Standard Bearer
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Standard Bearer
A standard-bearer, also known as a flag-bearer is a person (soldier or civilian) who bears an emblem known as a standard or military colours, i.e. either a type of flag or an inflexible but mobile image, which is used (and often honoured) as a formal, visual symbol of a state, prince, military unit, etc. This can either be an occasional duty, often seen as an honour (especially on parade), or a permanent charge (also on the battlefield); the second type has even led in certain cases to this task being reflected in official rank titles such as Ensign, Cornet and Fähnrich. Role of the standard-bearer In the context of the Olympic Games, a flagbearer is the athlete who carries the flag of their country during the opening and closing ceremonies. While at present a purely ceremonial function, as far back as Roman warfare and medieval warfare the standard-bearer had an important role on the battlefield. The standard-bearer acted as an indicator of where the position of a military ...
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Soldier From No7 Company Coldstream Guards With Regimental Colours MOD 45152569
A soldier is a person who is a member of an army. A soldier can be a conscripted or volunteer enlisted person, a non-commissioned officer, or an officer. Etymology The word ''soldier'' derives from the Middle English word , from Old French or , meaning mercenary, from , meaning shilling's worth or wage, from or , shilling. The word is also related to the Medieval Latin , meaning soldier (literally, "one having pay"). These words ultimately derive from the Late Latin word , referring to an Ancient Roman coin used in the Byzantine Empire. Occupational designations In most armies use of the word "soldier" has taken on a more general meaning due to the increasing specialization of military occupations that require different areas of knowledge and skill-sets. As a result, "soldiers" are referred to by names or ranks which reflect an individual's military occupation specialty arm, service, or branch of military employment, their type of unit, or operational employment or technica ...
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Signifer
A ''signifer'' () was a standard bearer of the Roman legions. He carried a ''signum'' (standard) for a cohort or century. Each century had a ''signifer'' so there were 59 in a legion. Within each cohort, the first century's ''signifer'' would be the senior one. The ''-fer'' in ''signifer'' comes from ''ferre'', the Latin for "to bear" or "to carry". Standard-bearer It had a number of ''phalarae'' (disks or medallions) along with a number of other elements mounted on a pole. The pole could be topped with a leaf-shaped spear head or a ''manus'' (open human hand) image denoting the oath of loyalty taken by the soldiers. It sometimes included a representation of a wreath, probably denoting an honour or award. The task of carrying the ''signum'' in battle was dangerous, a soldier had to stand in the first rank and could carry only a small buckler. It was that banner that the men from each individual century would rally around. A soldier could also gain the position of ''discentes s ...
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Flag Of Italy
The national flag of Italy ( it, Bandiera d'Italia, ), often referred to in Italian as ''il Tricolore'' ( en, the Tricolour, ) is a tricolour (flag), tricolour featuring three equally sized vertical Pale (heraldry), pales of green, white and red, national colours of Italy, with the green at the hoist side, as defined by article 12 of the Constitution of the Italian Republic.wikisource:Constitution of Italy, Costituzione della Repubblica Italiana Art. 12, 22 dicembre 1947, pubblicata nella Gazzetta Ufficiale n. 298 del 27 dicembre 1947 edizione straordinaria (published in the Official Gazette [of the Italian Republic] No. 298 of 27 December 1947 extraordinary edition) "La bandiera della Repubblica è il tricolore italiano: verde, bianco, e rosso, a tre bande verticali di eguali dimensioni" The Italian law regulates its use and display, protecting its defense and providing for the Flag desecration, crime of insulting it; it also prescribes its teaching in Italian schools together wit ...
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Five Days Of Milan
The Five Days of Milan ( ) was an insurrection and a major event in the Revolutionary Year of 1848 that started the First Italian War of Independence. On 18 March, a rebellion arose in the city of Milan, and in five days of street fighting drove Marshal Radetzky and his Austrian soldiers from the city. Background In 1848, the Milanese launched an anti-Austrian campaign as early as 1 January. On New Year's Day the Milanese started to boycott gambling and tobacco products, which were government monopolies that brought in over 5 million lire a year. The boycott culminated in a bloody street battle on 3 January, when Austrian soldiers, in batches of three, were being insulted and pelted with stones by an angry crowd. The soldiers then gathered together in groups of a dozen and charged the crowd with swords and bayonets, killing five and wounding another 59. Radetzky confined his troops to barracks for five days. The protests were over, but two months later, when news reached Mi ...
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Firefighters Corps Of Paraná State
In the State of Paraná, Brazil, the Firefighters Corps ( pt, Corpo de Bombeiros) is part of the structure of the Military Police of State. The mission of the Firefighters Corps is the implementation of activities of Civil Defense, prevention and firefighting, search and rescue, and public assistance under the State of Paraná.Law 6.774, January 8, 1976. The unit is reserve troop and ancillary force of the Brazilian Army, and integrating the system public security and social protection in Brazil. Antecedents The creation of a Firefighters Corps was suggested by Emperor in his visit to Paraná in 1880. The Municipality of Curitiba received from the D. Pedro II the amount of $500,000 for the purchase of a fire pump. However, because the amount be reduced, was acquired a small pump, inappropriate for use. In 1882 was established that the Police Corps should develop training in fire fighting, to attend the capital of the Province. Later, in 1886, the Municipality tried again t ...
