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St Peter's Church, Ballymodan
St Peter's Church, Ballymodan (also referred to as St Peter's Church, Bandon) is an Anglicanism, Anglican Gothic Revival architecture, Gothic Revival church located in Ballymodan, Bandon, County Cork, Bandon, County Cork, Republic of Ireland, Ireland. It was completed in 1849. It is part of the Diocese of Cork, Cloyne and Ross, Diocese of Cork, Cloyne, and Ross. It is a middle-pointed, cruciform church. History The church is situated on the site of an earlier church dating back to 1614, which was also dedicated to Saint Peter, St Peter. The old church was demolished and the new church erected because the parishioners did not like the architecture of the original building. Construction began in 1847, with the foundation stone being laid by the Earl of Bandon on 9 March that year. The church was consecrated on 30 August 1849. The chancel was remodelled in 1893 by James Fuller. Many prominent families in Bandon acted as patrons of the church, the Earl of Bandon, earls of Bandon o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of Ireland
The Church of Ireland ( ga, Eaglais na hÉireann, ; sco, label= Ulster-Scots, Kirk o Airlann, ) is a Christian church in Ireland and an autonomous province of the Anglican Communion. It is organised on an all-Ireland basis and is the second largest Christian church on the island after the Roman Catholic Church. Like other Anglican churches, it has retained elements of pre-Reformation practice, notably its episcopal polity, while rejecting the primacy of the Pope. In theological and liturgical matters, it incorporates many principles of the Reformation, particularly those of the English Reformation, but self-identifies as being both Reformed and Catholic, in that it sees itself as the inheritor of a continuous tradition going back to the founding of Christianity in Ireland. As with other members of the global Anglican communion, individual parishes accommodate different approaches to the level of ritual and formality, variously referred to as High and Low Church. Overvie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Peter's Church Tower Bandon, Cork - 20210923130909
ST, St, or St. may refer to: Arts and entertainment * Stanza, in poetry * Suicidal Tendencies, an American heavy metal/hardcore punk band * Star Trek, a science-fiction media franchise * Summa Theologica, a compendium of Catholic philosophy and theology by St. Thomas Aquinas * St or St., abbreviation of "State", especially in the name of a college or university Businesses and organizations Transportation * Germania (airline) (IATA airline designator ST) * Maharashtra State Road Transport Corporation, abbreviated as State Transport * Sound Transit, Central Puget Sound Regional Transit Authority, Washington state, US * Springfield Terminal Railway (Vermont) (railroad reporting mark ST) * Suffolk County Transit, or Suffolk Transit, the bus system serving Suffolk County, New York Other businesses and organizations * Statstjänstemannaförbundet, or Swedish Union of Civil Servants, a trade union * The Secret Team, an alleged covert alliance between the CIA and American indus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Bell
A "ring of bells" is the name bell ringers give to a set of bell (instrument), bells hung for English full circle ringing. The term "peal of bells" is often used, though peal also refers to a change ringing performance of more than about 5,000 Method ringing, changes. By ringing a bell in a full circle, it was found in the early 17th century that the speed of the bell could be easily altered and the interval between successive soundings (strikes) of the bell could be accurately controlled. A set of bells rung in this manner can be made to strike in different sequences. This ability to control the speed of bells soon led to the development of change ringing where the striking sequence of the bells is changed to give variety and musicality to the sound. The vast majority of "rings" are in bell tower, church towers in the Anglican church in England and can be three to sixteen bells, though six and eight bell towers are the most common. They are musical tuning, tuned to the notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D (musical Note)
D basicmusictheory.com is a musical note a above C, and is known as Re within the fixed-Do solfege system. Its enharmonic equivalents are C (C-double sharp) and E (E-double flat). When calculated in equal temperament with a reference of A above middle C as 440 H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C (musical Note)
C or Do is the first note and semitone of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63 Hz. The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made between written and sounding or concert pitch. It has enharmonic equivalents of B and D. In English the term ''Do'' is used interchangeably with C only by adherents of fixed Do solfège; in the movable Do system Do refers to the tonic of the prevailing key. Frequency Historically, concert pitch has varied. For an instrument in equal temperament tuned to the A440 pitch standard widely adopted in 1939, middle C has a frequency around 261.63 Hz (for other notes see piano key frequencies). Scientific pitch was originally proposed in 1713 by French physicist Joseph Sauveur and based on the numerically convenient frequency of 256 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B (musical Note)
