Stan Getz Quartet Live In Paris
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Stan Getz Quartet Live In Paris
''Stan Getz Quartet Live in Paris'' is a live album by saxophonist Stan Getz which was recorded France in 1982 but not released on the French Dreyfus Jazz label until 1996.Stan Getz discography: 1980's
accessed July 26, 2016


Reception

The site rated the album with 4 stars.


Track listing

# "O Grande Amor" () - 6:04 # " Blood Count" (

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Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ...
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Blue Skies (Irving Berlin Song)
"Blue Skies" is a popular song, written by Irving Berlin in 1926. "Blue Skies" is one of many popular songs whose lyrics use a "bluebird of happiness" as a symbol of cheer: "Bluebirds singing a song/Nothing but bluebirds all day long." The sunny optimism of the lyrics are undercut by the minor key giving the words an ironic feeling. History The song was composed in 1926 as a last-minute addition to the Rodgers and Hart musical ''Betsy''. Although the show ran for only 39 performances, "Blue Skies" was an instant success, with audiences on opening night demanding 24 encores of the piece from star Belle Baker. During the final repetition, Ms. Baker forgot her lyrics, prompting Berlin to sing them from his seat in the front row.Laurence Bergreen, ''As Thousands Cheer: The Life of Irving Berlin'', 1996, p. 277. In 1927, the music was published and Ben Selvin's recorded version (as The Knickerbockers with vocals by Charles Kaley) was a hit. That same year, it became one of the firs ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Victor Lewis
Victor Lewis (born May 20, 1950) is an American jazz drummer, composer, and educator. Early life Victor Lewis was born on May 20, 1950 in Omaha, Nebraska. His father, Richard Lewis, who played saxophone and mother, Camille, a pianist-vocalist were both classically trained musicians who performed with many of the "territory bands" that toured the midwest in the forties. Consequently, Victor grew up with jazz as well as popular and European classical music at home. He would also go with his father to hear touring big bands as they passed through Omaha, such as Duke Ellington, Count Basie and Woody Herman. Victor started studying music when he was ten and a half years old. Too small for the acoustic bass, he began on cello, but switched to the drums a year and a half later inspired by the drum line marching in holiday parades. As part of his formal studies, he also studied classical piano. Career By the time he was 15, Victor began playing drums professionally on the local scene ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Marc Johnson (musician)
Marc Alan Johnson (born October 21, 1953, in Omaha, Nebraska) is an American jazz bass player, composer and band leader. Johnson was born in Nebraska and grew up in Texas. He is married to the Brazilian jazz pianist and singer Eliane Elias. Career At the age of 19, Johnson was working professionally with the Fort Worth Symphony, and while at the University of North Texas, he played in the One O'Clock Lab Band and was also the principal bassist in the NTSU Symphony. In 1978, Johnson joined pianist Bill Evans in what would be Evans's last trio. Johnson toured and recorded with Evans until the death of the pianist in 1980. In 2007 he released the tribute album ''Something For You''—a tribute to Evans—together with his wife, pianist Eliane Elias. His credits since then include albums with Joe Lovano, Michael Brecker, Stan Getz, Bob Brookmeyer, Gary Burton, John Abercrombie (guitarist), John Abercrombie, Bill Frisell, Pat Metheny, Lyle Mays, Eliane Elias, Enrico Pieranunzi, ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Jim McNeely
Jim McNeely (born May 18, 1949) is a jazz pianist, composer, arranger and faculty. Biography Jim McNeely was born in Chicago, Illinois. He earned a Bachelor of Music degree from the University of Illinois, and moved to New York City in 1975. In 1978, he joined the Thad Jones/Mel Lewis Big Band. He spent six years as a featured soloist with that band and its successor, Mel Lewis and the Jazz Orchestra (now the Vanguard Jazz Orchestra). In 1981, he began a four-year tenure as pianist/composer with the Stan Getz Quartet. From 1990 until 1995, he was the pianist in the Phil Woods Quintet. In 1996, he re-joined the Vanguard Jazz Orchestra as pianist. He is still associated with the Vanguard Orchestra as composer-in-residence. From 1998 to 2002, McNeely was chief conductor of the DR Big Band in Copenhagen, Denmark. , he was chief conductor of the HR (Hessischer Rundfunk) Big Band in Frankfurt, Germany. He is currently their Composer-in-Residence. He has appeared as guest with man ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony".Grove Life and career Early life He was born in Harlem, New York, United States. Powell's father was a stride pianist.Gitler, p. 112. Powell started classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins. At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party,Crawford, p. 12. where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was Ja ...
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Tempus Fugue-it
"Tempus Fugue-it" (also known as "Tempus Fugit") is a 1949 jazz composition by jazz pianist Bud Powell (1924–1966). It has been recorded by Powell, Miles Davis and many others. The song is not actually a fugue in compositional form; its title is a pun on the Latin phrase ''tempus fugit ''Tempus fugit'' is a Latin phrase, usually translated into English as "time flies". The expression comes from line 284 of book 3 of Virgil's ''Georgics'', Vergilius Maro, Publius. ''Georgicon'', III. c. 29 BC. Hosted at Wikisource. ...'', meaning "time flies". The name is also a reflection of the speed at which the piece is played. References Citations Sources *"Tempus Fugit" aAllmusic.com *"Tempus Fugit," BMI Work #147024link {{Authority control 1949 songs Compositions by Bud Powell ...
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Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ...
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