Statue Of Ashurbanipal (San Francisco)
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Statue Of Ashurbanipal (San Francisco)
''Ashurbanipal'', also known as the Ashurbanipal Monument or the Statue of Ashurbanipal, is a bronze sculpture by Fred Parhad, an artist of Assyrian people, Assyrian descent. It is located in the Civic Center, San Francisco, Civic Center of San Francisco, California, in the United States. The statue depicting the Assyrian Ashurbanipal, king of the same name was commissioned by the Assyrian Foundation for the Arts and presented to the City of San Francisco in 1988 as a gift from the Assyrian people. The sculpture reportedly cost $100,000 and was the first "sizable" bronze statue of Ashurbanipal. It is administered by the City and County of San Francisco and the San Francisco Arts Commission. Parhad's work was met with some criticism by local Assyrians, who argued it was inaccurate to portray Ashurbanipal holding a clay tablet and a lion, or wearing a skirt. The critics thought the statue looked more like the Sumerian king Gilgamesh; Maureen Gallery Kovacs, a Yale Ph.D. who has tran ...
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Fred Parhad
Fred Parhad (born 1947) is an Iraqi-Assyrian sculptor who is best known for his monument of Ashurbanipal, which stands in San Francisco in front of that city's Asian Art Museum. Parhad is a self-taught sculptor, who, at the beginning of his career, focused on the art of ancient Assyria. The statue of Ashurbanipal The statue of the Assyrian King, Ashurbanipal, looks across Fulton Street towards the San Francisco Public Library. The king is sculpted in a short tunic. He holds a lion cub to his chest with his right arm and offers a clay tablet with his left. A bronze plaque and rosettes adorn the concrete base of the statue. The clay tablet held by the king is inscribed with Assyrian cuneiform, whose text translates as: "Peace unto heaven and earth Peace unto countries and cities Peace unto the dwellers in all lands" Ashurbanipal, son of Esarhaddon, was the last great king of the Neo-Assyrian Empire (668 BC–c. 627 BC). He introduced the first known systematically organized libra ...
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Hero Lion Dur-Sharrukin Louvre AO19862
A hero (feminine: heroine) is a real person or a main fictional character who, in the face of danger, combats adversity through feats of ingenuity, courage, or strength. Like other formerly gender-specific terms (like ''actor''), ''hero'' is often used to refer to any gender, though ''heroine'' only refers to women. The original hero type of classical epics did such things for the sake of glory and honor. Post-classical and modern heroes, on the other hand, perform great deeds or selfless acts for the common good instead of the classical goal of wealth, pride, and fame. The antonym of ''hero'' is ''villain''. Other terms associated with the concept of ''hero'' may include ''good guy'' or ''white hat''. In classical literature, the hero is the main or revered character in heroic epic poetry celebrated through ancient legends of a people, often striving for military conquest and living by a continually flawed personal honor code. The definition of a hero has changed throu ...
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Iraq
Iraq,; ku, عێراق, translit=Êraq officially the Republic of Iraq, '; ku, کۆماری عێراق, translit=Komarî Êraq is a country in Western Asia. It is bordered by Turkey to Iraq–Turkey border, the north, Iran to Iran–Iraq border, the east, the Persian Gulf and Kuwait to the southeast, Saudi Arabia to the south, Jordan to Iraq–Jordan border, the southwest and Syria to Iraq–Syria border, the west. The Capital city, capital and largest city is Baghdad. Iraq is home to diverse ethnic groups including Iraqi Arabs, Kurds, Iraqi Turkmen, Turkmens, Assyrian people, Assyrians, Armenians in Iraq, Armenians, Yazidis, Mandaeans, Iranians in Iraq, Persians and Shabaks, Shabakis with similarly diverse Geography of Iraq, geography and Wildlife of Iraq, wildlife. The vast majority of the country's 44 million residents are Muslims – the notable other faiths are Christianity in Iraq, Christianity, Yazidism, Mandaeism, Yarsanism and Zoroastrianism. The official langu ...
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Oxford Art Online
Oxford Art Online is an Oxford University Press online gateway into art research, which was launched in 2008. It provides access to several online art reference works, including Grove Art Online (originally published in 1996 in a print version, ''The Dictionary of Art''), the online version of the ''Benezit Dictionary of Artists'', and ''The Oxford Companion to Western Art''. It also provides access to other Oxford art reference works, including the ''Encyclopedia of Aesthetics ''Encyclopedia of Aesthetics'', published in 1998 by Oxford University Press, is an encyclopedia that covers philosophical, historical, sociological, and biographical aspects of Art and Aesthetics worldwide. The second edition (2014) is now availab ...'' (2nd edition), and ''The Concise Oxford Dictionary of Art Terms''. The site was updated on 1 December 2017 to enhance page design, search tools, linking, and media capabilities.
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Nineveh
Nineveh (; akk, ; Biblical Hebrew: '; ar, نَيْنَوَىٰ '; syr, ܢܝܼܢܘܹܐ, Nīnwē) was an ancient Assyrian city of Upper Mesopotamia, located in the modern-day city of Mosul in northern Iraq. It is located on the eastern bank of the Tigris River and was the capital and largest city of the Neo-Assyrian Empire, as well as the largest city in the world for several decades. Today, it is a common name for the half of Mosul that lies on the eastern bank of the Tigris, and the country's Nineveh Governorate takes its name from it. It was the largest city in the world for approximately fifty years until the year 612 BC when, after a bitter period of civil war in Assyria, it was sacked by a coalition of its former subject peoples including the Babylonians, Medes, Persians, Scythians and Cimmerians. The city was never again a political or administrative centre, but by Late Antiquity it was the seat of a Christian bishop. It declined relative to Mosul during the Middle ...
