St Wulfran's Church, Ovingdean
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St Wulfran's Church, Ovingdean
St Wulfran's Church, dedicated to the 7th-century French archbishop Wulfram of Sens, is an Anglican church in Ovingdean, a rural village now within the English city of Brighton and Hove. Parts of the structure date from the early 12th century, and the church is listed at Grade I, a designation used for buildings "of outstanding architectural or historic interest". History A church existed in Ovingdean at the time of the Domesday Book, which recorded it as an ecclesiola ("little church"). This was rebuilt in the early 12th century, and most sources agree that no trace of the Saxon-era building remains. The 12th-century chancel and nave form the basis of the present structure. A tower was added at the west end in the 13th century, as was an aisle on the south side (reached by twin archways cut through from the nave). This aisle no longer exists, and its fate is uncertain; however, ancient scorch marks and discoloured brickwork in the south wall of the nave suggest fire ...
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Wulfram Of Sens
Saint Wulfram of Sens or Saint Wulfram of Fontenelle (also Vuilfran, Wulfrann, Wolfran; la, Wulframnus; french: Vulfran or ''Vulphran''; c. 640 – 20 March 703) was the Archbishop of Sens. His life was recorded eleven years after he died by the monk Jonas of Fontenelle. However, there seems to be little consensus about the precise dates of most events whether during his life or ''post mortem''. Saint Wulfram is depicted in art as baptising a young king or the son of King Radbod. Sometimes the young king is near him and sometimes Wulfram is shown arriving by ship with monks to baptise the king. There are two churches dedicated to him in England, at Grantham, Lincolnshire, and Ovingdean, Sussex, and two in France, one at Abbeville, in the ''département'' of Somme, the other in Butot, in the département of the Seine Maritime. As a patron saint, he protects against the dangers of the sea. Early life Wulfram was born in the diocese of Meaux, at ''Mauraliacus'', an insec ...
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Aisle
An aisle is, in general, a space for walking with rows of non-walking spaces on both sides. Aisles with seating on both sides can be seen in airplanes, certain types of buildings, such as churches, cathedrals, synagogues, meeting halls, parliaments and legislatures, courtrooms, theatres, and in certain types of passenger vehicles. Their floors may be flat or, as in theatres, stepped upwards from a stage. Aisles can also be seen in shops, warehouses, and factories, where rather than seats, they have shelving to either side. In warehouses and factories, aisles may be defined by storage pallets, and in factories, aisles may separate work areas. In health club A health club (also known as a fitness club, fitness center, health spa, and commonly referred to as a gym) is a place that houses exercise equipment for the purpose of physical exercise. In recent years, the number of fitness and health se ...s, exercise equipment is normally arranged in aisles. Aisles are disti ...
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St Richard Of Chichester
Richard of Chichester (1197 – 3 April 1253), also known as Richard de Wych, is a saint (canonized 1262) who was Bishop of Chichester. In Chichester Cathedral a shrine dedicated to Richard had become a richly decorated centre of pilgrimage. In 1538, during the reign of Henry VIII, the shrine was plundered and destroyed by order of Thomas Cromwell. Richard of Chichester is the patron saint of Sussex in southern England; since 2007, his translated saint's day of 16 June has been celebrated as Sussex Day. Life Richard was born in Burford, near the town of Wyche (modern Droitwich, Worcestershire) and was an orphan member of a gentry family.Greenway. Fasti Ecclesiae Anglicanae 1066-1300: volume 5: pp. 1-6. On the death of their parents Richard's elder brother was heir to the estates but he was not old enough to inherit, so the lands were subject to a feudal wardship. On coming of age his brother took possession of his lands, but was required to pay a medieval form of deat ...
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Round Hill, Brighton
Round Hill (sometimes spelt Roundhill) is an inner suburban area of Brighton, part of the coastal city of Brighton and Hove in England. The area contains a mix of privately owned and privately rented terraced housing, much of which has been converted for multiple occupancies, and small-scale commercial development. It was developed mostly in the late 19th century on an area of high land overlooking central Brighton and with good views in all directions, the area became a desirable middle-class suburb—particularly the large terraced houses of Roundhill Crescent and Richmond Road, and the exclusive Park Crescent—and within a few decades the whole of the hill had been built up with smaller terraces and some large villas. Non-residential buildings include the landmark St Martin's Church, Brighton's largest place of worship, with its dramatically extravagant interior; the Brighton Forum, a Gothic Revival former college now in commercial use; Brighton's main fire station; and ...
