Standard Eyes
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Standard Eyes
''Standard Eyes'' is a compilation album by American jazz pianist Ahmad Jamal featuring performances recorded from 1958 to 1961 for the Argo label and was released in 1967. It draws its selections from the original Argo albums Ahmad Jamal Trio Volume IV, Portfolio of Ahmad Jamal, Happy Moods, At the Pershing, Vol. 2, Ahmad Jamal's Alhambra, and All of You.Ahmad Jamal discography
accessed November 25, 2016


Critical reception

The AllMusic review, giving the album 3 out of 5 stars, has Ken Dryden observing "One of Ahmad Jamal's most popular trios, with bassist Israel Crosby and drummer

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Ahmad Jamal
Ahmad Jamal (born Frederick Russell Jones, July 2, 1930) is an American jazz pianist, composer, bandleader and educator. For six decades, he has been one of the most successful small-group leaders in jazz. Biography Early life Jamal was born Frederick Russell Jones in Pittsburgh, Pennsylvania, on July 2, 1930. He began playing piano at the age of three, when his uncle Lawrence challenged him to duplicate what he was doing on the piano. Jamal began formal piano training at the age of seven with Mary Cardwell Dawson, whom he describes as greatly influencing him. His Pittsburgh roots have remained an important part of his identity ("Pittsburgh meant everything to me and it still does," he said in 2001) and it was there that he was immersed in the influence of jazz artists such as Earl Hines, Billy Strayhorn, Mary Lou Williams, and Erroll Garner. Jamal also studied with pianist James Miller and began playing piano professionally at the age of fourteen, at which point he was recogniz ...
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Billy Boy
"Billy Boy" is a traditional folk song and nursery rhyme found in the United States, in which "Billy Boy" is asked various questions, and the answers all center on his quest to marry a girl who is said to be too young to leave her mother. It has a Roud Folk Song Index number of 326. It is a variant of the traditional English folk song "My Boy Billy", collected by Ralph Vaughan Williams and published by him in 1912 as number 232 in ''Novello's School Songs''. Origins and interpretations The nursery rhyme, framed in question-and-answer form, is ironic and teasing in tone: The narrative of the song has been related by some to " Lord Randall", a murder ballad from the British Isles, in which the suitor is poisoned by the woman he visits. By contrast, Robin Fox uses the song to make a point about cooking and courtship, and observes: Feeding has always been closely linked with courtship €¦With humans this works two ways since we are the only animals who cook: the bride is usua ...
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Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ...
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Patricia Johnston
"I'll Remember April" is a popular song and jazz standard with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy '' Ride 'Em Cowboy'', being sung by Dick Foran. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength. Another interpretation is the use of spring (the month of April) to express the loves that were had in youth and remember them when the autumn of life arrives with affection and nostalgia, smiling: "I'll remember April and I smile". The song has been described as one which makes use of nostalgia. Since then, a number of artists have covered the song as listed below. One of the most notable live renditions of the song is a radio performance by Judy Garland, on a broadcast of ...
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Gene DePaul
Gene Vincent de Paul (June 17, 1919 – February 27, 1988) was an American pianist, composer and songwriter. Biography Born in New York City, he served in the United States Army during World War II. He was married to Billye Louise Files (November 23, 1924 – January 30, 1977) of Jack County, Texas. He joined the American Society of Composers, Authors and Publishers (ASCAP) in 1941, and went on to compose the music for many motion pictures. He was nominated (with Don Raye) for an Academy Award for Best Music, Original Song in 1942 for the song "Pig Foot Pete" from the movie '' Hellzapoppin''. The song actually was not included in that movie, but in the 1941 feature, ''Keep 'Em Flying'', and was thus ineligible for the nomination and award. The award was given to " White Christmas". De Paul collaborated with Johnny Mercer, Don Raye, Carolyn Leigh, Charles Rinker and others at Universal Studios, Walt Disney Studios and other Hollywood companies. De Paul composed the 1953 hi ...
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I'll Remember April (song)
