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Star Wars And Other Galactic Funk
''Star Wars and Other Galactic Funk'' is a disco album by Meco released in 1977. The album uses various musical themes from the ''Star Wars'' soundtrack arranged as instrumental disco music. A single from the album, "Star Wars Theme/Cantina Band", reached number one on the ''Billboard'' Hot 100 on October 1, 1977, holding to that position for two weeks. The album and single were both certified Platinum, for sales of one million albums and two million singles, on June 8, 1978. The complete contents of the album are also available on the 1997 Mercury compilation "The Best of Meco". Track listing #''Star Wars'' (15:49) LP side 1 #*"Title Theme" #*"Imperial Attack" #*"The Desert & the Robot Auction" #*"The Princess Appears" #*"The Land of the Sand People" #*"Princess Leia's Theme" #*"Cantina Band" #*"The Last Battle" #*"The Throne Room & End Title" #''Other Galactic Funk'' (12:31) LP side 2 #*"Other" (4:07) #*"Galactic" (5:02) #*"Funk" (3:21) #"Star Wars Theme – Cantina Band" (7" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tribute Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Bert
Edward Joseph Bertolatus (May 16, 1922 – September 27, 2012), also known as Eddie Bert, was an American jazz trombonist. Music career He was born in Yonkers, New York, United States. Bert received a degree and a teaching license from the Manhattan School of Music (1957). He taught at Essex College, University of Bridgeport, and Western Connecticut State University. Bert performed and recorded with many bands and orchestras. He spent the most time with Benny Goodman's Orchestra (1958–86), Charles Mingus (1955–74), The Thad Jones/Mel Lewis Orchestra (1968–72), New York Jazz Repertory Company (1973–78), The American Jazz Orchestra (1986–92), Loren Schoenberg Orchestra (1986–2001), and Walt Levinsky's Great American Swing Orchestra (1987–95). Bert is featured on hundreds of recordings and recorded extensively as a leader on various labels including Savoy, Blue Note, Trans-World, Jazztone, and Discovery Records. Bert continued to play sold-out shows until his death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubens Bassini
Rubens Bassini (January 26, 1933 in Rio de Janeiro – September 1985) was a percussionist, who played bongos and congas above all. He played together with the band Os Ipanemas: Astor Silva; (trombone), Marinho (bass), Wilson das Neves (drums) and Neco (guitar). He also played with Judy Collins, João Gilberto, Sérgio Mendes, Chuck Mangione, Dom Salvador, Carly Simon, Spyro Gyra, Eumir Deodato and Dave Grusin, predominantly Bossa Nova. Discography *''Rubens Bassini E Os 11 Magnificos'' 1960 Rio de Janeiro, Brasil re- issued 2002 *''Rubens Bassini Y Los Latinos'' 1963 Rio de Janeiro, Brasil re -issued 2010 *''Rubens Bassini with Sérgio Mendes and Brasil'' '66, 77, 88 *''Deodato - Deodato 2'' - 1973 (CTI Records) *'' The Atlantic Family Live at Montreux'' - 1976 (Atlantic Records) As sideman With Herbie Mann *'' Brazil: Once Again'' (Atlantic, 1977) With Chuck Mangione *'' Main Squeeze'' ( A&M, 1976) With Jimmy McGriff *'' Tailgunner'' (LRC, 1977) With Don Sebesky *'' G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Purcell (musician)
John Raymond Purcell (born May 8, 1952, New York City) is an American jazz saxophonist.Allmusic/ref> Biography Purcell was raised in Westchester, New York, where he started on French horn before switching to saxophone. He attended the Manhattan School of Music, achieving his master's degree in 1978, then formed a 22-piece ensemble based in Westchester; Frank Foster co-led the ensemble for a time. In 1975 Purcell developed a tumor on his larynx, which prevented him from playing for a year; he devoted this time to studying instrument design. In the late 1970s and early 1980s Purcell worked freelance in many local New York ensembles and in Broadway pit orchestras. He played with Machito's Afro-Cuban Big Band, Chico Hamilton, Sam Rivers, Onaje Allen Gumbs (1983), Muhal Richard Abrams (1983–90), He recorded with the Roger Dawson septet featuring Hilton Ruiz piano, Claudio Roditi trumpet, John Betsch drums, percussionist Milton Cardona and bassist Anthony Cox(1983). American Jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Gadd
Stephen Kendall Gadd (born April 9, 1945) is an American drummer, percussionist, and session musician. Gadd is one of the best-known and highly regarded session and studio drummers in the industry, recognized by his induction into the ''Modern Drummer'' Hall of Fame in 1984. Gadd's performances on Paul Simon's "50 Ways to Leave Your Lover" and "Late in the Evening" and Steely Dan's "Aja (song), Aja" are examples of his style. He has worked with other popular musicians from many genres including Simon & Garfunkel, Paul McCartney, James Taylor, Harry Chapin, Joe Cocker, Bonnie Raitt, Grover Washington Jr., Michael Brecker, Chick Corea, Lee Ritenour, Paul Desmond, Kate Bush, Chet Baker, Al Di Meola, Chuck Mangione, Kenny Loggins, Eric Clapton, Pino Daniele, Michel Petrucciani, and Toshiki Kadomatsu. Early life Gadd grew up in Irondequoit, New York. He started playing the drums at a very early age. At age 11, he entered the Mickey Mouse National Talent Round Up contest and was one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan Schwartzberg