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Sennacherib
Sennacherib (Neo-Assyrian cuneiform: or , meaning " Sîn has replaced the brothers") was the king of the Neo-Assyrian Empire from the death of his father Sargon II in 705BC to his own death in 681BC. The second king of the Sargonid dynasty, Sennacherib is one of the most famous Assyrian kings for the role he plays in the Hebrew Bible, which describes his campaign in the Levant. Other events of his reign include his destruction of the city of Babylon in 689BC and his renovation and expansion of the last great Assyrian capital, Nineveh. Although Sennacherib was one of the most powerful and wide-ranging Assyrian kings, he faced considerable difficulty in controlling Babylonia, which formed the southern portion of his empire. Many of Sennacherib's Babylonian troubles stemmed from the Chaldean tribal chief Marduk-apla-iddina II, who had been Babylon's king until Sennacherib's father defeated him. Shortly after Sennacherib inherited the throne in 705BC, Marduk-apla-idd ...
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Henri Frankfort
Henri "Hans" Frankfort (24 February 1897 – 16 July 1954) was a Dutch Egyptologist, archaeologist and orientalist. Early life and education Born in Amsterdam, into a "liberal Jewish" family, Frankfort studied history at the University of Amsterdam and then moved to London, where in 1924, he took an MA under Sir Flinders Petrie at the University College. In 1927 he gained a Ph.D. from the University of Leiden. Career Between 1925 and 1929 Frankfort was the director of the excavations of the Egypt Exploration Society (EES) of London at El-Amarna, Abydos and Armant. In 1929 he was invited by Henry Breasted to become field director of the Oriental Institute (OI) of Chicago expedition to Iraq. In 1931 he became correspondent of the Royal Netherlands Academy of Arts and Sciences, he resigned in late 1944. He became foreign member in 1950. In 1937 Frankfort and Emil Kraeling identified a woman on the Burney Relief (c 1700BCE) as Lilith of later Jewish mythology, though this identi ...
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Khorsabad
Dur-Sharrukin ("Fortress of Sargon"; ar, دور شروكين, Syriac: ܕܘܪ ܫܪܘ ܘܟܢ), present day Khorsabad, was the Assyrian capital in the time of Sargon II of Assyria. Khorsabad is a village in northern Iraq, 15 km northeast of Mosul. The great city was entirely built in the decade preceding 706 BC. After the unexpected death of Sargon in battle, the capital was shifted 20 km south to Nineveh. History Sargon II ruled from 722 to 705 BC. The demands for timber and other materials and craftsmen, who came from as far as coastal Phoenicia, are documented in contemporary Assyrian letters. The debts of construction workers were nullified in order to attract a sufficient labour force. The land in the environs of the town was taken under cultivation, and olive groves were planted to increase Assyria's deficient oil-production. The great city was entirely built in the decade preceding 706 BC, when the court moved to Dur-Sharrukin, although it was not ...
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Sargon II
Sargon II (Neo-Assyrian cuneiform: , meaning "the faithful king" or "the legitimate king") was the king of the Neo-Assyrian Empire from 722 BC to his death in battle in 705. Probably the son of Tiglath-Pileser III (745–727), Sargon is generally believed to have become king after overthrowing Shalmaneser V (727–722), probably his brother. He is typically considered the founder of a new dynastic line, the Sargonid dynasty. Modelling his reign on the legends of the ancient rulers Sargon of Akkad, from whom Sargon II likely took his regnal name, and Gilgamesh, Sargon aspired to conquer the known world, initiate a golden age and a new world order, and be remembered and revered by future generations. Over the course of his seventeen-year reign, Sargon substantially expanded Assyrian territory and enacted important political and military reforms. An accomplished warrior-king and military strategist, Sargon personally led his troops into battle. By the end of his reign, all of hi ...
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Epic Of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of Ur (). These independent stories were later used as source material for a combined epic in Akkadian language, Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, ''Shūtur eli sharrī'' ("Surpassing All Other Kings"). Only a few clay tablet, tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit ''Sha naqba īmuru'' ("He who Saw the Abyss", in unmetaphoric terms: "He who Sees the ...
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Ancient Mesopotamia
The history of Mesopotamia ranges from the earliest human occupation in the Paleolithic period up to Late antiquity. This history is pieced together from evidence retrieved from archaeological excavations and, after the introduction of writing in the late 4th millennium BC, an increasing amount of historical sources. While in the Paleolithic and early Neolithic periods only parts of Upper Mesopotamia were occupied, the southern alluvium was settled during the late Neolithic period. Mesopotamia has been home to many of the oldest major civilizations, entering history from the Early Bronze Age, for which reason it is often called a cradle of civilization. Short outline of Mesopotamia Mesopotamia ( grc, Μεσοποταμία ''Mesopotamíā; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , )'' means "Between the Rivers". The oldest known occurrence of the name Mesopotamia dates to the 4th century BC, when it was used to designate the area between the Euphrates and the Tigris rivers. The name Me ...
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Enkidu
Enkidu ( sux, ''EN.KI.DU10'') was a legendary figure in ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk. Their exploits were composed in Sumerian poems and in the Akkadian ''Epic of Gilgamesh'', written during the 2nd millennium BC. He is the oldest literary representation of the wild man, a recurrent motif in artistic representations in Mesopotamia and in Ancient Near East literature. The apparition of Enkidu as a primitive man seems to be a potential parallel of the Old Babylonian version (1300–1000 BC), in which he was depicted as a servant-warrior in the Sumerian poems. There have been suggestions that he may be the "bull-man" shown in Mesopotamian art, having the head, arms, and body of a man, and the horns, ears, tail and legs of a bull. Thereafter a series of interactions with humans and human ways bring him closer to civilization, culminating in a wrestling match with Gilgamesh, king of Uruk. Enkidu embodies the wild or natura ...
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