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Staccato
Staccato (; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horizontal wedges, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staccatissimo
Staccato (; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horizontal wedges, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Articulation (music)
Articulation is a fundamental musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay. They can also modify an event's timbre, dynamics, and pitch. Musical articulation is analogous to the articulation of speech, and during the Baroque and Classical periods it was taught by comparison to oratory. Western music has a set of traditional articulations that were standardized in the 19th century and remain widely used. Composers are not limited to these, however, and may invent new articulations as a piece requires. When writing electronic and computer music, composers can design articulations from the ground up. In addition to the following instructions given by composers, performers choose how to articulate the events of a score independently, in accordance with their interpretation of it. Until the 17th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portato
Portato (; Italian past participle of ''portare'', "to carry"), also mezzo-staccato, French notes portées, in music denotes a smooth, pulsing articulation and is often notated by adding dots under slur markings. Portato is also known as articulated legato. Description Portato is a bowing technique for stringed instruments, in which successive notes are gently re-articulated while being joined under a single continuing bow stroke. It achieves a kind of pulsation or undulation, rather than separating the notes. It has been notated in various ways. One early 19th-century writer, Pierre Baillot (''L’art du violon'', Paris, 1834), gives two alternatives: a wavy line, and dots under a slur. Later in the century a third method became common: placing "legato" dashes (tenuto) under a slur. The notation with dots under slurs is ambiguous, because it is also used for very different bowings, including staccato and flying spiccato. Currently, portato is sometimes indicated in words, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo Staccato
Portato (; Italian past participle of ''portare'', "to carry"), also mezzo-staccato, French notes portées, in music denotes a smooth, pulsing articulation and is often notated by adding dots under slur markings. Portato is also known as articulated legato. Description Portato is a bowing technique for stringed instruments, in which successive notes are gently re-articulated while being joined under a single continuing bow stroke. It achieves a kind of pulsation or undulation, rather than separating the notes. It has been notated in various ways. One early 19th-century writer, Pierre Baillot (''L’art du violon'', Paris, 1834), gives two alternatives: a wavy line, and dots under a slur. Later in the century a third method became common: placing "legato" dashes (tenuto) under a slur. The notation with dots under slurs is ambiguous, because it is also used for very different bowings, including staccato and flying spiccato. Currently, portato is sometimes indicated in words, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legato
In music performance and notation, legato (; Italian for "tied together"; French ''lié''; German ''gebunden'') indicates that musical notes are played or sung smoothly and connected. That is, the player makes a transition from note to note with no intervening silence. Legato technique is required for slurred performance, but unlike slurring (as that term is interpreted for some instruments), legato does not forbid re- articulation. Standard notation indicates legato either with the word ''legato'', or by a slur (a curved line) under notes that form one legato group. Legato, like staccato, is a kind of articulation. There is an intermediate articulation called either ''mezzo staccato'' or ''non-legato'' (sometimes referred to as ''portato''). Classical string instruments In music for Classical string instruments, legato is an articulation that often refers to notes played with a full bow, and played with the shortest silence, often barely perceptible, between notes. The play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legato
In music performance and notation, legato (; Italian for "tied together"; French ''lié''; German ''gebunden'') indicates that musical notes are played or sung smoothly and connected. That is, the player makes a transition from note to note with no intervening silence. Legato technique is required for slurred performance, but unlike slurring (as that term is interpreted for some instruments), legato does not forbid re- articulation. Standard notation indicates legato either with the word ''legato'', or by a slur (a curved line) under notes that form one legato group. Legato, like staccato, is a kind of articulation. There is an intermediate articulation called either ''mezzo staccato'' or ''non-legato'' (sometimes referred to as ''portato''). Classical string instruments In music for Classical string instruments, legato is an articulation that often refers to notes played with a full bow, and played with the shortest silence, often barely perceptible, between notes. The play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dotted Note
In Western musical notation, a dotted note is a note with a small dot written after it. In modern practice, the first dot increases the duration of the basic note by half (the original note with an extra beam) of its original value. This means that a dotted note is equivalent to writing the basic note tied to a note of half the value – for instance, a dotted half note is equivalent to a half note tied to a quarter note. Subsequent dots add progressively halved value, as shown in the example to the right. Though theoretically possible, a note with more than three dots is highly uncommon; only quadruple dots have been attested. If the original note is considered as being of length 1, then a quintuple dot would only be 1/32 longer than the quadruple dotted note. The difficulty may be seen by comparing dotted notation to tied notation: a quarter note () is equivalent to 2 tied eighth notes (), a dotted quarter = 3 tied eighth notes, double dotted = 7 tied sixteenth notes (), tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Articulations (music)
Articulation may refer to: Linguistics * Articulatory phonetics, the study of how humans produce speech sounds via the interaction of physiological structures ** Manner of articulation, how speech organs involved in making a sound make contact ** Place of articulation, positions of speech organs to create distinctive speech sounds * Articulatory gestures, the actions necessary to enunciate language * Articulatory phonology, a theory that attempts to unify phonetics and phonology * Articulatory speech recognition, the recovery of speech from acoustic signals * Articulatory synthesis, computational techniques for synthesizing speech based on models of human articulation processes * Topic–focus articulation, a field of study concerned with marking old and new information in a clause Engineering * Articulated vehicle, which have a pivoted joint allowing them to turn more sharply * Articulation score, in telecommunications, a subjective measure of the intelligibility of a voice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osterley
Osterley () is an affluent district of the historic parish of Isleworth in west London approximately from Charing Cross and is part of the London Borough of Hounslow. Most of its land use is mixed agricultural and aesthetic parkland at Osterley House (National Trust), charity-run, much of which is open to paying visitor access. Osterley is on the most elevated soil of the parish, dissected by A4 (The Great West Road) and extends further north than the M4 Motorway. Syon Lane forms the border to the east, while the border with the town of Heston is to the west. Osterley extends to the south of the A4 to at least Church Road based on house deeds, much housing existed before mid 1930s and before the A4, St Mary's Church south of the A4 is also in Osterley. Most of the land of Osterley is the large ancestral private estate of Osterley Park (one of the largest open spaces in west London) and its mansion. These were formerly owned by the Jersey family and were used during World W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slur (music)
A slur is a symbol in Western culture, Western musical notation indicating that the note (music), notes it embraces are to be played without separation (that is, with legato articulation (music), articulation). A slur is denoted with a curved line (geometry), line generally placed over the notes if the stem (music), stems point downward, and under them if the stems point upwards. The example below shows two measures in with a slur for each measure: : \relative c'' Performance Slurs mean different things for different instruments: *For bow (music), bowed string instruments, the notes should be played in one bow stroke. * For plucked string instruments, such as guitars, the notes should be played without plucking the individual strings (hammer-ons and pull-offs). * For wind instruments, the notes should be played without re-articulating each note (tonguing), except for the slide trombone (and other instruments that control the pitch with a slide), on which only certain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