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St Martin's Church, Brighton
St Martin's Church (in full, St Martin with St Wilfrid, St Alban and St Richard Hollingdean) is an Anglican church in Brighton, England, dating from the mid-Victorian era. It is located on Lewes Road in the Round Hill area of the city, northeast of the city centre and approximately north of the seafront. It is the largest church in Brighton by capacity and is noted for its ornate interior. Selecting the site Although the church was built between 1872 and 1875 and consecrated on 1 May 1875, its founding was closely connected with the former Vicar of Brighton, Reverend Henry Michell Wagner, who had served the town from 1824 until his death in 1870. He had been responsible for the construction of several churches during his period of office, including St Peter's which later became the town's parish church. At the time of his death, he was planning the construction of another and had set aside £3,000 from his personal wealth, but had not decided on a location or any other d ...
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Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin ''dorsum''. (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 15th cent ...
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Oberammergau
Oberammergau is a municipality in the district of Garmisch-Partenkirchen, in Bavaria, Germany. The small town on the Ammer River is known for its woodcarvers and woodcarvings, for its NATO School, and around the world for its 380-year tradition of mounting Passion Plays. History Passion Play The Oberammergau Passion Play was first performed in 1634. According to local legend, the play is performed every ten years because of a vow made by the inhabitants of the village that if God spared them from the effects of the bubonic plague then sweeping the region, they would perform a passion play every ten years. A man traveling back to the town for Christmas allegedly brought the plague with him by accident. The man purportedly died from the plague and it began spreading throughout Oberammergau. After the vow was made, according to tradition, not another inhabitant of the town died from the plague. All of the town members that were still suffering from the plague are said to have recov ...
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Rood Screen
The rood screen (also choir screen, chancel screen, or jubé) is a common feature in late medieval church architecture. It is typically an ornate partition between the chancel and nave, of more or less open tracery constructed of wood, stone, or wrought iron. The rood screen would originally have been surmounted by a rood loft carrying the Great Rood, a sculptural representation of the Crucifixion. In English, Scottish, and Welsh cathedrals, monastic, and collegiate churches, there were commonly two transverse screens, with a rood screen or rood beam located one bay west of the pulpitum screen, but this double arrangement nowhere survives complete, and accordingly the preserved pulpitum in such churches is sometimes referred to as a rood screen. At Wells Cathedral the medieval arrangement was restored in the 20th century, with the medieval strainer arch supporting a rood, placed in front of the pulpitum and organ. Rood screens can be found in churches in many parts of Europe, h ...
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Stained Glass
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and ''objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painte ...
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Charles Eamer Kempe
Charles Eamer Kempe (29 June 1837 – 29 April 1907) was a British Victorian era designer and manufacturer of stained glass. His studios produced over 4,000 windows and also designs for altars and altar frontals, furniture and furnishings, lichgates and memorials that helped to define a later nineteenth-century Anglican style. The list of English cathedrals containing examples of his work includes: Chester, Gloucester, Hereford, Lichfield, Wells, Winchester and York. Kempe's networks of patrons and influence stretched from the Royal Family and the Church of England hierarchy to the literary and artistic beau monde. Early life Charles Kempe was born at Ovingdean Hall, near Brighton, East Sussex in 1837. He was the youngest son of Nathaniel Kemp (1759–1843), a cousin of Thomas Read Kemp, a politician and property developer responsible for the Kemptown area of BrightonKempe added the 'e' to his name in adult life and the maternal grandson of Sir John Eamer, who served as Lord ...
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Victorian Era
In the history of the United Kingdom and the British Empire, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardian period, and its later half overlaps with the first part of the '' Belle Époque'' era of Continental Europe. There was a strong religious drive for higher moral standards led by the nonconformist churches, such as the Methodists and the evangelical wing of the established Church of England. Ideologically, the Victorian era witnessed resistance to the rationalism that defined the Georgian period, and an increasing turn towards romanticism and even mysticism in religion, social values, and arts. This era saw a staggering amount of technological innovations that proved key to Britain's power and prosperity. Doctors started moving away from tradition and mysticism towards a science-based approach; medicine advanced thanks to the adoption ...
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Victorian Restoration
The Victorian restoration was the widespread and extensive refurbishment and rebuilding of Church of England churches and cathedrals that took place in England and Wales during the 19th-century reign of Queen Victoria. It was not the same process as is understood today by the term building restoration. Against a background of poorly maintained church buildings, a reaction against the Puritan ethic manifested in the Gothic Revival, and a shortage of churches where they were needed in cities, the Cambridge Camden Society and the Oxford Movement advocated a return to a more medieval attitude to churchgoing. The change was embraced by the Church of England which saw it as a means of reversing the decline in church attendance. The principle was to "restore" a church to how it might have looked during the " Decorated" style of architecture which existed between 1260 and 1360, and many famous architects such as George Gilbert Scott and Ewan Christian enthusiastically accepted commis ...
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