Allan Schwartzberg (born December 28, 1942) is an American musician and record producer. He has been a member of the rock band Mountain, Peter Gabriel's first solo band, toured with Brecker Brothers' Dreams, B.J. Thomas, Linda Rondstadt, Stan Getz band, and the Pat Travers band. He has experienced success as a prolific session musician, through recordings made from the 1970s through today. He has also played on multi genre hits such as Gloria Gaynor "Never Can Say Goodbye", considered the first disco record, James Brown's "Funky President" (his beat has been sampled on 808 different records), Harry Chapin's "Cat's In The Cradle", Tony Orlando & Dawn's ''Tie A Yellow Ribbon'', Peter Gabriel's "Solsbury Hill", the Spinners' "Workin' My Way Back to You", the ''Star Wars'' theme, and Rod Stewart's Great American Songbook series including the hit "What A Wonderful World". He has played with musicians and singers including John Lennon, Diana Ross, James Brown, Jimi Hendrix, Alice Cooper, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Will Lee (bassist)
Will Lee is an American bassist known for his work on the ''Late Show with David Letterman'' as part of the CBS Orchestra and before that " The World's Most Dangerous Band" when Letterman hosted the NBC " Late Night" show. Lee has recorded and toured with many artists. He appeared on the Mark & Clark Band's hit record '' Worn Down Piano''. He performs with his Beatles tribute band, The Fab Faux, which he co-founded in 1998. Career Beginnings in music Lee was greatly influenced to pursue music because of his parents. His father, William Franklin Lee III played piano, trumpet and the upright bass professionally. Lee's mother Lois sang with big bands. Lee took up drums after seeing the Beatles on ''The Ed Sullivan Show'', and by the time he was 12 had formed his first band in Miami. The band members each earned $9 a night playing the popular surfing tunes characteristic of the 60s. With the great numbers of drummers in Miami, Lee shifted to bass, an instrument that offered mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neil Jason
Neil is a masculine name of Gaelic and Irish origin. The name is an anglicisation of the Irish ''Niall'' which is of disputed derivation. The Irish name may be derived from words meaning "cloud", "passionate", "victory", "honour" or "champion".. As a surname, Neil is traced back to Niall of the Nine Hostages who was an Irish king and eponymous ancestor of the Uí Néill and MacNeil kindred. Most authorities cite the meaning of Neil in the context of a surname as meaning "champion". Origins The Gaelic name was adopted by the Vikings and taken to Iceland as ''Njáll'' (see Nigel). From Iceland it went via Norway, Denmark, and Normandy to England. The name also entered Northern England and Yorkshire directly from Ireland, and from Norwegian settlers. ''Neal'' or ''Neall'' is the Middle English form of ''Nigel''. As a first name, during the Middle Ages, the Gaelic name of Irish origins was popular in Ireland and later Scotland. During the 20th century ''Neil'' began to be used in En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tropea
John Tropea (pronounced 'tro-pay'; born January 7, 1946) is an American guitarist. Career Tropea began guitar studies at the age of 12. His musical education continued at Berklee College of Music in Boston, where he studied jazz guitar, harmony, musical composition, and big band arranging. After arriving in Boston, Tropea began playing jazz and R&B with local bands, including The Three Degrees. He was influenced by Wes Montgomery, Johnny Smith, Luiz Bonfá, Pat Martino, and George Benson. Among his mentors were Hammond B3 organ players Jack McDuff and Jimmy Smith. After Berklee, Tropea recorded and toured with Eumir Deodato. Moving to New York City in 1967, he became one of the most sought after session players. In 1974, he played on Van Morrison's " Bulbs" and "Cul de Sac" included on the album ''Veedon Fleece'' and issued as the single. Tropea wrote and produced three critically acclaimed solo albums for TK Records. His first solo album ''Tropea'', was released in 1975, follow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Spinozza
David Spinozza is an American guitarist and producer. He worked with former Beatles Paul McCartney, Ringo Starr and John Lennon during the 1970s, and had a long collaboration with singer-songwriter James Taylor, producing Taylor's album ''Walking Man''. Career Spinozza worked with McCartney during sessions for McCartney's ''Ram'' album during 1971. When the chance came to work with Lennon two years later, as Yoko Ono prepared her ''Feeling the Space'' album and Lennon his ''Mind Games'', Spinozza discovered that Lennon was not aware he had previously worked with McCartney, and was afraid he would be fired if Lennon found out, given their recent feuding in the media. When Lennon did learn of it, his only comment was that McCartney "knows how to pick good people." Exact same story is related about Hugh McCracken. David sessioned on Tim Weisberg's 1972 ''Hurtwood Edge'' and Cashman & West's 1974 ''Lifesong''. Spinozza contributed to Ono's album '' A Story'', recorded during 1974 (b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buchla Electronic Musical Instruments
Buchla Electronic Musical Instruments (BEMI) was a manufacturer of synthesizers and unique MIDI controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer Don Buchla of Berkeley, California. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership. Company origin Buchla's first modular electronic music system was the result of a San Francisco Tape Music Center commission by composers Ramon Sender and Morton Subotnick in 1963, who later allotted $500 from a Rockefeller Foundation grant to Buchla in 1964. Subotnick envisioned a voltage-controlled instrument that would allow musicians and composers to create sounds suited to their own specificati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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