the UK). European trucks, whether straight trucks or fully articulated, have a sheer face on the front. This allows shorter trucks with longer trailers (with larger freight capacity) within the legal maximum total length. Furthermore, it offers greater maneuverability in confined areas, a more balanced weight-distribution, and better overall view for the driver. The maj ...
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History Of The Grateful Dead, Volume One (Bear's Choice)
''History of the Grateful Dead, Volume One (Bear's Choice)'' is a live album by the Grateful Dead. It is their fourth live album and their ninth album overall. Released in July 1973 on Warner Bros. Records, it offers concert highlights recorded February 13 and 14, 1970 at the Fillmore East in New York City. Often known simply as ''Bear's Choice'', the title references band soundman Owsley "Bear" Stanley. It was originally intended to be the first volume of a series. The album peaked at number 60 on the ''Billboard'' 200. Recording The album was recorded during a period when the Grateful Dead were playing concerts consisting of electric sets, plus an acoustic set, revisiting their roots as a folk/jug band. Reflecting this approach (though it was ultimately released three years later), the album has an acoustic side and an electric side. As per policy at the time at promoter Bill Graham's Fillmore East, the band played both an early show and a late show. The recordings were ...
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QS Regular Matrix
Quadraphonic Sound (originally called Quadphonic Synthesizer, and later referred to as RM or Regular Matrix) was a matrix 4-channel quadraphonic sound system for phonograph records. The system was based on technology created by Peter Scheiber, but further developed by engineer Ryosuke Ito of Sansui in the early 1970s. The technology was freely licensed and was adopted by many record labels including ABC, Advent, BluesWay, Candide, Command, Decca, Impulse, Longines, MCA, Passport, Pye, Turnabout and Vox. Hundreds of recordings using this format were released on vinyl LP records during the 1970s. RM (''Regular Matrix'') was often used a synonym for QS, but was actually a standard set by the Japanese governing body, which also embraced the QM (''Quadraphonic Matrix'', consisting of Stereo-4 and Dynaquad) and QX (''QuadXtra'', based on D.H. Cooper "Dual-Triphonic") matrix systems. The QS matrix has been found to offer the advantages of excellent diagonal separation and stereo c ...
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Quadraphonic Sound
Quadraphonic (or quadrophonic and sometimes quadrasonic) sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space. The system allows for the reproduction of sound signals that are (wholly or in part) independent of one another. Four channel quadraphonic surround sound can be used to recreate the highly realistic effect of a three-dimensional live concert hall experience in the home. It can also be used to enhance the listener experience beyond the directional limitations of ordinary two channel stereo sound. Quadraphonic audio was the earliest consumer product in surround sound. Since it was introduced to the public in the early 1970s many thousands of quadraphonic recordings have been made. Quadraphonic sound was a commercial failure when first introduced due to a variety of technical issues and format incompatibilities. Four channel audio formats can be more expensive to ...
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Donna Godchaux
Donna may refer to the short form of the honorific ''nobildonna'', the female form of Don (honorific) in Italian. People *Donna (given name); includes name origin and list of people and characters with the name * Roberto Di Donna (born 1968), Italian sports shooter * Fernand Donna (1922–1988), French sprint canoeist Places *Donna, Texas, USA *Dønna, Norway * Donna (crater), a tiny lunar crater on the near side of the Moon Music * The Donnas, American all-girl rock band * Donna (radio station), former Flemish music radio station located in Belgium * ''Donna'' (album), album by Donna Cruz * "Donna" (Ritchie Valens song), a 1958 song by Ritchie Valens, covered in the United Kingdom by Marty Wilde * "Donna" (10cc song), a 1972 song by 10cc * "Donna", song from ''Hair'' *"Donna", song by Wally Lewis * "Donna, Donna", a Yiddish song * "Donna the Prima Donna", a 1963 song by Dion Other * Hurricane Donna, Category 4 Atlantic hurricane in 1960 * ''Una donna'', 1906 novel by Sibilla ...
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Spill (audio)
Spill (also known as bleed and leakage) is the occurrence in sound recording (particularly in close miking) and live sound mixing whereby sound is picked up by a microphone from a source other than that which is intended. Spill is usually seen as a problem, and various steps are taken to avoid it or reduce it. In some styles of music, such as orchestral music, jazz, and blues, it is more likely to be accepted or even seen as desirable. Occurrence Spill occurs when sound is detected by a microphone not intended to pick it up (for example, the vocals being detected by the microphone for the guitar). Spill is often undesirable in popular music recording, as the combined signals during the mix process can cause phase cancellation and may cause difficulty in processing individual tracks. It also causes difficulty in overdubbing, where the spill from the sound being replaced may still be audible on other channels. For sound reinforcement in live shows, mic bleed can make it hard for ...
