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Stalag Riddim
The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1970s. It was originally written and performed as "Stalag 17" (named after the 1953 war film) by Ansel Collins, and released by Winston Riley's Techniques record label in 1973. It was mainly used for dub instrumental versions, often b-sides of records. The rhythm also influenced early hip-hop, and can be discerned on Public Enemy's hit 'Don't Believe the Hype' as well as on Too Short's Blowjob Betty. In 1980, reggae superstar Bob Marley's band The Wailers used the riddim as an introductory theme to the Uprising Tour concerts, with keyboardist Tyrone Downie chanting "Marley!" over the riddim while Marley comes to the stage (therefore the intro is commonly called "Marley Chant" among fans). In 1982 it successfully made the transition into dancehall Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Version
Dub is an electronic music, electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as Delay (audio effect), echo and reverb effect, reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing (music), dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by Audio engineer, recording engineers and producers such as King Tubby, Os ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Marley
Robert Nesta Marley (6 February 1945 – 11 May 1981; baptised in 1980 as Berhane Selassie) was a Jamaican singer, musician, and songwriter. Considered one of the pioneers of reggae, his musical career was marked by fusing elements of reggae, ska, and rocksteady, as well as his distinctive vocal and songwriting style. Marley's contributions to music increased the visibility of Jamaican music worldwide, and made him a global figure in popular culture to this day. Over the course of his career, Marley became known as a Rastafari icon, and he infused his music with a sense of spirituality. He is also considered a global symbol of Jamaican music and culture and identity, and was controversial in his outspoken support for democratic social reforms. In 1976, Marley survived an assassination attempt in his home, which was thought to be politically motivated. He also supported legalization of marijuana, and advocated for Pan-Africanism. Born in Nine Mile, Jamaica, Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bam Bam (Sister Nancy Song)
"Bam Bam" is a 1982 song by Jamaican dancehall recording artist Sister Nancy. The song's chorus was inspired by the 1966 song of the same name, by The Maytals and Byron Lee and the Dragonaires. The song's instrumental samples the 1974 song "Stalag 17", by Ansell Collins, a well known riddim, alternatively known as a backing track used repeatedly. The song has been labeled as a "well-known reggae anthem" by BBC and a "classic" by ''The Observer''. In 2016, ''Billboard'' called the song "a strong contender for the title of most sampled reggae song of all time."Sister Nancy & Producer Winston Riley's Son Talk 'Bam Bam' Sample on Kanye West's 'The Life of Pablo' Billboard, 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to furth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tyrone Downie
Tyrone Downie (20 May 1956 – 5 November 2022) was a Jamaican keyboardist and pianist best known for his involvement as a member of Bob Marley and The Wailers.Foster, Chuck (1999) ''Roots Rock Reggae'', Billboard Books, , p. 66, 116 He studied at Kingston College and joined The Wailers in the mid-1970s, making his recording debut with the band on ''Rastaman Vibration'', having previously been a member of the Impact All Stars. He also played with The Abyssinians, Beenie Man, Black Uhuru,Moskowitz, David V. (2006) "Tyrone Downie", in ''Caribbean Popular Music: an Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall'', Greenwood Press, , p. 92-3 Buju Banton, Peter Tosh, Junior Reid, Tom Tom Club, Ian Dury, Burning Spear, Steel Pulse, Alpha Blondy, Tiken Jah Fakoly and Sly & Robbie. He resided in France and was a member of the touring band of Youssou N'Dour, whose album ''Remember'' he produced. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uprising Tour
The Uprising Tour was a concert tour organised to support the album ''Uprising'' by Bob Marley and the Wailers. It was Marley's last tour and the biggest music tour of Europe in that year. The tour started at the Hallenstadion in Zürich, Switzerland, where Marley performed for the first time, on 30 May 1980, and ended at the Stanley Theater in Pittsburgh, on 23 September 1980, which was Marley's last concert. Two days prior to the Pittsburgh show, after playing two shows at the Madison Square Garden, Marley collapsed in Central Park while jogging, and was told to immediately cancel the U.S. leg of the tour, but he instead flew to Pittsburgh to perform one final performance. He was rumoured to go out on stage to say "Hi" to fans with Stevie Wonder during his performance of Master Blaster but this is not true. Marley went to a few treatment clinics in the United States, Boston, New York and Miami (maybe Mexico). Each place gave him only a month to live. Marley then left for We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wailers
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Too Short
Todd Anthony Shaw (born April 28, 1966), better known by the stage name Too Short (stylized as Too $hort), is an American rapper and record producer. He became famous in the West Coast hip hop scene in the late 1980s, with lyrics often based on pimping and promiscuity, but also drug culture and street survival. This is respectively exemplified in his most popular songs "Blow the Whistle" and " The Ghetto". A pioneer of West Coast rap, Shaw began recording in 1983, cultivating a large following in his native Oakland. In 1987, his fourth album ''Born to Mack'' attracted the attention of Jive Records, who signed him and distributed the album nationally. His subsequent 1988 album '' Life Is...Too Short'' was highly successful, going double platinum, and he remained prominent into the 1990s. Early life Shaw was born and grew up in Los Angeles, California. In the early 1980s, he and his family moved to Oakland, California. He was a drummer in the band at Fremont High School in Oa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Believe The Hype
"Don't Believe the Hype" is a song by hip hop group Public Enemy and the second single to be released from their second album, ''It Takes a Nation of Millions to Hold Us Back''. The song's lyrics are mostly about the political issues that were current in the United States at the time of its release. "Don't Believe the Hype" charted at number 18 on the U.S. R&B chart and also reached a high of 18 in the UK Singles Chart in July 1988. Chuck D has stated the song was inspired by the works of Noam Chomsky. The B-side includes "Prophets of Rage" and "The Rhythm The Rebel", an a cappella of the opening verse from "Rebel Without a Pause "Rebel Without a Pause" is a song by hip hop group Public Enemy and the first single from their 1988 album, '' It Takes a Nation of Millions to Hold Us Back''. The title is a reference to the 1955 film ''Rebel Without a Cause''. History "Rebel Wi ..." which was a popular scratching phrase. Charts References Public Enemy (band) songs 1988 s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Enemy (band)
"Public enemy" is a term which was first widely used in the United States in the 1930s to describe individuals whose activities were seen as criminal and extremely damaging to society, though the phrase had been used for centuries to describe pirates, vikings, highwaymen, bandits, mobsters, and similar outlaws. Origin and usage The expression dates back to Roman times. The Senate declared emperor Nero a ''hostis publicus'' in AD 68. Its direct translation is "public enemy". Whereas "public" is currently used in English in order to describe something related to collectivity at large, with an implication towards government or the State, the Latin word "publicus" could, in addition to that meaning, also refer directly to people, making it the equivalent of the genitive of ''populus'' ("people"), ''populi'' ("popular" or "of the people"). Thus, "public enemy" and "enemy of the people" are, etymologically, near-synonyms. The words "'' ennemi du peuple''" were extensively used duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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