"I'll Remember April" is a popular song and jazz standard with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy '' Ride 'Em Cowboy'', being sung by Dick Foran. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength. Another interpretation is the use of spring (the month of April) to express the loves that were had in youth and remember them when the autumn of life arrives with affection and nostalgia, smiling: "I'll remember April and I smile". The song has been described as one which makes use of nostalgia. Since then, a number of artists have covered the song as listed below. One of the most notable live renditions of the song is a radio performance by Judy Garland, on a broadcast of ''Lux ...
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Taboo (other)
A taboo is a social prohibition or ban. Taboo may also refer to: Film, television, and plays * ''Taboo'' (1922 play), by Mary Hoyt Wiborg * ''Taboo'' (film series), a 1980s series of pornographic movies * ''Taboo'' (1980 film), the first of the above series * ''Taboo'' (1999 film), a Japanese film * ''Taboo'' (2002 film), an American film * ''Taboo'' (2015 film), an Iranian film * ''Taboo'' (musical), a 2002 play about the life of Boy George * ''Taboo'' (2002 TV series), a documentary series on National Geographic Channel * ''Taboo'' (2017 TV series), a period drama on BBC One * ''Taboo'' (Australian TV series), a comedic series on Network 10 Literature * ''Taboo'' (book), a book containing a series of lectures on the subject by Franz Baermann Steiner * ''Taboo'' (comics), an anthology published by Stephen R. Bissette Music * Taboo (band), a German Eurodance group * ''Taboo'' (Boy George albums), 2002 * ''Taboo'' (Buck-Tick album), 1989 * "Taboo" (Christabelle Bo ...
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Richard Rodgers
Richard Charles Rodgers (June 28, 1902 â€“ December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ...
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Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years.
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I Didn't Know What Time It Was
"I Didn't Know What Time It Was" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical '' Too Many Girls''. Introduced by Richard Kollmar and Marcy Westcott in the stage musical, early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly). It was then performed by Trudy Erwin (dubbing for Lucille Ball) and Richard Carlson in the 1940 film adaptation produced by RKO. The song was later interpolated into the score of the 1957 film '' Pal Joey,'' sung by Frank Sinatra. Recordings * Artie Shaw - Shadows / I Didn't Know What Time It Was (1939) * Charlie Parker – ''Charlie Parker with Strings'' (1949) * Peggy Lee – '' Black Coffee'' (1953) * Louis Jordan (1954) * Ella Fitzgerald - ''Ella Fitzgerald Sings the Rodgers and Hart Songbook'' (1956) * Stan Getz and Gerry Mulligan – ''Gerry Mulligan Meets Stan Getz'' (1957) * Billie Holiday – ''Songs for Distingué Lovers'' (1957) * Benny G ...
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Jules LeMare
Charles N. Daniels (April 12, 1878 – January 23, 1943), was a composer, occasional lyricist, and music publishing executive. He employed many pseudonyms, including Neil Moret, Jules Lemare, L'Albert, Paul Bertrand, Julian Strauss, and Sidney Carter. His creative work is generally credited as "Moret" while his business dealings and ASCAP membership were under the name Daniels. Biography Daniels was born in Leavenworth, Kansas, and brought up in Saint Joseph and Kansas City, Missouri. At 18 he won a prize for his composition "Margery", which was performed by John Philip Sousa's band. By 1899, Daniels was such a celebrity that when Carl Hoffman published the sheet music for Scott Joplin's "Original Rags," he made a point to credit Daniels as the arranger. It's not known if Daniels actually arranged the piece or merely transcribed it. In 1904 he started the Daniels and Russel publishing firm in Saint Louis, later forming his own firm and working as an executive wit ...
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Harry Tobias
Harry Tobias (September 11, 1895 – December 15, 1994) was an American lyricist. Like his younger brother Charles, he is an inductee of the Songwriters Hall of Fame. Born in New York City, United States, but raised in Worcester, Massachusetts, he began writing songs in his teens. At the age of 19, he co-wrote his first successful songs, "That Girl of Mine" and "Take Me To My Alabam", with Will Dillon. After serving in the US Army, he returned to songwriting, co-writing the 1922 novelty hit, "Oo-oo, Ernest (Are You Earnest With Me?)". He often worked with his brothers Charles and Henry, writing songs with Charles for the Broadway show ''Earl Carroll's Sketch Book'' in 1929, and writing Rudy Vallee's hit "Miss You" with both brothers the same year. In 1931, he had success with the song "At Your Command", an early success for Bing Crosby, and also co-wrote " Sweet and Lovely", a hit for Russ Columbo. He wrote or co-wrote the theme songs for many films in the 1930s and 1940s, ...
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