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Haarlem Schutterij
The Haarlem schutterij refers to a collective name for the voluntary civic guard of Haarlem, from medieval times up to the Batavian Revolution in 1794, when the guilds of Haarlem were disbanded. History During the Hook and Cod wars in 1402, Haarlem formed a hand bow schutterij under the patronage of St. George of 120 citizen volunteers to support the local court of Justice. The guild-like group had its own altar in the St. Bavochurch and they even had processions through town on the name day of their saint. The town suffered from uprisings in 1417 and 1422. After another uprising in 1425, a "New" schutterij was formed to educate young men in the use of the crossbow and they defended the city in 1426 against Jacoba of Beieren. The "New" crossbow schutterij had a new meeting hall built for them near the Spaarne river, and in 1468 a separate schutterij was formed under the patronage of St. Sebastian for hand bowmen. Around 1500 Haarlem had three schutterij groups, two (old and n ...
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Johannes Cornelisz Verspronck
Johannes Cornelisz. Verspronck (between 1600 and 1603 – 30 June 1662 (buried)) was a Dutch Golden Age portrait painter from Haarlem. Life Johannes Cornelisz. Verspronck was born between 1600 and 1603 in Haarlem as the son of the painter Cornelis Engelsz from Gouda, who taught him to paint. In 1632 he became a member of the Haarlem Guild of St. Luke and started a successful career as a portraitist of mostly Catholic sitters in Haarlem. He may have been a Frans Hals pupil, and was strongly influenced by him, especially in his natural expressions and relaxed poses. He is best known for his exactness in painting details such as jewelry and lace, which made him quite popular with female sitters. Most notably, he won a lucrative commission in 1642 for a group portrait of the regentesses of the Heilige Geesthuis, at the time one of the wealthiest charity institutions in Haarlem, situated on the Krocht. This was won at the expense of Frans Hals himself, who had painted the regents o ...
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The Standard Bearer (Rembrandt, 1636)
''The Standard Bearer'' is a three-quarter-length self-portrait by Rembrandt formerly in the Paris collection of Elie de Rothschild, and purchased by the Rijksmuseum for 175 million euros with assistance from the Dutch state and Vereniging Rembrandt in 2021. It was painted on the occasion of the artist's move from Leiden to Amsterdam and is seen as an important early work that "shows Rembrandt's ambition to paint a group portrait for the Amsterdam militia, at the time the most valued commission a painter could be awarded." Rembrandt's flag bearer has several copies in oil, and later prints may be from such copies, but this painting nevertheless has a provenance reaching far into the 18th-century. It was documented as a self-portrait by Smith in 1836, who wrote: Cornelis Hofstede de Groot agreed with him in 1914, but stopped short of calling it a self-portrait. He wrote: 2022 acquisition by the Netherlands In 2019 the painting has been classified as a national treasure of Fr ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ...
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Trekschuit
Trekschuit (, literally ''"tug-boat"'', but true meaning ''"tugged-boat"'') is an old style of sail- and horse-drawn boat specific to the Netherlands, where it was used for centuries as a means of passenger traffic between cities along ''trekvaarten'', or tow-canals. History The first trekschuit 'sailed' in 1632 between Amsterdam and Haarlem and could carry 30 passengers. The ''trekvaart'' or canal was dug in a straight line to facilitate an easy pulling process and to guarantee the shortest route. The passengers needed to step out and change boats in Halfweg, which means "halfway". This is how the town of Halfweg was formed. Because of the enormous success of this Haarlemmertrekvaart, the service was extended from Haarlem to Leiden in 1657. In 1668 the first evening service was announced in the Haarlems Dagblad,Advertisement ...
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The Banquet Of The Officers Of The St George Militia Company In 1616
''The Banquet of the Officers of the St George Militia Company in 1616'' refers to the first of several large schutterstukken painted by Frans Hals for the St. George (or St. Joris) civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum there. Influenced by Cornelis van Haarlem Hals was in his thirties when he painted this piece, and was far from established as a portrait painter. To be safe, he based most of his design on the painting of his predecessor, Cornelis Cornelisz van Haarlem, who painted the same militia company in 1599. Given a nearly impossible task, namely to complete his assignment but to add theatrical elements at the same time, Hals must have spent much time judging the politics of the group. He knew these men well as he served in the St. Joris militia himself from 1612–1615. In his painting, he indicates the political position of each man in the group as well as managing to give each a characteristic portrait. ...
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Frans Hals
Frans Hals the Elder (, , ; – 26 August 1666) was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem. Hals played an important role in the evolution of 17th-century group Portrait painting, portraiture. He is known for his loose painterly brushwork. Biography Hals was born in 1582 or 1583 in Antwerp, then in the Spanish Netherlands, as the son of cloth merchant Franchois Fransz Hals van Mechelen ( 1542–1610) and his second wife Adriaentje van Geertenryck.Frans Hals
iat the Netherlands Institute for Art History
Like many, Hals's parents fled during the Fall of Antwerp (1584–1585) from the south to Haarlem in the new Dutch Republic in the north, where he lived for the remainder of his life. Hals studied under Flemish people, Flemi ...
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