B, also known as Si, Ti, or, in some European countries, H, is the seventh note and the twelfth semitone of the fixed-Do solfège. Its enharmonic equivalents are C (C-flat) and A (A-double sharp). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle B (B4) is approximately 493.883 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on B * B major: B C D E F G A B * B natural minor: B C D E F G A B * B Harmonic minor: B C D E F G A B * B Melodic minor ascending: B C D E F G A B * B melodic minor descending: B A G F E D C B Diatonic scales * B Ionian: B C D E F G A B * B Dorian: B C D E F G A B * B Phrygian: B C D E F G A B * B Lydian: B C D E F G A B * B Mixolydian: B C D E F G A B * B Aeolian: B C D E F G A B * B Locrian: B C D E F G A B Jazz melodic minor * B Ascending melodic minor: B C D E F G A B * B Dorian ♭2: B C D E F G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A (musical Note)
A or La is the sixth note and the tenth semitone of the fixed-do solfège. Its enharmonic equivalents are B (B double flat) which is a diatonic semitone above A and G (G double sharp) which is a diatonic semitone below A. "A" is generally used as a standard for tuning. When the orchestra tunes, the oboe plays an "A" and the rest of the instruments tune to match that pitch. Every string instrument in the orchestra has an A string, from which each player can tune the rest of their instrument. "A" is also used in combination with a number (e.g. A-440) to label the pitch standard. The number designates the frequency in hertz. A lower number equals a lower pitch. The International Standards Organization (ISO) has standardized the pitch at A-440. However, tuning has varied over time, geographical region, or instrument maker. In 17th-century Europe, tunings ranged from about A-374 to A-403, approximately two to three semitones below A-440. Historical examples exist of instruments, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G (musical Note)
Sol, so, or G is the fifth note of the fixed-do solfège starting on C. It is the fifth note and the eighth semitone of the solfège. As such it is the dominant, a perfect fifth above C or perfect fourth below C. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of middle G (G4) note is approximately 391.995 Hz. See pitch for a discussion of historical variations in frequency. It has enharmonic equivalents of F (F-double sharp) and A (A-double flat). Designation by octave Scales Common scales beginning on G * G major: G A B C D E F G * G natural minor: G A B C D E F G * G harmonic minor: G A B C D E F G * G melodic minor ascending: G A B C D E F G * G melodic minor descending: G F E D C B A G Diatonic scales * G Ionian: G A B C D E F G * G Dorian: G A B C D E F G * G Phrygian: G A B C D E F G * G Lydian: G A B C D E F G * G Mixolydian: G A B C D E F G * G Aeolian: G A B C D E F G * G Locrian: G A B C D E F G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F (musical Note)
F is a musical note, the fourth above C or fifth below C. It is the fourth note and the sixth semitone of the solfège. It is also known as fa in fixed-do solfège. It has enharmonic equivalents of E (E-sharp) and G (G-double flat), amongst others. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle F (F4) is approximately 349.228 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on F * F major: F G A B C D E F * F natural minor: F G A B C D E F * F harmonic minor: F G A B C D E F * F melodic minor ascending: F G A B C D E F * F melodic minor descending: F E D C B A G F Diatonic scales * F Ionian: F G A B C D E F * F Dorian: F G A B C D E F * F Phrygian: F G A B C D E F * F Lydian: F G A B C D E F * F Mixolydian: F G A B C D E F * F Aeolian: F G A B C D E F * F Locrian: F G A B C D E F Jazz melodic minor * F ascending melodic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Carbery
George Evans, 1st Baron Carbery PC (Ire) (c. 1680 – 28 August 1749) was an Irish politician and peer. A member of a County Limerick family of Whigs, he entered the Irish House of Commons and was created a peer in 1715 as a reward for his father's support of the Hanoverian succession, after his father declined the offer. At the same time, he was returned to the British House of Commons for Westbury. He contested control of the borough with the Tories led by the Earl of Abingdon until 1727, when he stood down. Evans was the son of George Evans (1655 – May 1720), of Bulgaden Hall, County Limerick and his wife (m. 1679) Mary (née Eyre). Lord Carbery married Anne, daughter of William Stafford, in 1703. She later inherited Laxton Hall from her brother. They had five children: *Stafford Evans (b. 1704), died young *George Evans, 2nd Baron Carbery (d. 1759) *Hon. William Evans (d. bef. 1756) *Hon. John Evans (d. 1758), of Bulgaden Hall, High Sheriff of County Limerick in 1734, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Gregg
Robert Samuel Gregg (3 May 1834 – 10 January 1896) was a 19th-century Anglican bishop. Life He was born at the rectory, Kilsallaghan, County Dublin, of which parish his father, John Gregg, was then rector, on 3 May 1834. His mother was Elizabeth Law. He was educated at Trinity College Dublin, where he graduated as junior moderator in mathematics in 1856, being awarded M.A. in 1860. In the same year Gregg was ordained for the curacy of Rathcooney, County Cork, and three years later was appointed rector of Christ Church, Belfast, an important cure which brought him in touch with the working-class population of the north of Ireland. In 1862 he returned to the Diocese of Cork as rector of Frankfield and chaplain to his father, then Bishop of Cork. Frankfield was perhaps the place with which he was to have the closest connection: his wife Elinor was a native of Frankfield, and they are both buried there. In 1865 he became rector of St Peter's Church, Carrigrohane and precentor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