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Noise-canceling Microphone
A noise-canceling microphone is a microphone that is designed to filter ambient noise. Technical details The development is a special case of the differential microphone topology most commonly used to achieve directionality. All such microphones have at least two ports through which sound enters; a front port normally oriented toward the desired sound and another port that's more distant. The microphone's diaphragm is placed between the two ports; sound arriving from an ambient sound field reaches both ports more or less equally. Sound that's much closer to the front port than to the rear will make more of a pressure gradient between the front and back of the diaphragm, causing it to move more. The microphone's proximity effect is adjusted so that flat frequency response is achieved for sound sources very close to the front of the mic – typically 1 to 3 cm. Sounds arriving from other angles are subject to steep midrange and bass rolloff. Commercially and militarily usefu ...
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Owsley Stanley
Augustus Owsley Stanley III (January 19, 1935 – March 12, 2011) was an American-Australian audio engineer and clandestine chemist. He was a key figure in the San Francisco Bay Area hippie movement during the 1960s and played a pivotal role in the decade's counterculture. Under the professional name Bear, he was the sound engineer for the rock band the Grateful Dead, recording many of the band's live performances. Stanley also developed the Grateful Dead's Wall of Sound, one of the largest mobile sound reinforcement systems ever constructed. Stanley also helped Robert Thomas design the band's trademark skull logo. Called the Acid King by the media, Stanley was the first known private individual to manufacture mass quantities of LSD. By his own account, between 1965 and 1967, Stanley produced at least 500 grams of LSD, amounting to a little more than five million doses. He died in a car accident in Australia (where he had taken citizenship in 1996) on March 12, 2011.
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Jerry Garcia
Jerome John Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for being the principal songwriter, lead guitarist, and a vocalist with the rock band Grateful Dead, which he co-founded and which came to prominence during the counterculture of the 1960s. Although he disavowed the role, Garcia was viewed by many as the leader of the band. He was inducted into the Rock and Roll Hall of Fame in 1994 as a member of the Grateful Dead. As one of its founders, Garcia performed with the Grateful Dead for the band's entire 30-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders–Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old & In the Way, the Garcia/ Grisman and Garcia/Kahn acoustic duos, Legion of Mary, and New Riders of the Purple Sage (which he co-founded with John Dawson and David Nelson). He also released several solo albums, and contributed to a number of ...
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United Artists Records
United Artists Records was an American record label founded by Max E. Youngstein of United Artists in 1957 to issue movie soundtracks. The label expanded into other genres, such as easy listening, jazz, pop, and R&B. History Genres In 1959, United Artists released ''Forest of the Amazons,'' a cantata by Brazilian composer Heitor Villa-Lobos adapted from the music he composed for MGM's ''Green Mansions'', with the composer conducting the Symphony of the Air. Brazilian soprano Bidu Sayão was the featured soloist on the unusual recording, which was released on both LP and reel-to-reel tape. United Artists releases included soundtracks and cover versions from the James Bond movies, ''It's a Mad, Mad, Mad, Mad World'' (1963), '' A Hard Day's Night'' starring the Beatles (1964), ''The Greatest Story Ever Told'' (1965), '' A Funny Thing Happened on the Way to the Forum'' (1966), '' Fiddler on the Roof'' (1971), and '' Man of La Mancha'' (1972). The soundtrack album of United Art ...
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The Grateful Dead Movie
''The Grateful Dead Movie'', released in 1977 and directed by Jerry Garcia, is a film that captures live performances from rock band the Grateful Dead during an October 1974 five-night run at Winterland Ballroom, Winterland in San Francisco, California, San Francisco. These concerts marked the beginning of a hiatus, with the October 20, 1974, show billed as "The Last One". The band would return to touring in 1976. The film features the "Wall of Sound (Grateful Dead), Wall of Sound" concert sound system that the Dead used for all of 1974. The movie also portrays the burgeoning Deadhead scene. Two albums have been released in conjunction with the film and the concert run: ''Steal Your Face'' and ''The Grateful Dead Movie Soundtrack''. Documenting the Grateful Dead experience "There is nothing like a Grateful Dead concert" was a fan epithet, coined by Dead family member and building manager Willy Legate. In performance, the Dead emphasized musical improvisation and jam band, jamming, ...
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